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HENRY ADAMS
Case Western Reserve University | Mather House, Room 11 | 11201 Euclid Avenue, Cleveland, OH 44106-7110
Tel: 216-368-4119 Fax: 216-368-4681
EDUCATION
Harvard University, B.A. l97l with Honors in Fine Arts
Yale University, M.A. l977 in Art History
Yale University, Ph.D. l980 in Art History
AWARDS
l980, Frances Blanshard Prize, Yale University, for the best doctoral dissertation in Art History. ("John La Farge, l835-l9l0: From Amateur to Artist," 455 pp.)
l985, Arthur Kingsley Porter Prize of the College Art Association for the best article published in The Art Bulletin by a scholar at the beginning of his or her scholarly career. Awarded to "John La Farge's Discovery of Japanese Art: A New Perspective on the Origins of Japonisme." This was the first time the award, which has been bestowed annually since l957, was awarded either to an Americanist or to a museum curator.
l989, William F. Yates Distinguished Service Medallion, William Jewell College, Liberty, Missouri, for the betterment of life in Kansas City and the Midwest. Convocation, August 3l, l989.)
2001, Visual Arts Award, Northern Ohio Live Awards, for the most notable contribution to the visual arts in Northern Ohio (Viktor Schreckengost exhibition).
2005, nominated, John S. Diekhof Graduate Teaching Award, Case Western Reserve University
2005, nominated, Writing Award, Northern Ohio Live Awards.
TEACHING POSITIONS
1997 to present: Professor of American Art, Case Western Reserve University, Cleveland OH. Served as Chair of the Department of Art History 2004-5.
October 1996: Visiting professor, Department of Art History, Colorado College, Colorado Springs (three week block).
1984 to 1993: Adjunct Professor of Art History, the University of Kansas, Lawrence, Kansas; and (from 1989) Adjunct Professor, University of Missouri, Kansas City.
1982 to 1984: Adjunct Professor, Department of Fine Arts, University of Pittsburgh.
l98l to l982: Assistant Professor of Art History, University of Illinois at Urbana-Champaign.
l977 to l978: Visiting Lecturer, Wesleyan University.
l977: Teaching Assistant, Yale University.
MUSEUM EMPLOYMENT
1997-2002: Curator of American Art, The Cleveland Museum of Art
1996: Interim Director, The Kemper Museum of Art, Kansas City, Missouri.
1994 to 1995: Director, The Cummer Museum of Art and Gardens, Jacksonville, Florida.
l984 to 1993: Samuel Sosland Curator of American Art, The Nelson-Atkins Museum of Art, Kansas City, Missouri.
l982 to l984: Curator of Fine Arts, Museum of Art, Carnegie Institute.
PUBLICATIONS: selected from the total of approximately 250
SELECTED BOOKS AND EXHIBITION CATALOGUES
(*Indicates I curated or co-curated the exhibition)
Tom and Jack: The Intertwined Lives of Thomas Hart Benton and Jackson Pollock, Bloomsbury Press, New York, 2009.
What’s American About American Art?, The Cleveland Museum of Art in association with Hudson Hills Press, 2009.
Andrew Wyeth: Master Drawings from the Artist’s Collection, Brandywine River Museum, Chadds Ford, Pennsylvania, 2006
Eakins Revealed, Oxford University Press, New York, April 2005.
*Victor Schreckengost and 20th-Century Design, Cleveland Museum of Art, Cleveland, Ohio, November 2000-February 2001.
“The First Abstract Painter,” in Manierre Dawson, Hollis Taggart Galleries, New York, 1999.
“American Drawings in the Realist Mode,” lead essay in Intimate Expressions: Two Centuries of American Drawing, Georgia Museum of Art, Athens, Georgia, 1998.
*"Life-Lines: A Lifetime of Drawings by Samuel H. Crone, 1858-1913," in Return to Memphis: The Art of Samuel Hester Crone (1858-1913), Art Museum of the University of Memphis, September 6-November 8, 1997.
*Boardman Robinson: American Muralist and Illustrator, 1876-1952, Colorado Springs Fine Arts Center, September 21, 1996-January 12, 1997.
*"Albert Bloch: The Invisible Blue Rider," in Albert Bloch: The American Blue Rider, Nelson-Atkins Museum of Art and Stadtische Galerie in Lenbachhaus, Munich, 1997, Prestel Verlag, publisher.
"Charles Burchfield's Creative Imagination," in The Paintings of Charles Burchfield: North by Midwest, Columbus Museum of Art, Columbus Ohio, and Harry Abrams, Inc., New York, 1997.
*Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995, curated by Henry Adams, Michael Shapiro and Kate Johnson. An exhibition organized by a consortium of five midwestern museums, introductory essays and selected entries.
"Thomas Hart Benton as a Teacher," introduction to Marianne Berardi, Under the Influence: The Students of Thomas Hart Benton, Albrecht-Kemper Museum of Art, St. Joseph, Missouri, January 1994, pp. 1-29.
*Toward Modernism: The Collection of Mr. and Mrs. James Beal, Carnegie Museum of Art, Pittsburgh, 1994.
*The Arvin Gottlieb Collection: Painters of Taos and Santa Fe, July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City.
*"Ascesa e caduta di Thomas Hart Benton," "Gli ultimi anni," "Catalogo delle opere," "Notizia biografica," "Exposizioni principali," and "Bibliografia essenziale," in Thomas Hart Benton, Museo d'Arte Moderna, Citta di Lugano, published by Electa, Milan, September 5-November 15, 1992.
"A Study in Contrasts: The Work of Harnett and La Farge," William M. Harnett, [exhibition catalogue], The Metropolitan Museum of Art, New York, l992, pp. 60-71.
*Thomas Hart Benton: Drawing from Life, l990, Abbeville Press, 208 pp., to accompany an exhibition of l00 drawings by Thomas Hart Benton circulated by the Henry Art Gallery, University of Washington, Seattle, Washington. Exhibition shown at The Henry Art Gallery (March l6-May 6, l990), Lagunia Gloria Art Museum, Austin, Texas (June 8-July 29, l990), and the Minneapolis Institute of Art (October l3, l990-January 6, l99l).
*Thomas Hart Benton: An American Original, April l989, published by Alfred Knopf, Inc., in association with the Nelson-Atkins Museum of Art and the WGBH Educational Foundation in Boston. 357 pp., written to accompany the Centennial Exhibition of Benton's work, organized by the Nelson-Atkins Museum of Art, and the PBS documentary Thomas Hart Benton, created by Ken Burns in association with WGBH, Boston. The exhibition opened at the Nelson Atkins Museum of Art, Kansas City (April l6 to June l8, l989), and travelled to The Detroit Institute of Arts (August 4 to October l5th, l989), The Whitney Museum of American Art, New York (November l6, l989 to February ll, l990), and the Los Angeles County Museum of Art (April 26 to July 22, l990).
*"The Mind of John La Farge," lead essay in John La Farge, Abbeville Press, New York, l987, and served as curator, organizer, and fundraiser for the accompanying exhibition which opened at the National Museum of American Art in Washington D.C. (July l0 to October l2, l987), and traveled to the Museum of Art, Carnegie Institute, Pittsburgh November 7, l987 to January 3, l988), and the Museum of Fine Arts, Boston (February 24 to April 24, l988).
"Introduction," in Henry Koerner: From Vienna to Pittsburgh, The Art of Henry Koerner, [exhibition catalogue], Carnegie Institute Museum of Art and University of Pittsburgh Press, May l983, pp. 9-26.
"The Contradictions of William Morris Hunt," in William Morris Hunt: A Memorial Exhibition, Museum of Fine Arts, Boston, June l979, pp. 20-34.
SELECTED COLLECTION CATALOGUES
(*Indicates I curated an accompanying exhibition)
*American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, with Marianne Berardi and Sally Metzler, introduction and selected entries.
Master Paintings from the Butler Institute of American Art, Harry N. Abrams, Inc., Publishers, in association with the Butler Institute of American Art, New York, 1994, selected entries.
*American Drawings and Watercolors from the Kansas City Region, July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, 496 pp., with illustrated check-list of all American drawings and watercolors up to 1945 in The Nelson-Atkins Museum of Art, Kansas City, and the Spencer Museum of Art, Lawrence, Kansas. Introduction and selected entries.
Handbook of American Paintings in the Nelson-Atkins Museum of Art, Nelson-Atkins Museum of Art, Kansas City, 1991, 208 pages.
*American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, with an annotated check-list, including apparatus, of the entire collection, Museum of Art, Carnegie Institute, May l985, 240 pp. This exhibition opened at the Carnegie Institute and travelled to Edinburgh, Scotland (August 3-September 2l, l985), the Amon Carter Museum (April l8-June l, l986) and the Huntington Library Art Gallery (June 2l-August 3, l986). Introduction and selected entries.
"George Caleb Bingham's The Jolly Flatboarman, catalogue essay, American Paintings from the Manoogian Collection, National Gallery of Art, l989, pp. 64-65.
SELECTED ARTICLES IN JOURNALS
“Thomas Stevenson’s Landscape Sketchbook,” Kresge Art Museum Bulletin, Michigan State University, East Lansing, MI, vol. VIII, 1999, pp. 6-11.
"Winslow Homer's 'Impressionism' and Its Relation to His Trip to France," Studies in the History of Art 26, National Gallery of Art, Washington D. C., l990, pp. 60-89.
"Rockwell Kent's Illustrations to Moby Dick," two part article, The Rockwell Kent Collector, vol. XIX, no. 2, Fall 1992, pp. 3-8, and Summer 1992, Vol. XIX, no. 1, pp. 3-8.
"Thomas Hart Benton's Illustrations for The Grapes of Wrath,” San Jose Studies, Winter l990, pp. 6-l8.
"The Identity of Winslow Homer's 'Mystery Woman,'" The Burlington Magazine, vol. CXXXII, no. l045, April l990, pp. 244-252.
"John La Farge's Discovery of Japanese Art: A New Perspective On the Origins of Japonisme," The Art Bulletin, LXVII, no. 3, September l985, 449-485, 2 appendices.
"John Graham's Woman in Black and a Related Drawing: The Evolution of an Image," Arts, LIX, no. 4, May l985.
"William James, Henry James, John La Farge, and the Foundations of Radical Empiricism," The American Art Journal, XVII, Winter l985, 60-67.
"If Not Rembrandt Then His Cousin?" The Art Bulletin, LXVI, no. 3, September l984, pp. 427-44l.
"John La Farge and Japan," Apollo, CXIX, no. 974, February l984, pp. l20-l29.
"William Morris Hunt's 'Chef d'Oeuvre Inconnu,'" Proceedings of the New York State Capitol Symposium, Temporary State Commission on the Restoration of the Capitol, Albany, New York, l983, pp. 96-l05 and l87-l9l.
"A New Interpretation of Bingham's Fur Traders Descending the Missouri,” The Art Bulletin, December l983, pp. 675-680.
"The Beal Collection of Watercolors by Charles Demuth," Carnegie Magazine, LVI, no. l2, November-December l983, pp. 2l-28.
"The Development of William Morris Hunt's The Flight of Night,” The American Art Journal, XV, no. 2, Spring l983.
"Mortal Themes: Winslow Homer," Art in America, LXXI, no. 2, February l983, pp. ll2-l26.
"A Fish by John La Farge," The Art Bulletin, June l980, pp. 269-280.
"The Stained Glass of John La Farge," The American Art Review, II, no. 4, July-August l975, pp. 4l-63.
SELECTED ARTICLES ON ART ACQUISITIONS
"George Ault, January Full Moon,” American Art Review, vol. V, no. 1, Summer 1992, pp. 77, 154.
"Family Heirloom Enters the Museum" (Charles Willson Peale's Portrait of The Hall Children), Calendar of the Nelson-Atkins Museum of Art, May l99l, pp. 2-3.
"Benton's 'Closest Friend' Enters Collection" (an early self-portrait by MacDonald-Wright), Calendar of the Nelson-Atkins Museum of Art, March l99l, p. 3.
"Behind the Scenes--William Keith Painting Restored," Calendar of Events, The Nelson-Atkins Museum of Art, September l985, pp. 4 and 6.
"Bingham Portraits Donated to the Museum," Calendar of Events, The Nelson-Atkins Museum of Art, Kansas City, June l985, (contains previously unpublished documentation relating to Bingham's portrait of Roma Johnson Wornall).
"John La Farge's Roses on a Tray,” Carnegie Magazine, January-February l985, pp. l0-l4.
"John Sloan's The Coffee Line," Carnegie Magazine, LVII, no. 6, November-December, l984, l9-24.
"The Pittsburgh Background of Pearlstein's Realism," Carnegie Magazine, May-June l984, pp. 20-24.
"An Interview with David Hockney," Carnegie Magazine, LVI, no. 8, March-April l983, pp. l0-ll and 20-2l.
"Rackstraw Downes Discusses The Dam at Swanville,” Carnegie Magazine, LVI, no. 8, March-April l983, pp. l2-l5 and 38.
SELECTED POPULAR ARTICLES
“Decoding Jackson Pollock, Smithsonian Magazine, December 2009. Currently posted on the Smithsonian website, this broke all previous records for the site, attracting over 1.2 million visitors in a single day and over 600 posted comments.
“Wyeth’s World,” Smithsonian Magazine, June 2006, pp. 84-92.
"In Search of Rembrandt," Smithsonian Magazine, December 1995, pp. 82-91.
"The American Land Inspired Cole's Prescient Visions," Smithsonian Magazine, May 1994, pp. 98-107.
"Rubens was scholar, diplomat, and a lover of life," Smithsonian Magazine, October 1993, pp. 58-69.
"The Enduring Vitality of Plains Indian Art," Smithsonian Magazine, November 1992, pp. 124-133. Reprinted by the U. S. Information Agency for its overseas information program.
"The Paintings of George Bellows," American Artist, July 1992, pp. 52-59, 80.
"Will the real William Harnett please stand up?" Smithsonian Magazine, March, 1992, pp. 52-63.
"Thomas Eakins: the troubled life of an artist who became an outcast," Smithsonian Magazine, November 1991, pp. 52-69.
"Thomas Hart Benton: Bad Boy of the Art World," USA Today Magazine, November l989, pp. 32-44.
"John La Farge, the Inventive Maverick," Smithsonian Magazine, July l987, 46-59.
"Picture Windows," Art and Antiques, April l984, pp. 94-l03.
"Fairfield Porter: Why the Fuss?" Carnegie Magazine, March-April l984, pp. 8-l0.
"Daniel Terra and American Art: From Private Collector to Public Champion," Portfolio, V, no. l, January-February l983, pp. 48-53.
SELECTED BOOK REVIEWS
“The Selected Papers of Charles Willson Peale and His Family,” The Pennsylvania Magazine of History and Biography, vol. CXVIII, no. 4, October 1994, pp. 395-98.
"Lois Fink's American Art at the Nineteenth-Century Paris Salons,” Winterthur Portfolio, vol. 29, no. 4, winter 1994, pp. 284-287.
“The Columbus of the Woods: Daniel Boone and the Typology of Manifest Destiny,” by J. Gray Sweeney,"Gateway Heritage, Missouri Historical Society, St. Louis.
"The Paintings of George Bellows," The Burlington Magazine, vol CXXXIV, October 1992, pp. 684-687.
"The Eight", The Burlington Magazine, CXXXIV, February 1992, pp. 145-46.
"Winslow Homer in the 1870s, Winslow Homer in Gloucester, Winslow Homer in the 1890s, and Reckoning with Winslow Homer,” The Burlington Magazine, June, 1991, pp. 407-408.
"Millard F. Rogers, Jr., Sketches and Bozzetti by American Sculptors, 1800-1950,” The Burlington Magazine, December 1990, pp. 884-885.
"Paul Manship by Harry Rand," The Burlington Magazine, January l990, pp. 46-47.
"Timothy J. Garvey, Public Sculptor: Lorado Taft and the Beautification of Chicago,” The Winterthur Portfolio, vol. XXIV, nos 2/3, summer/autumn l989, pp. 200-20l.
"Barbara Novak's “The Thyssen-Bronemisza Collection: Nineteenth-century American Paintings,” The Burlington Magazine, CXXX, no. l0l8, January l988, pp. 42-43.
"Ann Uhry Abrams' The Valiant Hero: Benjamin West and Grand-Style History Painting,” The Burlington Magazine, CXXVIII, no. 999, June l986, 435-436.
"H. Barbara Weinberg's The American Pupils of Jean-Leon Gerome,” The Burlington Magazine, CXXVIII, no. l002, September l986, 683.
"Thomas Eakins and the Heroism of Modern Life, by Elizabeth Johns," The Art Bulletin, LXVIII, no. 2, June l986, 345-348.
"Allen Weller, Lorado In Paris: The Letters of Lorado Taft, 1880-1885,” The Winterthur Portfolio, XXI, nos 2/3, Summer/Autumn, l986, 209-2ll.
“The Arrogant Connoisseur: Richard Payne-Knight, 1751-1824,” edited by Michael Clark and Nicholas Penny," Jim Springer Borck, general editor, The Eighteenth Century: A Bibliography, n.s. 8--for l982, A M S Press, New York, l982.
“Paris, Grand Palais: A New World: Masterpieces of American Painting,” The Burlington Magazine, CXXVI, no. 974, May l984, pp. 3l2-3l5.
"Romantic Revision by Bryan Wolf," Art in America, LXXII, no. l, January l984, pp. l3-l4.
"New Books on Japonisme: Klaus Berger, Japonismus in der westlichen Malerei; Jacques Dufwa, Winds from the East; Frank Whitford, Japanese Prints and Western Painters; Siegfried Wichman, Japonisme: Japanese Influence on Western Art in the Nineteenth and Twentieth Centuries; Chisaburoh Yamada (editor), Japonisme: An International Symposium,” The Art Bulletin, LXV, no. 3, September l983, pp. 495-502.
GRANT APPLICATIONS
27 successful grant applications for publications and exhibitions, totalling, $1,995,049, including 5 successful applications to the NEH, 2 to the NEA, 3 to the Luce Foundation for American Art, and 2 to the Kress Foundation.
OTHER ACTIVITIES
Member: College Art Association, Association of Historians of American Art. Corresponding Member, Massachusetts Historical Society (elected April l2, l990).
Listed: Who's Who, Who's Who in American Art, Who's Who in the South and Southwest, Dictionary of International Biography, Contemporary Authors, Writer's Directory, International Who's Who of Professionals, and International Authors and Writers Who's Who.
Reader: American Studies, The University of Kansas, Lawrence; The Art Bulletin; George Braziller, Inc.; Cambridge University Press; The Getty Grant Program; Great Plains Quarterly, The University of Nebraska, Lincoln; The University of Kansas Press; The University of Missouri Press; The University of Nebraska Press; The Pennsylvania State University Press; The University of Pittsburgh Press; Smithsonian Institution Press; The University of Virginia Press; The Winterthur Portfolio; The Yale University Press.
Panelist: National Endowment for the Arts (August l9-2l, l986, and February 7-8, 1991)) and National Endowment for the Humanities (January 23, 24, l985 and 1995). Outside reviewer for NEH, spring 1992.
Museum Accreditation Committee, on-site visit, American Assocation of Museums, March 1995, May 1998.
Cited in Christie's and Sotheby's sales catalogues, for paintings by John La Farge and Thomas Hart Benton.
1992, listed, "The Great Experts," Art News, September 1992, page 93.
SELECTED LECTURES
Annual Meeting of the College Art Association
Archives of American Art, Washington D.c.
Birmingham Museum of Art, Birmingham, Alabama
Boise Art Center, Boise, Idaho
Boston Public Library
Boston, Museum of Fine Arts
Bowdoin College, Brunswick, Maine
Butler Institute of American Art, Youngstown, Ohio
Carnegie Museum of Art, Pittsburgh, Pennsylvania
Case Western Reserve University, Cleveland
Cheney Cowles Museum, Spokane, Washington
Cleveland Museum of Art
Colorado Springs Fine Arts Center
Cooper Union, New York City
Corpus Christi, Texas, Art Museum of South Texas.,
Country Music Hall of Fame, Nashville
Detroit Institute of Arts
Eisenhower Library, Abilene, Kansas
Everson Museum of Art, Syracuse, New York
Fine Arts Center at Cheeckwood, Nashville, Tenneseee
Frick Collection, New York
Gustavus Adolphus College, St. Peter, Minnesota
Henry Art Gallery, Seattle, Washington
Kansas City Art Institute
Lagunia-Gloria Museum of Art, Austin, Texas
Lakeview Museum of Art and Sciences, Peoria, Illinois
Los Angeles County Museum of Art
Lowe Art Museum, Coral Gables, Florida
Lugano Switzerland, Museo Civico
Massachusetts Historical Society
Museum of Arts and Sciences, Macon, Georgia
Marion Koogler McNay Art Museum, San Antonio, Texas
Metropolitan Museum of Art
Minneapolis Institute of Arts
Mount Vernon
National Archives, Washington, D.C.
National Gallery of Art, Washington D.C.
Nelson-Atkins Museum of Art, Kansas City
New York State Capitol, Albany, New York
Parrish Art Museum, Southampton, Long Island
Pennsylvania Academy of the Fine Arts
Princeton University
Quincy, Mass., Adams National Historic Site
Reynolda House Museum of American Art, Winston-Salem, North Carolina
San Jose State University, San Jose, California.
Smithsonian Associates, Washington D.C.
Speed Art Museum, Louisville, Kentucky
Spencer Art Museum, University of Kansas
St. Joseph, Missouri, Albrecht-Kemper Museum of Art
University of Iowa
University of Kansas, Lawrence
University of Pittsburgh, Pittsburgh, Pennsylvania
Virginia Museum, Richmond, Virginia
Washington University, St. Louis
Westmoreland Museum, Greensburg, Pennsylvania
Wichita Art Museum, Wichita, Kansas
Whitney Museum of American Art, New York
Yellowstone Art Center, Billings, Montana
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Henry Adams: Publications Indexed by artist
Adams, Boylston
171. “Memoir: Thomas Boylston Adams,” Proceedings of the Massachusetts Historical Society, Volume CIX, 1997, published by the society, distributed by Northeastern University Press, 1998, pp. 123-142.
Albright, Ivan
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 250-51, entry on Ivan Albright, Among Those Left, 1928-29.
Alexander White, John
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, p. 226-27, entry on John White Alexander, Studies for “The Crowning of Labor,” 1906-7.
Allston, Washington
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 48-49, entry on Washington Allston, Portrait of Samuel Williams about 1817.
193. Entries on “Washington Allston,” “Moonlit Landscape” (by Washington Allston) and “The Titan’s Goblet” (by Thomas Cole), A Dictionary of Romanticism, Fitzroy Dearborn Publishers, London, 2003.
Anshutz ,Thomas
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, with an annotated check-list, including apparatus, of the entire collection, Museum of Art, Carnegie Institute, May l985, pp. 127-28, Thomas Anshutz, Two Boys by a Boat, 1895.
Ancona, Nicola di Maestro Antonio d’Ancona
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 34-35, entry on Nicola di Maestro d’Ancona, Madonna and Child Enthroned with Saints Leonard, Jerome, John the Baptist and Francis, 1472.
Audubon, John James
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 56-57, entry on John James Audubon, Peregrine Falcons (Duck Hawks), about 1826-29.
Ault, George
123. "George Ault, January Full Moon," American Art Review, vol. V, no. 1, Summer 1992, pp. 77, 154, with one illustration in color.
113 "George Ault's January Full Moon, Calendar of the Nelson-Atkins Museum of Art, January-February 1992, pp. 1-2, cover illustration in black-and-white.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 175, entry on George Ault, January Full Moon, 1941.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue, Museum of Art, Carnegie Institute, May l985, pp. 158-60, George Ault, Smoke Stacks, 1925.
Baker King, Thomas
163. "Thomas King Baker, 1911-1972: His Secret Life," American Art Journal, April 1997, pp. 140-145.
Balis, Calvin
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 38, entry on Calvin Balis, George and Emma Eastman (A Fashionable Inn), 1850.
Beal, Gifford
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 132, entry on Gifford Beal, West Wind, circa 1930-35.
Bellows, George
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 112-113, entry on George Bellows, Stag at Sharkey’s, 1909.
241 “George Bellows, “biography for website on George Bellows, established by the George Bellows Trust and Thomas French Fine Arts, #1 and #2 on Yahoo for “George Bellows” and #3 on Google.
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 18, entry on George Belows, Winter Afternoon, circa 1909.
139. Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Introductory essays on "Democratic Vistas," "American Impressions," pp. 67-69, "Early 20th-Century," pp. 131-132, and entries on George Bellows, Frankie, the Organ Boy, p. 136.
128. "The Paintings of George Bellows," exhibition review, The Burlington Magazine, vol CXXXIV, October 1992, pp. 684-687, two illustrations in black-and-white.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 116-119, entry on George Bellows, “I Was Beatin’ ‘Is Face,” 1914.
116. "The Paintings of George Bellows," American Artist, July 1992, pp. 52-59, 80, thirteen illustrations in color and one in black-and-white.
111. "George Bellows: An American Master," exhibition brochure of paintings, drawings and lithographs owned in the Kansas City region, 17 pages, twenty illustrations in black-and-white.
110. "George Bellows: An American Master," Calendar of the Nelson-Atkins Museum of Art, October 1991, pp. 1-2, two illustrations in black-and-white.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, three entries on paintings by George Bellows: p. 139-141, Frankie, the Organ Boy, 1907; pp. 141-42, Cleaning Fish, circa 1912; p. 142-143, Pueblo Tesuque No. 2, 1917.
71. A Bountiful Decade: Selected Acquisitions l977-l987 The Nelson-Atkins Museum of Art, [exhibition catalogue], edited by Roger Ward and Eliot Rowlands, October l987, entry on George Bellows.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 240-41, entry on George Bellows, Anne in White, circa 1920.
43. "Pueblo Tesuque by George Bellows," Calendar of Events, The Nelson-Atkins Museum of Art, October l985, l illustration in black-and-white.
Benton, Hart Thomas
252. Tom and Jack: The Intertwined Lives of Thomas Hart Benton and Jackson Pollock, Bloomsbury Press, New York, 2009.
256. Entries on Going West (drawing), A History of Water (mural project), and Strike (painting) by Thomas Hart Benton, Thomas Hart Benton’s America, Kichel Fine Art, Lincoln, Nebraska, November 2009, pages 3-5, 16, 40.
248. “Arts of Life in America Studies,” and “Strike,” entries on two works by Thomas Hart Benton, American Perspectives [exhibition catalogue], Kiechel Fine Art, 5733 South 34th Street, Suite 300, Lincoln, Nebraska, 68516, 2008, pages 19, and double-sided inserted page.
243. “Thomas Hart Benton and Martha’s Vineyard,” Benton on the Vineyard, exhibition catalogue, The Owen Gallery, New York, 19 East 75th Street, New York, New York 10021, October 2008.
238. “Thomas Hart Benton’s Spring Tryout, 1944,” Altermann Galleries & Auctioneers, Auction, December 15, 2007, Session I, The Hilton of Santa Fe, Santa Fe, New Mexico, essay page 45 with color plate on page 46 where I am described as a “noted authority on the works of Thomas Hart Benton.”
235. Entry on Thomas Hart Benton, “Harbor Scene,” 1918, 4 pages in Regionalism, Paintings & Drawings, Kiechel Fine Art, 5733 South 34th Street, Suite 300, Lincoln, Nebraska, 68516, 2007,
234. “Thomas Hart Benton, Hoeing Cotton,” in Portraits and Other Recent Acquisitions, 2007, Lawrence Steigrad Fine Arts, 23 East 69th Street, New York, New York, 10021.
229. “The Benton Fake Game,” IFAR Journal, International Foundation for Art Research, 500 Fifth Avenue, New York, Volume 9 Number 1, 2006, pages 16-27, 18 illustrations, 15 in color.
214. “The Drawings of Thomas Hart Benton,” American Artist: Drawing, Winter 2005, pp. 40-55, cover and 38 illustrations.
212. Thomas Hart Benton [exhibition catalogue], with an essay on Benton’s History of New York, Hammer Galleries, New York, March 2004.
207. “Thomas Hart Benton’s Boomtown,” entry for book on masterworks of the collection, Memorial Art Gallery, Rochester, written July 2003, projected publication date, 2005.
201. Thomas Hart Benton, “The City,” American Art, Phillips De Pury and Luxembourg, New York, December 3, 2002, pp. 94-95.
179. Thomas Hart Benton, G.O.P. Convention, Cleveland, 1936, entries in Masterpiees of Watercolor and Drawing, The Cleveland Museum of Art, exhibition which will open at the Cleveland Museum of Art and travel to the National Gallery of Canada, Ottawa, and the Pierpont Morgan Library.
175. “Painters Also Rode the Rails: Thomas Hart Benton and the Railroad Song,” to be published in Waiting for a Train: Jimmie Rodgers’ America, to be published by the Wesleyan University Press in partnership with the Rock and Roll Hall of Fame, Cleveland.
173. "Thomas Hart Benton's mural of The Arts of Life in America," in New Britain Museum of American Art: Highlights of the Collection, Prestel, Munich, London, New York, 1999, pp. 28-33.
152. "Director's Letter" (acquisition of Thomas Hart Benton's June Morning, 1945), Calendar of the Cummer Museum of Art and Gardens, April 1995, unpaginated.
141. "Thomas Hart Benton as a Teacher," introduction to Marianne Berardi, Under the Influence: The Students of Thomas Hart Benton [exhibition catalogue], Albrecht-Kemper Museum of Art, St. Joseph, Missouri, January 1994, pp. 1-29.
137. "Thomas Hart Benton," to be published in Dictionary of Missouri Biography, University of Missouri Press.
136. "Thomas Hart Benton," and "Roy Emerson Stryker," to be published in American National Biography, Oxford University Press.
129. "Benton Sketchbook Donated to Museum," Calendar of the Nelson-Atkins Museum of Art, December 1992, p. 3, four illustrations in black-and-white.
127. "Ascesa e caduta di Thomas Hart Benton," "Gli ultimi anni," "Catalogo delle opere," "Notizia biografica," "Exposizioni principali," and "Bibliografia essenziale," in Thomas Hart Benton [exhibition catalogue], Museo d'Arte Moderna, Citta di Lugano, published by Electa, Milan, September 5-November 15, 1992, pp. 26-83, 125-132, 147-172, 173-183, 185-86, 187-88.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entry on drawings by Thomas Hart Benton: pp. 226-8, Study for Colonial Brides, circa 1927; pp. 229-30, River Scene with Steamboat and Train, circa 1928; pp. 230-233, Four Studies for The Jealous Lover of Lone Green Valley (Portrait, Portrait of Lucy Piacenza, Portrait of Glen Rounds, Portrait of Jack Pollock), 1934; pp. 234-38, Sketchbook, circa 1938; and pp. 238-39, Preparatory Study for “Jacques Cartier Discovers thde Indians,” 1956.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entries on paintings by Thomas Hart Benton: pp. 182-189, The American Historical Epic, 1919-1926; p. 190, Construction, 1923; p. 191, Crapshooters, 1928; p. 192, The Sun Treader (Carl Ruggles), 1934; p. 193, Minstrel Show, 1934; p. 194, Lord Heal the Child, 1934; p. 195, Hollywood, 1937; p. 196, Persephone, 1938; p. 197, Morning Glories, 1943; p. 198, Desert Still Life, 1951; p. 199, Open Coutry, 1952; p. 200, Farm Sale with Pop and the Boys, 1963; p. 201, Trial by Jury, 1964.
l01. "Did Benton Draw Well?" brochure to accompany an exhibition of Thomas Hart Benton's drawings, "Thomas Hart Benton: An Intimate View," circulated by Smith-Kramer Fine Arts Services, Kansas City, Missouri. Reprinted in part as "Thomas Hart Benton: An Intimate View," American Art Review, vol 5, no. 4, summer 1993, pp. 114-115.l00. "A Masterpiece of American Still Life: John Frederick Peto's Books on a Table," Calendar of Events, The Nelson-Atkins Museum of Art, September l990, cover illustration.
98. "Thomas Hart Benton's Illustrations for The Grapes of Wrath," San Jose Studies, Winter l990, pp. 6-l8, with twenty-two illustrations in black-and-white scattered through the issue.
93. Art and Artists: International Dictionary of Art and Artists, edited by James Vinson with a foreword by Cecil Gould, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biography and entry on Thomas Hart Benton's Persephone.
91. "Thomas Hart Benton," Southwest Art, May l990, pp. ll2-ll8, 220-22l, nine illustrations in color.
90. "Thomas Hart Benton's l0lst Birthday – And a New Benton for the Museum," Calendar of the Nelson-Atkins Museum of Art, April, l990.
89. Thomas Hart Benton: Drawing From Life, l990, Abbeville Press, 208 pp., l95 illustrations, 39 in color, and with color illustration on cover, to accompany an exhibition of l00 drawings by Thomas Hart Benton circulated by the Henry Art Gallery, University of Washington, Seattle, Washington.
87. "Thomas Hart Benton: Artist, Writer, Intellectual, edited by R. Douglas Hurt and Mary K. Dains" [book review], Gateway Heritage, published by the Missouri Historical Society, St. Louis, to be published in l990.
85. "The Legacy of Thomas Hart Benton," excerpt from Knopf book on Benton, Art/World, Fall (November, December, January), p. l0.
83. "Our Own Thomas Hart Benton," WETA Magazine, November l989, pp. l2-l3, two color ilustrations.
82. "Thomas Hart Benton: Bad Boy of the Art World," USA Today Magazine, November l989, pp. 32-44, cover illustration, l2 illustrations in color, including l double-page spread, and l in black-and-white.
81. Thomas Hart Benton: An American Original, April l989, published by Alfred Knopf, Inc., in association with the Nelson-Atkins Museum of Art and the WGBH Educational Foundation in Boston, 357 pp., 360 illustrations.
79. Kansas City Remembers Thomas Hart Benton: l889-l975, brochure for exhibition at the Federal Reserve Bank, Kansas City, April 6-May 26, l989, organized by Smith-Kramer Fine Arts Services.
78. Thomas Hart Benton, advertising supplement to the Kansas City Star Magazine, Sunday, April l6, l989, includes excerpts from Thomas Hart Benton: An American Original.
73. "Karal Ann Marling, Tom Benton and His Drawings: A Biographical Essay and a Collection of His Sketches, Studies, and Mural Cartoons," [book review], The Winterthur Portfolio, XXII, no. l, Spring l988, pp. l02-l06.
71. A Bountiful Decade: Selected Acquisitions l977-l987, The Nelson-Atkins Museum of Art, [exhibition catalogue], October l987, author of entries on Thomas Hart Benton.
70. "Benton Paintings Donated to Museum," Calendar of Events, The Nelson-Atkins Museum of Art, October l987, 2-3, four illustrations in black-and-white.
48. "Tom Benton's Drawings," brochure for an exhibition of drawings from the Benton Trust circulated by Smith-Kramer Art Connections, December l985.
47. "Thomas Hart Benton: An American Original," WGBH Educational Foundation, Boston, corporate grant proposal for a film on Benton.
46. Thomas Hart Benton: An Intimate View [exhibition catalogue], Fine Arts Gallery, Federal Reserve Bank, Kansas City, Missouri, October 8, l985-January 25, l986, 36 pp., l2 color and l0 black-and-white illustrations.
45. "Thomas Hart Benton: An Intimate View," [exhibition brochure, different text than the catalogue], pp. 5.
Bierstadt, Albert
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 76-77, entry on albert Bierstadt, Yosemite Valley, 1866.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, two entries on paintings by Albert Bierstadt: pp. 103-104, Mountain View, Sunset, circa 1865-75; and p. 104, The Farallon Islands, Pacific Ocean, California, circa 1872.
Bingham Caleb, George
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 65-66, entry on two paintings by George Caleb Bingham: pp. 65-66, Fishing on the Mississippi, 1851; p. 67, Canvassing for a Vote (Candidate Electioneering(, 1852; pp. 76-77, Dr. Benoist Troost and Mrs. Benoist Troost, 1859; p. 78, Mrs. Robert L. Todd (Sallie Woodson Hall Todd) and daughter Matilda Tete Todd, circa 1860; p. 79, Mrs. John Bristow Wornall (Roma Johnson Wornall), 1867; p. 80, Mary Frances Ward, circa 1871; p. 81, Mrs. William Miles Chick (ann Eliza Smith Chick), circa 1870; p. 82, The Palm Leaf Shade, 1877-78; p. 83, Self Portrait, circa 1877.
93. Art and Artists: International Dictionary of Art and Artists, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biographies and entry on George Caleb Bingham's Fur Traders Descending the Missouri
80. "George Caleb Bingham's The Jolly Flatboatman," catalogue essay, American Paintings from the Manoogian Collection, National Gallery of Art, l989, pp. 64-65, one color illustration.
40. "Bingham Portraits Donated to the Museum," Calendar of Events, The Nelson-Atkins Museum of Art, Kansas City, June l985, 3 illustrations in black-and-white (contains previously unpublished documentation relating to Bingham's portrait of Roma Johnson Wornall).
29. "Letter to the Editor," The Art Bulletin, LXVI, no. 3, September l984, p. 5l5, l illustration in black-and-white (a discussion of Bingham's Fur Traders Descending the Missouri).
17. "A New Interpretation of Bingham's Fur Traders Descending the Missouri," The Art Bulletin, December l983, pp. 675-680, 3 illustrations in black-and-white.
Bishop, Isabel
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 156, entry on Isabel Bishop, Girl Reading a Newspaper, 1946.
Bloch, Albert
162. "Albert Bloch: The Invisible Blue Rider," in Albert Bloch: The American Blue Rider, [exhibition catalogue], Nelson-Atkins Museum of Art, Stadtische Galerie im Lenbachhaus, and Prestel Verlag, Munich.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 292-83, entry on Albert Block, A Cycle of Creation—The Sixth Day, 1922.
Blum, Robert
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 199, p. 12, entry on Robert Blum, Figure of a Man in Middle eastern Costume Leaning Against a Wall, circa 1879.
Blume, Peter
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue, Museum of Art, Carnegie Institute, May l985, pp. 160-163, entry on Peter Blume, Study for “South of Scranton” (Crow’s Nest, 1930.
Blythe, David Gilmore
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 39-43, entires on David Gilmore Blythe, Portrait of the Artist, circa 1848 and A Free Trade Man, circa 1854-58.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 174-75, entry on David Gilmore Blythe, Post Office, circa 1862-64.
Bransby Eric
187. “Eric Bransby and Modern Mural Painting,” in Eric and Maryanne Bransby [exhibition catalogue], Colorado Springs Fine Arts Center, June 2001.
Braque, Georges
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two paintings by Georges Braque: p. 59, Le Semaphor, circa 1929; p. 65, Still Life on Red Tablecloth, 1936.
Braught, Ross
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 147, entry on Ross Braught, Tchaikovsky’s “Sixth Symphny” (Mako Sica), 1934.
Bricher, Alfred Thompson
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 94, entry on Alfred Thompson Bricher, Schooner Close-Hauled, circa 1882.
Brook, Alexander
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 150, entry on Alexander Brook, Portrait Head, 1937.
Brown, Mather
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 25-26, entries on Mather Brown, Portrait of a Man and Portrait of a Woman, circa 1805.
Burchfield, Charles
179, Charles Burchfield, Church Bells Ringing – Rainy Winter Night, Edward Hopper, Lighthouse Village, The Cleveland Museum of Art, exhibition which will open at the Cleveland Museum of Art and travel to the National Gallery of Canada, Ottawa, and the Pierpont Morgan Library.
165. "A heartland artist who broke the old regionalist mold" [article on Charles Burchfield's paintings of Salem, Ohio and Buffalo, New York], Smithsonian, May 1997, vol. 28, no. 2, p. 58-69, 11 illustrations in color.
164. "Charles Burchfield's Creative Imagination," The Paintings of Charles Burchfield: North by Midwest, Harry N. Abrams Publishers in Association with the Columbus Museum of Art, 1998, Washington D.C., pp. 110-125.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 19, entry on Chalres E. Burchfield, In the Swamp, 1917.
143. Henry Adams, The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Charles Burchfield, pp. 30-34.
122. American Drawings and Watercolors from the Kansas City Region, The Nelson-Atkins Museum of Art, Kansas City, 1992, pp. 243-246, entry on Edge of Town, 1921-41; pp. 247-249, entry on Drought Mirage, 1952-61.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 148-50, entires on Charles Burchfield, Moon Through Young Sunflowers, 1916 and Wires Down, 1920.
Burkhart, Emerson
246. Introduction to book by Michael Hall, Emerson Burkhart: An Ohio Painter’s Song of Himself, Columbus Museum of Art, 2008.
Byron, Browne
189. “What Happened to Byron Browne?” introduction to Byron Browne [exhibition catalogue], Melvin Art Gallery of Florida Southern College, Lakeland, Florida, September 13-October 12, 2001.
Campanella, Vincent
237. “Vincent Campanella: Classical Abstractionist,” American Art Review, Vol, XIV, No. 5, September-October 2007, pp. 158-165, 16 illustrations in color.
236. “Vincent Campanella,” principle essay in Vincent Campanella: Classical Abstractionist [exhibition catalogue], The Albrecht-Kemper museum of Art, St. Joseph, Missouri, September 15-November 4, 1007, and Park University, Campanella Gallery, Parkville, Missouri, September 16-November 2, 2007, pp. 8-45, 80 illustrations in color..
Cantrell, Jim
147. "Jim Cantrell," Southern Arts Federation/National Endowment for the Arts: 1994 Fellowships, Southern Arts Federaton, Atlanta, Georgia, unpaginated; reprinted in New Art Examiner, November 1994, center section, unpaginated.
Carter, Clarence Holbrook
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 250-51, entry on Clarence Carter, Immortal Water (Kentucky Pastoral), 1932.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 254-55, entry on Clarence Carter, War Bride, 1940.
Cassatt, Mary
122. American Drawings and Watercolors from the Kansas City Region,[exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on three works by Mary Cassett: pp. 24-26, Au Theatre, circa 1879; pp. 27-29, Portrait of the Artist’s Brother, Alexander Cassatt; pp. 30-31, Dorothy in a Very Large Bonnet and a Dark Coat, circa 1904.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 198-199, entry on Young Woman picking Fruit, 1891.
Chapin, James
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 29, entry on James Chapin, Ruby Green Singing, circa 1928.
Chapman John Gadsby
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 64-65, entry on John Gadsby Chapman, A Lazy Fisherman, 1844.
Chardin, Jean-Tapitiste-Simeon
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 64-65, entry on Jean-Baptiste-Simeon Chardin, Glass of Water and Coffeepot, circa 1761.
Chase, William Merrit
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 104-105, William Merritt Chase, Portrait of Dora Wheeler, 1882-83.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 13, entry on William Merritt Chase, Landscape, circa 1908.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entries on three paintings by William Merritt Chase: pp. 46-47, Hugo von Habermann, 1875; pp. 47-48, Edward Steichen, circa 1903; pp. 48-49, William Rockhill Nelson, 1907; pp. 58-59, Still Life-Striped Bass, circa 1907; and pp. 128-29, Beach, circa 1895.
Chihuly, Dale
161. Dale Chihuly: Thirty Years in Glass, 1966-1996, UMB Financial Corporation, Kansas City, Missouri, 1996, 75 pp., 30 illustrations in color.
160. "Message from the Director" (Letter from Chihuly's Boathouse), The Kemper Contemporary, The Kemper Museum of Contemporary Art, Kansas City, Number 96:4, Fall 1996, unpaginated.
Church, Frederic Edwin
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 74-75, entry on Frederic Edwin Church, Twilight in the Wilderness, 1860.
139. Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entry on Frederic Church, Jerusalem, pp.61.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 89-90, entry on Frederic Edwin Church, Jerusalem from the Mount of Olives, 1870.
Cole, Thomas
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 62-62, entry on Thomas Cole, View of Schroon Mountain, Essex County, New York, After a Storm, 1838; and pp. 82-83, Thomas Cole, View of Florence, 1837.
145. "The American Land Inspired Cole's Prescient Visions," Smithsonian Magazine, May 1994, pp. 98-107, 8 illustrations in color.
Copley Singleton, John
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, p. 38, entry on John Singleton Copley, Portrait of Anna Dummer Powell, 1764; p. 40-41, entry on Portrait of Nathaniel Hurd, about 1765.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 16-17, entries on John Singleton Copley, Mr. John Barrett, circa 1758 and Mrs. John Barrett (Sarah Gerrish Barrett), circa 1758.
179. John Singleton Copley, Hussar Officer, The Cleveland Museum of Art, exhibition which will open at the Cleveland Museum of Art and travel to the National Gallery of Canada, Ottawa, and the Pierpont Morgan Library.
Cox, John Rogers
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 140-141, entry on John Rogers Cox, Gray and Gold, 1942.
Cox, Kenyon
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 41-42, entry on Kenyon Cox, Study for the Figure of Rectitude (Study for the Murals fin the Luzerne County Courthouse, Wilkes-Barre, Pennsylvania), circa 1909.
Crone Hester, Samuel
167. "Life Lines: The Drawings of Samuel Crone," in Return to Memphis: The Art of Samuel Hester Crone (1858-1913), exhibition catalogue, Art Museum, University of Memphis, September 6-November 8, 1997, pp. 10-63, aproximately 100 illustrations in black-and-white.
Cropsey, Jasper
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 92, entry on Jasper Croopsey, Stonehenge, 1876.
Curry Stewart, John
168. "Space, Weather, Myth, and Abstraction in the Art of John Steuart Curry," in John Steuart Curry: Inventing the Middle West, exhibition catalogue, the Elvehjem Museum of Art, Madison, Wisconsin, 1997, pp. 111-128.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two works by John Steuart Curry: pp. 252-53, Hogs Killing a Rattlesnake, 1925; pp. 254-55, Kansas Mother (Study for the Murals in the Kansas State Capitol), 1937.
Dasburg, Andrew
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 169, entry on Andrew Dasburg, Loren Mozley, 1928.
Davis, Alexander Jackson
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 70-71, entry on Alexander Jackson Davis, Side Chair, about 1858.
Davis, Stuart
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 22, entry on Stuart Davis, New York Mural, 1932.
Davies B., Arthur
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City. Cover and 31 illustrations in color, 133 illustrations in black-and-white, 381 illustrations in black-and-white in check-list. Author of acknowledgements, introduction, and entries on Arthur B. Davies.
Dawson, Manierre
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 118-119, entry on Manierre Dawson, Differential Complex, 1910.
177, “The First Abstract Painter,” in Manierre Dawson, Hollis Taggart Galleries, October 1999, pp. 10-57.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 21, entry on Manierre Dawson, Wharf, 1913.
Deike, Clara
216. Clara Deike: The Unknown Paintings, exhibition catalogue, William Tregoning Fine Arts, Chagrin Falls, Ohio, May 2005.
Demuth, Charles
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 28, entry on Charles Demuth, Still Life: Radishes and Leaves, circa 1923. .
143. Henry Adams, The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Charles Demuth, pp. 34-39.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 285-287, entry on Charles Demuth, Sails, 1919.
16. "The Beal Collection of Watercolors by Charles Demuth," Carnegie Magazine, LVI, no. l2, November-December l983, pp. 2l-28, article with catalogue listing provenance, exhibition history and references, 6 illustrations in color, 7 in black-and-white.
Derain, Andre
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 62, entry on Andre Derain, Eperon, Paysage d’Hiver, n.d.
Dewing, Wilmer Thomas
179. Thomas Wilmer Dewing, Gloria, entries in Masterpiees of Watercolor and Drawing, The Cleveland Museum of Art, exhibition which will open at the Cleveland Museum of Art and travel to the National Gallery of Canada, Ottawa, and the Pierpont Morgan Library.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 210-211, entry on Thomas Wilmer Dewing, Morning Glories (folding screen), circa 1900.
Dickinson, Edwin
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 174-75, entry on Edwin Dickinson, Shiloh, 1940,
Dielman, Frederick
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 75-76, entry on Frederick Dielman, A Visit from the Bumboat Near Troy, 1879.
Dombek, George
206. “George Dombek: Bicycles and Stones,” The Butler Institute of American Art, Youngstown, Ohio, June 2003.
Dove, Arthur
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 126-27, entry on Arthur Dove, Pine Tree, 1931.
143. Henry Adams, The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Arthur Dove, pp. 44-47.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 170, entry on Arthur Dove, Tree, 1934.
Downes, Rackstraw
10. "Rackstraw Downes Discusses The Dam at Swanville," Carnegie Magazine, LVI, no. 8, March-April l983, pp. l2-l5 and 38, l illustration in color and 4 in black-and-white.
Duchamp-Villon, Raymond
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 53, entry on Raymond Duchamp-Villon, Portrait of Baudelaire, 1911.
Dufy, Raoul
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 50, entry on four paintings by Raoul Dufy: p. 50, Nude on a Pink Sofa, 1902; p. 67, Taormina, 1922; p. 67, Paysage au Ferme, n.d. ; and p. 67, Le Concours Hippique, 1924
Duncanson, Robert
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 80-81, entry on Robert Duncanson, Valley of Lake Pepin, Minnesota, 1862.
Durand, Asher B.
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 68-69, entry on Asher B. Durand, Trees on a Rocky Hillside, about 1849.
Eakins, Thomas
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 90-91, entry on Thomas Eakins, The Biglin Brothers Turning the Stake, 1873.
233. “Free The Gross Clinic?” The Los Angeles Times, Opinion, Saturday, December 16, 2006, A27.
231. “Despite its twist on tradition, portrait of painter Thomas Eakins is blemished,” review of William S. McFeely, Portrait: The Life of Thomas Eakins, in The Chicago Tribune: Living/Books, November 26, 2006.
230. “The Tragic Vision of Thomas Eakins,” Fine Art Connoisseur, November/December 2006, 9 color illustrations, pages 49-54.
218. “Some ‘New’ Letters by Thomas Eakins’s Brother-in-Law, Frank Stephens,” Archives of American Art Journal, vol., 44, nos. 3-4, 2004, pp. 14-20, cover illustration and 5 illustrations in black-and-white.
215. Eakins Revealed: The Secret Life of an American Artist, Oxford University Press, 2005, 583, pp., 200 illustrations. [Reviewed in The New York Times, The Philadelphia Inquirer, Art News, and many other newspapers and magazines].
139. Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entries on Thomas Eakins, Monsignor James P. Turner, p. 84.
109. "Thomas Eakins: the troubled life of an artist who became an outcast," Smithsonian Magazine, November 1991, pp. 52-69, six illustrations in color and three in black-and-white.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991,entries on two paintings by Thomas Eakins: pp. 49-51, Monsignor James P. Turner, circa 1906; p. 72, Frances Eakins, circa 1870..
5l. "Thomas Eakins and the Heroism of Modern Life by Elizabeth Johns," [book review] The Art Bulletin, LXVIII, no. 2, June l986, 345-348.
Earl, Ralph
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 22, entry on Ralph Earl, General Gabriel Christie, circa 1784-85.
Eckhart, Edris
222. “Edris Eckhardt: An artist’s life,” in Edris Eckhardt, Visionary and Innovator in American Studio Ceramics and Glass, author of essays pp. 13-44. Reviewed by Dan Tranberg, “Making Many Faces,” The Plain Dealer, Cleveland, Ohio, Thursday, February 23, 2006, Section F., pages, 1, F3.
Edmonds, Francis William
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 68, entry on Francis William Edmons, The Thirsty Drover, circa 1856.
Epstein, Jacob
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two sculptures by Jacob Epstein: p. 64, Oriel Ross, 1931; and p. 64, Portrait Head of Albert Einstein, 1936.
Ernst, Max
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 67, entry on Max Ernst, L’Oiseau, n.d.
Feininger, Lyonel
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on three works by Lyonel Feininger: pp. 288-89, Vollersroda III, 1914; pp. 290-91, Die Regler Kirche, Erfurt, 1924; pp. 292-93, Fischer Flotte, 1927.
Feke, Robert
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, p. 36-37, entry on Robert Feke, Portrait of Charles Apthorp, 1748.
Flanagan, John
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 23, entry on John Flanagan, Ram, 1929.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 45-47, entry on John Flanagan, Nude Profile, circa 1936.
Forster, George
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 55-56, entry on George Forster, Still Life, 1871.
Francis, Sam
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995. Introduction and entries on works by Sam Francis.
Fraser, James Earle
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 117, entry on James Earle Fraser, End of the Trail, 1918.
Fromentin, Eugene
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 42, entry on Eugene Fromentin, The Rest, 1872.
Frothingham, Benjamin
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 50-51, entry on Desk and Bookcase, about 1780, attributed to the workshop of Benjamin Frothingham.
Fuller, George
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 99-101, entry on George Fuller, Hannah, 1880.
Fulton, Robert
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 29, entry on Robert Fulton, Self-Portrait circa 1807.
Gile, Seldon Conner
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995. Introduction and entries on works by Seldon Conner Gile.
Gerome, Leon-Jean
52. "H. Barbara Weinberg's The American Pupils of Jean-Leon Gerome," book review, The Burlington Magazine, CXXVIII, no. l002, September l986, 683.
Gifford, Sanford R.
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 66-67, entry on Sanford R. Gifford, A Home in the Wilderness, 1866.
Gignoux, Regis Francois
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entry on Regis Francois Gignoux, Winter, 1853.
Gile, Selden Conor
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 16, entry on Selden Connor Gile, Two Fishermen and Boat, circa 1916-18.
Glackens, William J.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 145-46, entry on William Glackens, Beach Side, 1914.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 222-223, entry on William J. Glackens, In Town It’s Different, 1898.
Gorky, Arshile
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 198, entry on Arshile Gorky, Untitled, circa 1937-38.
Grabach, John
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 30, entry on John Grabach, Sidewalks of New York, n.d.
Graham, John
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 264-65, Portrait of a Woman, 1952.
38. "John Graham's Woman in Black and a Related Drawing: The Evolution of an Image," Arts, LIX, no. 4, May l985, pp. 95-97, 4 illustrations in black-and-white.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, entry on John Graham, Portrait of a Woman, 1943-53.
Greene, Charles Sumner and Herny Mather Greene
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 120-121, entry on Charles Sumner Greene and Henry Mather Greene, Secretary, about 1911.
Greenwood, Ethan Allen
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 23-24, entry on The McGoldrick Family, circa 1835, attributed to Ethan Allen Greenwood.
Gunter, Frank
31. "Frank Gunter: A Tribute" [exhibition catalogue], Memorial Union Gallery, University of Wisconsin at Madison, November l984.
Hals, Frans
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 46-47, Frans Hals, Pieter Cornelisz. Van der Morsch (Man with Herring), 1616.
Hanson, Duane
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 39, entry on Duane Hanson, Young Worker, 1976.
Harnett, William Michael
l07. "A Study in Contrasts: The Work of Harnett and La Farge," William M. Harnett [exhibition catalogue], The Metropolitan Museum of Art, New York, l992, pp. 60-71, eight illustrations in black-and-white.
106. "Will the real William Harnett please stand up?" Smithsonian Magazine, March, 1992, pp. 52-63, cover illustration in color, eleven color illustrations and one illustration in black-and-white.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 202-203, entry on William Michael Harnett, Trophy of the Hunt, 1885.
Hart, George Overbury
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 294-95, entry on George Overbury Hart, Two Boat Captains, Florida, 1917.
Hart, William
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entry on William Hart, Coastal Scene, 1865.
Hartley, Marsden
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 122-123, entry on Marsden Hartley, Military, 1914-15.
139. Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entry on Marsden Hartley, Himmel, p. 138.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 296-97, entry on Marsden Hartley, Pears and Lemons with Vase, 1927.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entry on two paintings by Marsden Hartley: pp. 164-65, Himmel, 1915; and pp. 166-67, Mt. Katahdin—November Afternoon, 1942.
Hassam, Childe
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 108-109, entry on Childe Hassam, Fifth Avenue, 1919.
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], May 1995, p. 15, entry on Childe Hassam, Gloucester Harbor, 1909.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 127-128, entry on Child Hassam, The Sonata, 1893.
69. "Museum Receives American Impressionist Painting [Child Hassam's The Sonata]," Calendar of Events, The Nelson-Atkins Museum of Art, September l987, pp. l-2, one illustration in black-and-white.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 206-07, entry on Child Hassam, Fifth Avenue in Winter, circa 1892.
Hawthorne, Charles W.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 129, entry on Charles W. Hawthorne, The Piano Lesson, n.d.
Heade, Martin Johnson
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 78-79, entry on Matin Johnson Heade, Point Judith, Rhode Island, about 1867-68.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 91, entry on Martin Johnson Heade, After the Rain in the Salt Marshes (Marsh Scene), circa 1874.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 178-79, entry on Martin Johnson Heade, Thunderstorm at the Shore, circa 1870.
Henri, Robert
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 20, entry on Robert Henri, Portrait of a Boy (Sonny Mac), 1923.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entries on two paintings by Robert Henri: pp. 134-135, Portrait of an Irish Boy (Thomas Cafferty), 1925; p. 135, Girl in a Green Coat (Sissy’s Sister Mary), 1927.
71. A Bountiful Decade: Selected Acquisitions l977-l987 The Nelson-Atkins Museum of Art, [exhibition catalogue], October l987. Author of entries on Robert Henri.
Hesselius, John
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 14-15, entry on three paintings by John Hesselius, Brigadier General John Dent, n.d, Mrs. John Dent, n.d., and Ann Herbert Dent, n.d.
Hicks, Edward
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entry on two paintings by Edward Hicks: p. 26, Andrew Jackson, after 1841; and pp. 62-63, The Peaceable Kingdom, 1849.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 170-171, entry on Edward Hicks, The Residence of David Twining in 1785, circa 1845-8.
Hockney, David
11. "An Interview with David Hockney," Carnegie Magazine, LVI, no. 8, March-April l983, pp. l0-ll and 20-2l, color illustration as cover of magazine and 2 illustrations in black-and-white.
Hofmann, Hans
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, 496 pp., 140 entries, with illustrated check-list of all American drawings and watercolors up to 1945 in The Nelson-Atkins Museum of Art, Kansas City, and the Spencer Museum of Art, Lawrence, Kansas. Cover and 31 illustrations in color, 133 illustrations in black-and-white, 381 illustrations in black-and-white in checklist. Author of acknowledgements, introduction, and entries on Hans Hofmann.
Homer, Winslow
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 96-97, entry on Winslow Homer, The Brierwood Pipe, 1864; and pp. 98-99, entry on Winslow Homer, Early Morning after a Storm at Sea, 1902..
179. Winslow Homer, Boy with Anchor and Leaping Trout, entries in Masterpiees of Watercolor and Drawing, The Cleveland Museum of Art, exhibition which will open at the Cleveland Museum of Art and travel to the National Gallery of Canada, Ottawa, and the Pierpont Morgan Library.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, pp. 12-13, entry on Winslow Homer, The Log Jam, Hudson River at Blue Ledge, 1889, and View from Cape Diamond, Levis, Quebec, 1895. .
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on three works by Winslow Homer: pp. 96-97, Schooner and Dories, 1884; ppl. 98-99, West India Divers, 1899; pp. 168-69, Among the Oaks (Live Oaks), 1886.
118. "The Fog Warning," reprint of text from "Mortal Themes, Winslow Homer" (article no. 9), in Kay Alexander and Michael Day, Learning to Look and Create: The SPECTRA Program, Unit 2, "Understanding Art," Lesson 5, "Metaphor and Meaning," Addison-Wesley Publishing Company, 1993.
108. "Winslow Homer in the 1870s, Winslow Homer in Gloucester, Winslow Homer in the 1890s, and Reckoning with Winslow Homer" [exhibition review], The Burlington Magazine, June, 1991, pp. 407-408, three illustrations in black-and-white.
105. Handbooks of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missour, 1991, ,pp. 73-74, entry on Winslow Homer, Gloucester Harbor, 1873.
99. "Winslow Homer's 'Impressionism' and Its Relation to His Trip to France," Studies in the History of Art 26, National Gallery of Art, Washington D. C., l990, pp. 60-89.
97. "The Identity of Winslow Homer's 'Mystery Woman,'" The Burlington Magazine, vol. CXXXII, no. l045, April l990, pp. 244-252, sixteen illustrations in black-and-white.
93. Art and Artists: International Dictionary of Art and Artists, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biographies and entries on Winslow Homer's The Gulf Stream.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 52-56, entires on Pumpkins Among the Corn, 1878, Fisher Girls, 1882, and Figures on the Coast, 1882, and pp. 57-59 entries on A Wreck Near Gloucester, 1880, and Watching fron the Cliffs, 1892.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 212-13, entry on Winslow Homer, The Wreck, 1896.
32. "Winslow Homer's Mystery Woman," Art and Antiques, November l984, 38-45, 9 illustrations in color, including the cover of the magazine.
14. "Winslow Homer's 'Shall I Tell Your Fortune?" The Birmingham Museum of Art Bulletin, June l983, 6 pp. l illustration in color and 7 in black-and-white.
9. "Mortal Themes: Winslow Homer," Art in America, LXXI, no. 2, February l983, pp. ll2-l26, l0 illustrations in color, including cover and double-page spread, ll in black-and-white.
Hopper, Edward
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 136-37, entry on Edward Hopper, Hills, South Truro, 1930.
143. Henry Adams, The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Edward Hopper, pp. 39-44..
179. Edward Hopper, Lighthouse Village, entries in Masterpiees of Watercolor and Drawing, The Cleveland Museum of Art, exhibition which will open at the Cleveland Museum of Art and travel to the National Gallery of Canada, Ottawa, and the Pierpont Morgan Library.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 27, entry on Edward Hopper, August in the City, 1945.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entires on three watercolors by Edward Hopper: pp. 303-304, Civil War Campground, 1926; pp. 306-306, The Dory (Two Lights, Maine), 1929; p. 307, Route 14, Vermont, 1937.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 158, entry on Edward Hopper, Light Battery at Gettysburg, 1940.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 252-53, entry on Edward Hopper, Cape Cod Afternoon, 1936.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, ppp. 170-71, Saltillo Rooftops, 1943.
Horter, Earl
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 257-59, entry on Earl Horter, Storefront, 28th Street, New York, n.d.
Hosmer, Harriet Goodhue
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 84-85, entry on Harriet Goodhue Hosmer, The Sleeping Faun, after 1865.
Howland, John Dare
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 111-113, entry on John Dare Howland, Hunting Buffalo on the Plains (Buffalo Hunt), circa 1870.
Hunt, Morris William
18. "William Morris Hunt's 'Chef d'Oeuvre Inconnu,'" Proceedings of the New York State Capitol Symposium, Temporary State Commission on the Restoration of the Capitol, Albany, New York, l983, pp. 96-l05 and l87-l9l, l9 illustrations in black-and-white.
13. "The Development of William Morris Hunt's The Flight of Night," The American Art Journal, XV, no. 2, Spring l983, pp. 43-52, 8 illustrations in black-and-white.
3. "The Contradictions of William Morris Hunt," in William Morris Hunt: A Memorial Exhibition, Museum of Fine Arts, Boston, June l979, pp. 20-34, l6 illustrations in black-and-
white.
Hurd, Peter
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 152, entry on Peter Hurd, Jose Herrera, 1938.
Inman, Henry
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 35, entry on Henry Inman, Mother and Son, circa 1840.
Inness, George
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 100-101, entry on George Inness, Landscape, 1888.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 12, entry on George Inness, Along the Delaware, 1878.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entries on three paintings by George Inness: pp. 96-97, The Brush Burners, 1884; pp. 97-98, Overlooking the Hudson at Milton, 1888; pp. 98-99, Old Farm—Montclair, 1893.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 204-5, entry on The Clouded Sun, 1891.
Ives, Chauncey
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 39, entry on Chauncey Ives, Portrait Bust of a Woman, 1878.
James, Fredrric
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp 206-7, entry on Frederic James, White Sycamore, 1967.
57. Frederic James, l9l5-l985: A Painter from Kansas City, [exhibition catalogue], Nelson-Atkins Museum of Art, Kansas City, October l986, typescript of 33 pp., 40 illustrations in black-and-white.
James, Henry
34. "William James, Henry James, John La Farge, and the Foundations of Radical Empiricism," The American Art Journal, XVII, Winter l985, 60-67.
Jewett, William
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 33-34, entry on Samuel Lovett Waldo, assisted by William Jewett, Mr. Hutchins and Mrs. Hutchins, circa 1835.
Johnson, Eastman
105. Handbooks of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1990, pp. 74-75, entry on Eastman Johnson, Reading the Bible, circa 1877-78.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 172-73, entry on Eastmans Johnson, My Jew Boy, 1852.
Kane, John
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985. Author of entries on works by John Kane.
Keith, William
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 107-109, entry on William Keith, Sunset Glow, 1896.
4l. "Behind the Scenes--William Keith Painting Restored," Calendar of Events, The Nelson-Atkins Museum of Art, September l985, pp. 4 and 6, 2 illustrations in black-and-white.
Kensett, John Frederick
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 88-89, entry on John Frederick Kensett, A Woodland Waterfall, circa 1855.
56. "Woodland Waterfall," The Antique Collector, LVIII, no. l, January l987, 52-53, l illustration in color.
55. "John F. Kensett's A Woodland Waterfall," Calendar of Events, The Nelson-Atkins Museum of Art, September l986, one illustration in black-and-white.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 180-181, John Frederick Kensett, Long Neck Point from Contentment Island, Darien, Connecticut, circa 1870-72.
Kent, Rockwell
204. “Rockwell Kent’s Garden of the Gods,” The Kent Collector, Spring 2003, vol. XXIX, No. 1, pp. 9-15, Plattsburgh State Art Museum, Plattsburgh State University of New York.
130. "Rockwell Kent's Illustrations to Moby Dick," conclusion of article from summer issue, The Rockwell Kent Collector, vol. XIX, no. 2, Fall 1992, pp. 3-8, 8 illustrations in black-and-white.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 262-263, entry on Man with Pitchfork, circa 1939.
114. "Rockwell Kent's Illustrations to Moby Dick," The Rockwell Kent Collector, Summer 1992, Vol. XIX, no. 1, pp. 3-8.
Kienbusch, William
143. Henry Adams, The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of William Kiennbusch, pp. 49-50.
King, A.F.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 220-221, entry on A. F. King, A Late Night Snack, circa 1895.
Knight-Payne, Richard
36. The Arrogant Connoisseur: Richard Payne-Knight, l75l-l824, edited by Michael Clark and Nicholas Penny," (book review), Jim Springer Borck, general editor, The Eighteenth Century: A Bibliography, n.s. 8--for l982, A M S Press, New York, l982.
Koerner, Henry
12. "Introduction," in Henry Koerner: From Vienna to Pittsburgh, The_Art of Henry Koerner, (exhibition catalogue), Carnegie Institute Museum of Art and University of Pittsburgh Press, May l983, pp. 9-26, 8 illustrations.
Kroll, Leon
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 30, entry on Leon Kroll, Hilda, 1947.
Kuhn, Justus Engelhardt
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 12, entry on Justus Engelhardt Kuhn, Portrait of a Girl, circa 1710.
Kuhn, Walt
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 208-209, entry on Walt Kuhn, Red & Dutch Budwesier Hall, 1936.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 170, Walt Kuhn, Juggler, 1934.
Lachaise, Gaston
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 24, entry on Gaston Lachaise, Portrait of John Marin, 1928.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 167-68, entry on Gaston Lachaise, John Marin, 1928.
La Farge, John
255. “John La Farge’s South Sea Sketchbooks: Their Nature and Their Significance,” in Lisa Hodermarsky, editor, John La Farge’s Second Paradise: Voyages to the South Seas, 1890-1891, The Yale University Art Gallery in association with Yale University Press, 2010.
245. Entry on John La Farge for the Encyclopedia of American art, edited by Joan Marter, Oxford University Press.
181. “John La Farge,” entry for Encyclopedia of American Art before 1914, Macmillan, London, 2000.
*179, John La Farge, A Rishi Stirring Up a Storm, entries in Masterpiees of Watercolor and Drawing, The Cleveland Museum of Art, exhibition which will open at the Cleveland Museum of Art and travel to the National Gallery of Canada, Ottawa, and the Pierpont Morgan Library.
139. Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Entry on John La Farge, Peonies Blowing in the Wind, p. 118.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on four works by John La Farge: pp. 58-60, Lamplight Study (Margaret Perry La Farge), 1865; pp. 61-62, Tongan Girl with Fan, circa 1891; pp. 172-74, Study of Pink Hollyhocks in Sunlight, from Nature, circa 1879; p. 174, Hollyhocks, circa 1879.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 118-121, entry on John La Farge, Peonies Blowing in the Wind with Kakemono Border, 1889.
92. "John La Farge," biographical entry, The Dictionary of Art, Macmillan Publishers Limited, London, one illustration in black-and-white.
84. "Stained Glass Masterpiece Donated to Museum" (John La Farge's Peonies Blown in the Wind), Calendar of Events, Nelson-Atkins Museum of Art, December l989.
68. "The Mind of John La Farge," lead essay in John La Farge [book/exhibition catalogue], Abbeville Press, New York, l987.
67. "John La Farge, the Inventive Maverick," Smithsonian Magazine, July l987, 46-59, cover illustration, two color fold-outs, and six color illustrations.
66. "John La Farge," brochure for La Farge exhibition (different text than above).
54. "Addenda to La Farge and Japan," The Art Bulletin, LXVIII, June l986, 328-329.
44. Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 176-77, entry on John La Farge, Roses on a Tray, circa 1861.
49. "John La Farge, the Father of Mural Painting and Art Glass in America," Temple Bulletin, Congregation b'Nai Jehudah, XL, no. 22, January l3, l986, 2, l illustration in black-and-white.
42. "John La Farge's Discovery of Japanese Art: A New Perspective On the Origins of Japonisme," The Art Bulletin, LXVII, no. 3, September l985, 449-485, 2 appendices, 4l illustrations in black-and-white.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 64-666, entry on John La Farge, A Woman in Japanese Costume at an Easel, 1868, and pp. 67-69, Sitting Siva Dance, circa 1894.
35. "Regaining Paradise: Artist John La Farge and Historian Henry Adams Found Spiritual Renewal in the South Seas," Art and Antiques, March l985, 60-65, 5 color illustrations.
34. "William James, Henry James, John La Farge, and the Foundations of Radical Empiricism," The American Art Journal, XVII, Winter l985, 60-67, 6 illustrations in black-and-white, including back cover.
22. "John La Farge and Japan," Apollo, CXIX, no. 974, February l984, pp. l20-l29, 22 illustrations in black-and-white.
21. "John La Farge's Roses on a Tray," Carnegie Magazine, January-February l984, pp. l0-l4, cover illustration in color and 3 illustrations in black-and-white.
5. "Barbara Weinberg's The Decorative Work of John La Farge," (book review) Journal of the Society of Architectural Historians, XXXIX, no. 4, December l980, pp. 332-333.
4. "A Fish by John La Farge," The Art Bulletin, June l980, pp. 269-280, 27 illustrations in black-and-white.
2. "The Stained Glass of John La Farge," The American Art Review, II, no. 4, July-August l975, pp. 4l-63, l4 illustrations in color and 5 in black-and-white.
Lachaise, Gaston
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995. Entries on works by Gaston Lachaise.
Lane, Fitz Henry
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 58-59, entry on Fitz Henry Lane, Harbor of Boston with the City in the Distance, about 1846-47.
Lawrence, Jacob
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 144-45, entry on Jacob Lawrence, Fulton and Nostrand, 1958.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 264-66, entry on Jacob Lawrence, Home Chores, 1945.
Lawson, Ernest
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on: p. 17, Ernest Lawon, Railroad Track, n.d.; p. 20, Hoboken Heights, circa 1920; p. 20, Hoboken Water Front, circa 1930.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entry on two paintings by Ernest Lawson: pp. 136-37, Woodland Scene, circa 1891-92; p. 137, On the Harlem, n.d.
Leger, Fernand
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two paintings by Fernand Leger: p. 58, Le Viaduc, 1925; and p. 68, Bicycle Riders, 1944.
Leonid (Berman)
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 178-79, entry on Leonid (Berman), Port Jefferson, 1949.
Lever, Hayley
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 14, entries on Hayley Lever, Summer in Gloucester, 1913, and Back Road in Woodstock, New York, 1932.
Lipchitz, Jacques
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on: p. 63, Jacques Lipchitz, Study for the Song of the Vowels, 1931; Study for “Sacrifice,” 1946; p. 63, Rescue, 1947.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 310-311, entries on two works by Jacques Lipchitz, both titled Study for Theseus, 1942.
Lockwood, Ward
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two works by Ward Lockwood: pp. 267-68, Lockwood Living Room, Ledoux Street, Taos, circa 1928; pp. 269-71, Settling of the West (Study for Washington Post Office Murals), 1936.
Lozowick, Louis
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 188-191, entry on Louis Lozowick, Composition with Red Circles, 1927.
Luks, George
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two paintings by George Luks: p. 17, An Old Pal, n.d; and p. 29, Woman with Doll, n.d..
Maillol, Aristide
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 51, entry on Aristide Maillo, Isle de France (torso), circa 1910.
MacDonald-Wright, Stanton
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 163, entry on Stanton MacDonald-Wright, Self Portrait, circa 1908.
44. Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 238-39, entry on Stanton Macdonald-Wright, Sunrise Synchromy in Violet, 1918.
l03. "Benton's 'Closest Friend' Enters Collection" (an early self-portrait by MacDonald-Wright), Calendar of the Nelson-Atkins Museum of Art, March l99l, p. 3, one illustration in black-and-white.
McFarlane, Duncan
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 69-70, entry on Duncan McFarlane, The Ship Granite State, 1862.
McFee, Henry
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 171-2, entry on Henry McFee, Fruit and Leaves, 1938.
McMonnies, Frederick
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 13, entry on Frederick MacMonnies, Bachanete, 1894.
Maillol, Aristide
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995. Entries on works by Aristide Maillol.
Manigault Middleton, Edward
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 21, entry on Edward Middleton Manigault, Nymph and Pierrot (Eyes of Morning), n.d.
Manship, Paul
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 23, entires on: p. 23, Paul Manship, Mother and Child, 1918; and p. 24, Europa and the Bull, 1924.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 38, entry on Paul Manship, Head of Abe Lincoln, the Hoosier Youth, circa 1932.
86. Review of Paul Manship by Harry Rand, The Burlington Magazine, January l990, pp. 46-47.
Marin, John
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on three watercolors by John Marin: pp. 312-13, Houses, Stonington Maine, 1923; pp. 314-15, Boat and Sea, Maine, 1932; pp. 316-17, Cape Split, Maine, 1938.
Marsh, Reginald
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 26, entry on Reginald Marsh, Golden Horseshoe, 1940.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two watercolors by Reginald Marsh: pp. 272-73, 20 South Street, 1939; pp. 274-75, Triboro Fools, 1939.
Martin, Fletcher
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 38, pp. 152-53, entry on Fletcher Martin, Celebration, 1939.
Matinez, Maria
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, entry on Maria Martinez, Blackware Olla, possibly 1917.
Marsh, Reginald
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 134-35, entry on Reginald Marsh, A Paramount Picture, 1934.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entries on three paintings by Reginald Marsh: pl 26, Golden Horseshoe, 1940; and Italian Suite, 1940; and Bowery Bums, 1947
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two watercolor by Reginald Marsh: pp. 272-273, Twenty South Street, 1939; pp. 274-75, Triboro Fools, 1939.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 155-56, entry on Reginald Marsh, Street Scene, Twelfth Avneue, 1928.
Martin, Homer
*115. "Homer D. Martin's On Lake Ontario," entry for catalogue of American paintings, the Henry Art Gallery, The University of Washington, Seattle, Washington, forthcoming.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 176-177, entry on Homer Martin, Thompson’s Cascade, 1862.
Matulka, Jan
224. “Jan Matulka: A Painter’s Eye in Gloucester & Rockport,” Cape Ann Historical Museum, Gloucester, Massachusetts, June 10-September 9, 2006.
174. Jan Matulka, exhibition catalogue, 117 pp, Thomas McCormick Fine Arts, Chicago, Illinois, pp. 16-48, Thomas McCormick Gallery, 2055 North Winchester, Chicago, May 1999.
Meltsner, Paul
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p.p. 154, entry on Paul Meltsner, Paul, Marcella and Van Gogh (No. 2), circa 1940.
Meryon, Charles
44. Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985. Author of entries on works by Charles Meryon.
Millet, Jean-Francois
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 42, entry on Jean-Francois Millet, Les Bucheerons, 1850.
Moore, Henry
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, entries on two works by Henry Moore: p. 71, Family Group, 1946; p. 71, Head and Clasped Hands II, 1982.
Moran, Thomas
*179. Thomas Moran, Smelting Works, Denver.The Cleveland Museum of Art, exhibition which will open at the Cleveland Museum of Art and travel to the National Gallery of Canada, Ottawa, and the Pierpont Morgan Library.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 12, entry on Thomas Moran, Florida Scene, 1878-79.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entries on three paintings by Thomas Moran: p. 93, The Grand Canal with the Doge’s Palace, 1889; pp. 105-106, Grand Canyon, 1912; p. 106, Green River, Wyoming, 1915.
Morse, Samuel Finley Breese
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 30-31, entry on Samuel Finely Breese Morse, Chancellor James Kent, circa 1823.
Mount, William Sidney
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 60-61, entry on William Sidney Mount, The Power of Music, 1847.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991,pp. 63-64, entry on William Sidney Mount, Winding Up (Courtship), 1836.
Myers, Jerome
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 276-77, entry on Jerome Myers, New York, 36th Street East of Third Avenue, 1921.
Noland, Kenneth
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 36, entry on Kenneth Noland, Thrust, 1963.
O’ Keefe, Georgia
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 142-43, entry on Georgia O’Keeffe, Cliffs Beyond Abiquiu, Dry Waterfall, 1943.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, entires on: p. 11, Georgia O’Keeffe, Pelvis with Moon, 1943; p. 28, Ranchos Church No. 1, 1929.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two watercolors by Georgia O’Keeffe: pp. 318-20, Portrait W, No II, 1917; pp. 320-21, Pink and Green Mountain, No. 1, 1917.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991,entries on two paintings by Georgia O’Keeffe: p. 172, Apple Blossoms, 1930; and p. 176, Yellow Jonquils, No. 3, 1936.
75. "O'Keeffe Masterpiece on Loan to Museum," Calendar of Events, Nelson-Atkins Museum of Art, May 1988, p. 2 and cover illustration.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 248-49, entry on Georgia O’Keeffe, Gate of Adobe Church, 1929.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 155-57, entry on Georgia O’Keeffe, Red Cannas, 1919.
Otter, Thomas P.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 102-103, entry on Thomas P. Otter, On the Road, 1860.
Pascin, Jules
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 50, entry on Jules Pascin, Young Girl in a Hat, circa 1916.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 322-23, entry on Jules Pascin, Fiene, Ganso and Model, circa 1920.
Payne-Knight, Richard
36. “The Arrogant Connoisseur: Richard Payne-Knight, 1751-1824,” edited by Michael Clark and Nicholas Penny," (book review), Jim Springer Borck, general editor, The Eighteenth Century: A Bibliography, n.s. 8--for l982, A M S Press, New York, l982.
Peale, Charles Willson
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 44-45, entry on Charles Willson Peale, George Washington at the Battle of Princeton, about 1779.
149. "The Selected Papers of Charles Willson Peale and His Family," [book review], The Pennsylvania Magazines of History and Biography, vol. CXVIII, no. 4, October 1994, pp. 395-98.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 18-19, entry on Charles WIllson Peale, Catherine and Elizabeth Hall, 1776.
l04. "Family Heirloom Enters the Museum" (Charles Willson Peale's Portrait of The Hall Children) Calendar of the Nelson-Atkins Museum of Art, May l99l, pp. 2-3, one illustration in black-and-white.
Peale, Raphaelle
191. “Painter’s still-lifes seen as his anxieties: Book Review,” Review of Alexander Nemerev, The Body of Raphaelle Peale: Stil Life and Selfhood, 1812-1824, University of California Press, Brkeley, 2001, The Commercial Appeal, Memphis Tennessee, Sunday, October 28, 2001, section G, pp. 1, 2.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 52-54, entry on Raphaelle Peale, Venus Rising from the Sea—A Deception (After the Bath), circa 1822.
139. Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entries on Raphaelle Peale, After the Bath, p. 40.
Peale, Rembrandt
159. Excerpt of 447 words from "Rembrandt or not Rembrandt?" see below no. 155, The Psychological Corporation, Allied Health Aptitude Test, Allied Health Professions Admission Test, Pharmacy College Admission Test, Practical Nursing Entrance Exam, Registered Nursing Entrance Exam, Veterinary College Admissions Test, 1996-97, 2,000 to 5,000 copies per program.
Pearlstein, Philip
25. "The Pittsburgh Background of Pearlstein's Realism," Carnegie Magazine, May-June l984, pp. 20-24, 4 illustrations in black-and-white.
Pekoc, Christopher
Initiated, co-produced, and contributed to script of the film, The Beauty of Damage: The Art of Christopher Pekoc, a Tom Ball film, Telos productions, Cleveland.
251. Statement for DVD of Tom Ball film on Chris Pekoc, The Beauty of Damage: The World of Christopher Pekoc.
232. Christopher Pekoc: The Beauty of Damage, exhibition catalogue, Convivium 33 Gallery, Cleveland, Ohio, December 2006, pages 7-23.
Perugino (Pietro di Christoforo Vannucci)
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 4041, entry on Perugino, St. Augustine with Members of the Confraternity of Perugia, circa 1500.
Peterson, Jane
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 16, entry on Jane Peterson, St. Marks in Venice, n.d.
Peto, John F.
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 102-103, entry on John F. Peto, Card Rack with a Jack of Hearts, about 1895.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 56-57, entry on John Frederick Peto, Books on a Table, circa 1900.
Petty, George
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 133-34, entry on George Petty, “If Your Husband Can’t Sleep Why Don’t You Pull Your Shades Down,” 1935.
Picasso, Pablo
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, entries on works by Pablo Picasso: p. 56, Au Café, 1901; p. 54, The Frugal Repast; p. 54, Head of a Woman (Fernande); p. 54, La Guitare, 1917; p. 57, The Red Foulard, 1924; p. 55, L’Atelier, 1956.
Piccirilli Brothers
219. “The Piccirilli Brothers: A Family of Master Sculptors,” in Freeing the Angel from the Stone: The Contribution of the Piccirilli Brothers to Sculpture, 1890 to the Present, catalogue/ brochure for the Italian-American Museum, New York, October 19 through December 15, 2005, pp. 11-15.
Pissaro
37. "Pissarro Painting Added to Museum Impressionist Collection," Calendar of Events, The Nelson-Atkins Museum of Art, Kansas City, May l985, 2 illustrations in black-and-white.
Pollock, Jackson
253. “Decoding Jackson Pollock,” Smithsonian Magazine, December 2009, pp. 58-60, two illustrations in color and three in black-and-white. When posted on the Smithsonian website, this story broke all previous records for the site, getting over 1.2 million visitors in a single day and over 600 posted comments.
252. Tom and Jack: The Intertwined Lives of Thomas Hart Benton and Jackson Pollock, Bloomsbury Press, New York, 2009.
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 146-47, entry on Jackson Pollock, Number 5, 1950, 1950.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 35, entry on Jackson Pollock, Night Mist, 1944.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 278-79, entry on Jackson Pollock, Over the Hill, 1933-34.
Poor, Henry Varnum
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 149, entry on Henry Varnum Poor, Dead Pheasant, circa 1935.
Porter, Fairport
23. "Fairfield Porter: Why the Fuss?" Carnegie Magazine, March-April l984, pp. 8-l0, 2 illustrations in color and l in black-and-white.
Potthast, Edward
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 131, entry on Edward Potthast, Summer Joys, circa 1910.
Prendergast, Maurice Brazil
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 16, entry on Maurice Prendergast, Figures on the Quay, Dinard, 1907.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entry on two watercolors by Maurice Prendergast: pp. 102-04, Side Canal, Venice, circa 1898-99; pp. 104-105, Rocky Cove, Marblehead, circa 1920-23.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 38, entries on two painting by Maurice Prendergast: pp. 143-144, Castle Island, circa 1912-14; pp. 144-45, Portrait of a Boy, circa 1912-15.
93. Art and Artists: International Dictionary of Art and Artists, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biography and entry on Maurice Prendergast's On the Beach, No. 3.
71. A Bountiful Decade: Selected Acquisitions l977-l987 The Nelson-Atkins Museum of Art, [exhibition catalogue], October l987, author of entries on Maurice Brazil Predergast.
64. "Prendergast Painting Donated to Museum," Calendar of Events, The Nelson-Atkins Museum of Art, May, l987.
44. Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 234-35, entry on Maurice Prendergast, Picnic, circa 1914-15.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 129-133, entires on Maurice Brazil Prendergast, Woman on a Garden Path, circa 1895, The Picnic, circa 1902, and Swampscott Beach, circa 1917.
Rand, Harry
86. Review of Paul Manship by Harry Rand, The Burlington Magazine, January l990, pp. 46-47.
Rembrandt Harmensz. Van Rijn
155. "In Search of Rembrandt," Smithsonian Magazine, December 1995, pp. 82-91, 7 illustrations in color and 4 in black-and-white.
44. Masterworks of the Museum of Art, Carnegie Institute, Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 234-35, entry on Rermbrandt Harmensz. Van Rijn, Christ with the Sick Around Him, Receiving Little Children (“The Hundred Guilder Print”), circa 1649.
30. "If Not Rembrandt Then His Cousin?" The Art Bulletin, LXVI, no. 3, September l984, pp. 427-44l, 3l illustrations in black-and-white.
Remington, Frederic
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, entries on two paintings and a sculpture by Frederic Remington: pp. 113-114, Teaching a Mustang to Pack Dead Game, 1890; pp. 114-115, Hostiles Watching the Column (The Scout), circa 1897; p. 116, The Bronco Buster, 1895, cast after 1918..
61. "Remington Painting Added to Collection," Calendar of Events, February l987, The Nelson-Atkins Museum of Art, Kansas City, Missouri, l-2.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 85-87, entries on Frederic Remington, Texas Type, 1888, and An Incident of the March, 1891.
Rivers, Larry
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 34, entry on Larry Rivers, French Vocabulary Lesson, 1978.
Robinson, Boardman
158. Boardman Robinson: American Muralist and Illustrator, 1876-1952, [exhibition catalogue], Colorado Springs Fine Arts Center, Colorado Springs, September 21, 1996
--January 12, 1997, author and curator of the exhibition, 25 pp. 31 black-and-white and 11 color illustrations.
Robinson, Theodore
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 126, entry on Theodore Robinson, The Duck Pond, circa 1891.
Rockwell, Norman
197. “Rediscovering Norman Rockwell,” American Artist, October 2002, pp. 52-57, 75-76. 197.
194, Review of Laura Claridge, Norman Rockwell: A Life, Random House, New York, 2001, for The Commercial Appeal, Memphis, Tennessee.
Rodin, Auguste
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 51, entry on Auguste Rodin, La Cathedrale, n.d.
Rogers F., Millard
96. "Millard F. Rogers, Jr., Sketches and Bozzetti by American Sculptors, l800-l950” [book review], The Burlington Magazine, December 1990, pp. 884-885.
Rogers, John
105. Handbooks of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri, pp. 70-71, entry on John Rogers, Checkers Up at the Farm, patented 1875.
Roualt, Georges
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 50, entry on Georges Roualt, Group of Rustics, 1911.
Rowse, Samuel Worcester
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 63-65, entry on Samuel Worcester Rowse, Portrait of a Young Girl, n.d.
Rubens, Peter Paul
134. "Rubens was artist, scholar, diplomat, and a lover of life," Smithsonian Magazine, October 1993, pp. 58-69, cover illustration and 9 illustrations in color. Republished by the SIRS Renaissance electronic database for CD-Rom and internet online, December 1997.
Russell, Morgan
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 182-84, entry on Morgan Russell, Study for “Synchromy in Green,” circa 1912-13.
Ryder, Albert Pinkham
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 94-95, entry on Albert Pinkham Ryder, The Race Track (Death on a Pale Horse, about 1896-1908.
Saint-Gaudens, Augustus
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991,pp. 45-46, entry on Augustus Saint-Gaudens, Robert Louis Stevenson, 1887.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 228-229, entry on Victory, 1912.
Sample, Paul
200. “Paul Sample’s Barber Shop,” Calendar of the Cleveland Museum of Art, November 2002, pp. 8-9, one illustration in color.
Sandzen, Birger
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 132-133, entry on Birger Sandzen, Long’s Peak, Colorado, 1938.
Sargent Singer, John
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 106-07, John Singer Sargent, Portrait of Lisa Colt Curtis, 1898.
139. Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. Author of entry on John Singer Sargent, Portrait of Mrs. Cecil Wade, p. 75.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entries on three paintings by John Singer Sargent: pp. 40-42, Mrs. Cecil Wade (Frances Frew Wade), 1886; p. 42, A Lady, 1880; and pp. 43-44, Francisco Bernareggi, 1907; p. 124, Mussel Gatherers, circa 1877; Study for “Spanish Dance,” circa 1883..
71. A Bountiful Decade: Selected Acquisitions l977-l987 The Nelson-Atkins Museum of Art, [exhibition catalogue], entries on John Singer Sargent.
63. "John Singer Sargent's Portrait of Francisco Bernareggi," Calendar of Events, April l987, The Nelson-Atkins Museum of Art, Kansas City, Missouri, 3, one illustration in black-and-white.
59. "Mrs. Cecil Wade--Sargent Masterpiece Given to Museum," Calendar of Events, November l986, The Nelson-Atkins Museum of Art, Kansas City, Missouri, l-2, 2 illustrations in black-and-white and color poster as insert.
Savage, Augusta
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 132-33, entry on Augusta Savage, Gamin, 1929-30.
Schamberg, Morton
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 184-87, Composition, circa 1915-16.
Schreckengost, Viktor
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 124
125, entry on Viktor Schrekengost, New York on Christmas Eve or “Jazz” Bowl, about 1930.
249. “Viktor Schreckengost 1906-2008,” Obituary for Modernism Magazine, Vol. 11, no. 1, Spring, 2008, page 25.
228. American Da Vinci: Victor Schreckengost and Modern Design, Tidemark, in partnership with the Viktor Schreckengost Foundation, Connecticut, July 2006.
225. American Da Vinci: Viktor Schreckengost, to be published by Tidemark Press, circa June 2006.
217. “Viktor Schreckengost at 99,” Modernism Magazine, pp. 72-83, vol. 8, no. 3, Fall 2005, 14 illustrations in color and 6 in black-and-white.
213. “Viktor Schreckengost’s Dinnerware Designs: How an Industrial Designer Thinks,” Journal of the American Art Pottery Association, July-August 2004, pp. 16-20.
198. “Viktor Schreckengost,” acceptance speech for the Visual Arts Award, Northern Ohio Live Awards, Cleveland State Theater, Cleveland, Cleveland Artists Foundation, Member’s Newsletter, June 2002, p. 6.
185. “Viktor Schreckengost, American Design Hero,” Modernism Magazine, Spring 2001, vol. 4, no. 1, pp. 34-39, 12 illustrations in color.
184. “Cocktails and Cigarettes” (note on Schreckengost exhibition and punch bowl by Schreckengost), Member’s Magazine, Cleveland Museum of Art, December 2000.
183. “Viktor Schreckengost and 20th-Century Design,” Member’s Magazine, Cleveland Museum of Art, November 2000.
182. Viktor Schreckengost and 20th-Century Design, book/catalogue (50,000 words) for an exhibition at the Cleveland Museum of Art, November 12, 2000--February 2, 2001, Cleveland Museum of Art, Cleveland, OH, distributed by the University of Washington Press.
Shahn, Ben
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 36, entry on Ben Shahn, I Never Dared to Dream, 1960.
Shane, Frederick
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 148, entry on Frederick Shane, Portrait, circa 1934.
76. Fred Shane [exhibition catalogue], The Nelson-Atkins Museum of Art, September l988, 47 pp., l4 plates in color, and 43 illustrations in black-and-white.
Shaw, Charles Green
239. “Charles Green Shaw, 1892-1974, “A Portrait in Words,” text for Charles Green Shaw (1892-1974): the 1930s & 1940s, exhibition catalogue, D. Wigmore Fine Arts, Inc. 730 Fifth Avenue, Suite 602, New York, NY 10019, pp. 4-11.
Sheeler, Charles
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 128-29, entry on Charles Sheeler, Church Street El, 1920.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 27, entry on Charles Sheeler, Shadow and Substance, 1950.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 177, entry on Charles Sheeler, Conference No. 1, 1954.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 164-167, entry on Charles Sheeler, Tulips, 1931.
Shinn, Everitt
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 18, entry on Everitt Shinn, Concert Stage, 1905.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 137-38, entry on Everitt Sinn, A Penny Shy, circa 1913.
Signac, Paul
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995. [/ 47, entry on Paul Signac, La Riviere, n.d.
Sletten, Byron
6. "Byron Sletten: Recent Works," (exhibition catalogue) Virginia Miller Galleries, Coral Gables, Florida, January 8-February 9, l982.
Sloan, John
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 110-111, entry on John Sloan, A Woman’s Work, 1912.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 17, entires on two painting by on John Sloan: p. 17, Yolanda in a Gray Tippet, circa 1909-1910; p. 31, Nude and Chief Blanket, 1932.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entries on two works by John Sloan: pp. 139-141, Da Poleetica Boss, 1912; pp. 142-44, Playing to Empty Seats, 1913.
93. Art and Artists: International Dictionary of Art and Artists, edited by James Vinson with a foreword by Cecil Gould, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biography and entry on John Sloan's The Coffee Line.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 230-31, entry on John Sloan, The Coffee Line, 1905.
33. "John Sloan's The Coffee Line," Carnegie Magazine, LVII, no. 6, November-December, l984, l9-24, 6 illustrations in black-and white.
Smith, David
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 296-97, entry on David Smith, Cubi XXIV, 1964.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 216-222, entries on David Smith, Figure Study, March 18, 1953, 1953; 11-5-54, 1954; and August 12, 1961, 1961.
Smith, W. Eugene
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 272-73, entry on W. Eugene Smith, Smoky City (Photograph), 1955-57.
Sonntag, William
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 95, entry on William Sontag, Evening in the Mountains, n.d.
Speicher, Eugene
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, p. 151, entry on Eugene Speicher, Pigtails (Portrait of a Young Girl), circa 1939.
Spruance, Benton
143. Henry Adams, The Beal Collection of American Art, The Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1994, discussion of Benton Spruance, pp. 47, 49.
Stella, Frank
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 36, entry on Frank Stella Untitled (Bonin Night Owl), 1980.
Stella, Joseph
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 324-5, entry on Joseph Stella, Study for Brooklyn Bridge, 1918.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 144-47, entries on Joseph Stella, Bridge, circa 1908, Old Man Sleeping in a Field, circa 1908, and Collage No. 8, circa 1922.
Stevenson, Thomas
176, “Thomas Stevenson’s Landscape Sketchbook,” Kresge Art Museum Bulletin, Vol VIII, 1999, Michigan State University, East Lansing, Michigan, pp. 6-11.
Strachov, Greg
172, “Greg Strachov: Watercolors,” exhibition brochure, The Butler Institute of American Art, March, 1999.
Strand, Paul
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, entries on three photographs by Paul Strand: p. 28, Wall Streeet, New York, 1915; p. 28, Wire Wheel, New York, 1930; and pl 29, St. Francis Church, Ranchos de Taos, New Mexico, 1931
Stuart, Gilbert
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 46-47, entry on Gilbert Stuart, Portrait of Baron FizGibbon, 1789.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entries on two painting by Gilbert Stuart: pp. 26-28, The Right Honorable John Foster, 1791; pp. 28-29, Dr. William Aspinwall, circa 1814-15.
Sully, Thomas
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 32-33, entry on Thomas Sully, Mrs. James Gore King (Sarah Robers King), Wife of “The Gold Beater,” 1831.
Taft, Leonardo
77. "Timothy J. Garvey, Public Sculptor: Lorado Taft and the Beautification of Chicago" [book review], The Winterthur Portfolio, vol. XXIV, nos 2/3, summer/autumn l989, pp. 200-20l.
50. "Allen Weller, Lorado In Paris: The Letters of Lorado Taft, l880-l885" [book review], The Winterthur Portfolio, XXI, nos 2/3, Summer/Autumn, l986, 209-2ll.
Tchelitchew, Pavel
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 71, entry on Pavel Tcheletchew, Head, 1949.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 326-28, entry on Pavel Tchelitchew, Brigita Hartwig (Vera Zorina), circa 1939-40.
Terra, Daniel
8. "Daniel Terra and American Art: From Private Collector to Public Champion," Portfolio, V, no. l, January-February l983, pp. 48-53, 7 illustrations in color, l in black-and-white.
Tobey, Mark
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, p. 34, entry on Mark Tobey, The Avenue, 1954.
Travis, Paul
192. “Paul Travis (1891-1975),” American Art Review, February 2002, Vol. XIV, No. 1, pp. 138-145.
190. Paul Travis, 1891-1975 [exhibition catalogue], Cleveland Artists Foundation, Cleveland, Ohio, December 2001.
Twachtman H., John
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 130, entry on John H. Twachtman, Harbor View Hotel, 1902.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 208-09, entry on John H. Twachtman, River in Winter, circa 1890-1900.
Vedder, Elihu
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, pp. 145-46, entry on Elihu Vedder, The Lion of the Nile, 1888.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 122, entry on View of Subiaco, circa 1878, attributed to Elihu Vedder.
Vouet, Simon
4. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985. Author of entries on works by Simon Vouet.
Waldo, Samuel Lovett
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, pp. 33-34, entry on Samuel Lovett Waldo, assisted by William Jewett, Mr. Hutchins and Mrs. Hutchins, circa 1835.
Warhol, Andy
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 37, entry on Andy Warhol, Flowers, n.d. .
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 214-16, entries on Andy Warhol, Untitled (illustration for All the King’s Men by Robert Penn Warren), 1948-49.
West, Benjamin
What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 42, entry on Benjamn West, Portrait of Elizabeth Shewell West and Her Son Raphael, about 1770.
105. Handbook of American Paintings, The Nelson-Atkins Museum of Art, Kansas City, 1991, entries on two painting by Benjamin West: pp. 19-20, Mr. And Mrs. John Custance, 1778; and p. 21, Raphael West and Benjamin West, Jr., Sons of the Artist, circa 1796; pp. 60-61, Venus Comforting Cupid (Cupid Stung by a Bee), circa 1796..
93. Art and Artists: International Dictionary of Art and Artists, edited by James Vinson with a foreword by Cecil Gould, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Author of biography on Benjamin West.
53. "Ann Uhry Abrams' The Valiant Hero: Benjamin West and Grand-Style History Painting" [book review], The Burlington Magazine, CXXVIII, no. 999, June l986, 435-436.
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, Museum of Art, Carnegie Institute, May l985, pp. 28-31, entry on Benjamin West, Entrance to the Terrace at Windsor Castle, circa 1795-1805.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 160-161, entry on Benjamin West, Venus Lamenting the Death of Adonis, 1768.
Whistler McNeill, James
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985, pp. 196-97, entry on James McNeill Whistler, Arrangement in Black: Pablo de Sarasate, 1884.
Wieghorsts, Olaf
58. "Olaf Wieghorst's 'Indian Trail," Calendar of Events, October l986, The Nelson-Atkins Museum of Art, Kansas City, Missouri.
Wood, Grant
251. What’s American about American Art? A Gallery Tour of the Cleveland Museum of Art, Hudson Hills Press, New York, 2008, pp. 138-39, entry on Grand Wood, January, 1940.
08. “The Structure of Grant Wood’s Illustrations to Main Street,” in Grant Wood’s Illustrations to Main Street, University Museum, Ames, Iowa.
196. “January by Grant Wood,” Calendar of the Cleveland Museum of Art, April 2002, pp, 10-11, one illustration in color.
Ward, Jacob C.
105. Handbooks of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, pp. 85, entry on Jacob C. Ward, Natural Bridge, Virginia, circa 1835.
Wilkin, Frank W.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, p. 111, entry on Frank Wilkin, Nikkanochee, Prince of Econchatti, A Young Seminole Indian, Son of EConchattimico, King of the Red Hills, 1841.
Wyeth, Andrew
227. “Wyeth’s World. After seven decades, critics still differ over Andrew Wyeth’s stature as an artist. A new exhibition stirs the debate,” Smithsonian, June 2006, pages 84-92.
226. Henry Adams, special to the Plain Dealer, “Why ask Wyeth? Well, artist speaks eloquently on his work,” The Cleveland Plain Dealer, Sunday, May 28, 2006, Sunday Arts page J5.
223. Andrew Wyeth: Master Drawings from the Artist’s Collection, Brandywine River Museum, Chadds Ford, Pennsylvania, 2006, 112 pages, 51 illustrations in black-and-white.
211. “Seven Secrets of Andrew Wyeth’s Technique,” American Artist: Drawing, Spring 2004, pp. 336-347, 1 illustration in color and 6 in black-and-white.
153. American and European Masterpieces from the Norton Museum of Art, [exhibition catalogue], Cummer Museum of Art, May 1995, front matter page, entry on Andrew Wyetyh, Pirate Country, 1939.
122. American Drawings and Watercolors from the Kansas City Region, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, entry on two works by Andrew Wyeth: pp. 192-93, Old Orchard, Meadow, 1957; pp. 196-97, Study for “Battleground,” 1981.
105. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Kansas City, Missouri,1991, two entries on paintings by Andrew Wyeth: p. 159, Thin as Vanity, 1981; pp. 160-161, Battleground, 1981.
Wyeth, N.C.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, p. 30, entry on N. C. Wyeth, Friar Tuck, 1933.
131. "Wyeth's Nightfall on Loan to Museum," [painting by N. C. Wyeth], Calendar of the Nelson-Atkins Museum of Art, January 1993, p. 4.
Young, Stephen Scott
166. "Stephen Scott Young," Watercolor: An American Artist Publication, Summer 1997 Issue, pp. 70-78, 127-8, cover illustration and ten illustrations in color. |
Henry Adams: LONG CV
261. Entries on the “Piccirilli brothers,”” The Tile Club,”” Howard Pyle,”” N. C. Wyeth,””Lorado Taft,” “Thomas Hart Benton,” and “Marius de Zayas,” for The Grove Encyclopedia of American Art.
260. Introduction to a book by Michael Hall, Emerson Burkhart: An Ohio Painter’s Song of Himself, Scala Publishers, Ltd, London, 2009, pp. 11-13.
259. “Art in Kansas City,” in Discovering Margot Peet: The Artist and Art World of Kansas City, Posterity Press, Ann Arbor, Maryland, 2008, pages 167-228..
258. Florian K. Lawton: Fifty Years of His Art [exhibition catalogue], Butler Institute of American Art, Youngstown, Ohio, Florian K. Lawton Foundation, 2009, 120 pages.
257. Entry on Jackson Pollock, Silver and Black, 1950, a recent gift to the Butler Institute of American Art, for the Butler’s handbook of Masterworks from their collection.
256. Entries on Going West (drawing), A History of Water (mural project), and Strike (painting) by Thomas Hart Benton in Thomas Hart Benton’s America, Kichel Fine Art, Lincoln, Nebraska, November 2009, pages 3-5, 16, 40.
255. “John La Farge’s South Sea Sketchbooks: Their Nature and Their Significance,” in Lisa Hodermarsky, editor, John La Farge’s Second Paradise: Voyages to the South Seas, 1890-1891, The Yale University Art Gallery in association with Yale University Press, 2010.
254. Tom and Jack: The Intertwined Lives of Thomas Hart Benton and Jackson Pollock, Bloomsbury Press, New York, 2009.
253. “Decoding Jackson Pollock,” Smithsonian Magazine, November 2009, pages 58-60. When this story was posted on the Smithsonian
website it received over 1.2 million visitors in a single day and over 600 posted comments. For a time it was featured on the Yahoo homepage. The unprecedented popularity of the story was the subject of another article in the December issue of Smithsonian Magazine.
252. Henry Adams, with an introduction by Timothy Rub, director, Cleveland Museum of Art, What’s American About American Art?, The Cleveland Museum of Art in Association with Hudson Hills Press, Manchester and New York, 2008, 145 pages, 96 illustrations in color and 8 in black-and white.
251. Statement for DVD of Tom Ball film on Chris Pekoc, The Beauty of Damage: The World of Christopher Pekoc.
250. “George Bellows, “biography for website on George Bellows, established by the George Bellows Trust and Thomas French Fine Arts, #1 and #2 on Yahoo for George Bellows and #3 on Google.
249. “Viktor Schreckengost 1906-2008,” Obituary for Modernism Magazine, Vol. 11, no. 1, Spring, 2008, page 25.
248. “Arts of Life in America Studies,” and “Strike,” entries on two works by Thomas Hart Benton, American Perspectives [exhibition catalogue], Kiechel Fine Art, 5733 South 34th Street, Suite 300, Lincoln, Nebraska, 68516, 2008, pages 19, and double-sided inserted page.
247. Reprint in paperback of “Art and Technology” in A Companion to American Technology, edited by Carroll Pursell, Blackwell Publishing, Oxford, England, 2008.
246. Introduction to book by Michael Hall, Emerson Burkhart: An Ohio Painter’s Song of Himself, Columbus Museum of Art, 2008.
245. Entry on John La Farge for the Encyclopedia of American art, edited by Joan Marter, Oxford University Press.
244. “Mel Rose,” program, 2008 Cleveland Arts Prize Ceremony, Cleveland Play house, June 26, 2008, pages 9-10 (this is a slightly edited version of my statement nominating him for the award).
243. “Thomas Hart Benton and Martha’s Vineyard,” Benton on the Vineyard, exhibition catalogue, The Owen Gallery, New York, 19 East 75th Street, New York, New York 10021, October 2008.
242. Statement on Birger Sandzen for the Birger Sandzen Gallery, Lindsborg, Kansas, December 2008.
241 “George Bellows, “biography for website on George Bellows, established by the George Bellows Trust and Thomas French Fine Arts, #1 and #2 on Yahoo for “George Bellows” and #3 on Google.
240. “Viktor Schreckengost 1906-2008,” Obituary for Modernism Magazine, Vol 11, no. 1, Spring, 2008, page 25.
239. “Charles Green Shaw, 1892-1974, “A Portrait in Words,” text for Charles Green Shaw (1892-1974): the 1930s & 1940s, exhibition catalogue, D. Wigmore Fine Arts, Inc. 730 Fifth Avenue, Suite 602, New York, NY 10019, pp. 4-11.
238. “Thomas Hart Benton’s Spring Tryout, 1944,” Altermann Galleries & Auctioneers, Auction, December 15, 2007, Session I, The Hilton of Santa Fe, Santa Fe, New Mexico, essay page 45 with color plate on page 46 where I am described as a “noted authority on the works of Thomas Hart Benton.”
237. “Vincent Campanella: Classical Abstractionist,” American Art Review, Vol, XIV, No. 5, September-October 2007, pp. 158-165, 16 illustrations in color.
236. “Vincent Campanella,” principle essay in Vincent Campanella: Classical Abstractionist [exhibition catalogue], The Albrecht-Kemper museum of Art, St. Joseph, Missouri, September 15-November 4, 1007, and Park University, Campanella Gallery, Parkville, Missouri, September 16-November 2, 2007, pp. 8-45, 80 illustrations in color..
235. Entry on Thomas Hart Benton, “Harbor Scene,” 1918, 4 pages in Regionalism, Paintings & Drawings, Kiechel Fine Art, 5733 South 34th Street, Suite 300, Lincoln, Nebraska, 68516, 2007,
234. “Thomas Hart Benton, Hoeing Cotton,” in Portraits and Other Recent Acquisitions, 2007, Lawrence Steigrad Fine Arts, 23 East 69th Street, New York, New York, 10021.
233. “Free The Gross Clinic?” The Los Angeles Times, Opinion, Saturday, December 16, 2006, A27.
232. Christopher Pekoc: The Beauty of Damage, exhibition catalogue, Convivium 33 Gallery, Cleveland, Ohio, December 2006, pages 7-23.
231. “Despite its twist on tradition, portrait of painter Thomas Eakins is blemished,” review of William S. McFeely, Portrait: The Life of Thomas Eakins, in The Chicago Tribune: Living/Books, November 26, 2006.
230. “The Tragic Vision of Thomas Eakins,” Fine Art Connoisseur, November/December 2006, 9 color illustrations, pages 49-54.
229. “The Benton Fake Game,” IFAR Journal, International Foundation for Art Research, 500 Fifth Avenue, New York, Volume 9 Number 1, 2006, pages 16-27, 18 illustrations, 15 in color.
228. American Da Vinci: Victor Schreckengost and Modern Design, Tidemark, in partnership with the Viktor Schreckengost Foundation, Connecticut, July 2006.
227. “Wyeth’s World. After seven decades, critics still differ over Andrew Wyeth’s stature as an artist. A new exhibition stirs the debate,” Smithsonian, June 2006, pages 84-92.
226. Henry Adams, special to the Plain Dealer, “Why ask Wyeth? Well, artist speaks eloquently on his work,” The Cleveland Plain Dealer, Sunday, May 28, 2006, Sunday Arts page J5.
225. American Da Vinci: Viktor Schreckengost, to be published by Tidemark Press, circa June 2006.
224. “Jan Matulka: A Painter’s Eye in Gloucester & Rockport,” Cape Ann Historical Museum, Gloucester, Massachusetts, June 10-September 9, 2006.
223. Andrew Wyeth: Master Drawings from the Artist’s Collection, Brandywine River Museum, Chadds Ford, Pennsylvania, 2006, 112 pages, 51 illustrations in black-and-white.
222. “Edris Eckhardt: An artist’s life,” in Edris Eckhardt, Visionary and Innovator in American Studio Ceramics and Glass, curated by Henry Adams and Joseph Kisvardai, introductin by Joseph Kisvardai, essays by Henry Adams and Kirk J. Nelson, organized by William Busta, Cleveland Artist’s Foundation, February 18-Aril 15, 2006, pp. 13-44.
Reviewed by Dan Transberg, “Making Many Faces,” The Plain Dealer, Cleveland, Ohio, Thursday, February 23, 2006, Section F., pages, 1, F3.
221. “The Popular Roots of Collage,” essay in Collage in All Dimensions, Malcolm Llewellyn Publishing, Washington D.C., 2005.
220. “Book Passage: The New Adam of American Art,” Review of Jonathan Weinberg, Male Desire: The Homoerotic in American Art. Harry N. Abrams, Publisher, New York, 2005, artUS, The Foundation for International Art Criticism, Los Angeles, issue 11, December 2005/February 2006.
219. “The Piccirilli Brothers: A Family of Master Sculptors,” in Freeing the Angel from the Stone: The Contribution of the Piccirilli Brothers to Sculpture, 1890 to the Present, catalogue/ brochure for the Italian-American Museum, New York, October 19 through December 15, 2005, pp. 11-15.
218. “Some ‘New’ Letters by Thomas Eakins’s Brother-in-Law, Frank Stephens,” Archives of American Art Journal, vol., 44, nos. 3-4, 2004, pp. 14-20, cover illustration and 5 illustrations in black-and-white.
217. “Viktor Schreckengost at 99,” Modernism Magazine, pp. 72-83, vol. 8, no. 3, Fall 2005, 14 illustrations in color and 6 in black-and-white.
216. Clara Deike: The Unknown Paintings, exhibition catalogue, William Tregoning Fine Arts, Chagrin Falls, Ohio, May 2005.
215. Eakins Revealed: The Secret Life of an American Artist, Oxford University Press, 2005, 583, pp., 200 illustrations. [Reviewed in The New York Times, The Philadelphia Inquirer, Art News, and many other newspapers and magazines].
214. “The Drawings of Thomas Hart Benton,” American Artist: Drawing, Winter 2005, pp. 40-55, cover and 38 illustrations.
213. “Viktor Schreckengost’s Dinnerware Designs: How an Industrial Designer Thinks,” Journal of the American Art Pottery Association, July-August 2004, pp. 16-20.
212. Thomas Hart Benton [exhibition catalogue], with an essay on Benton’s History of New York, Hammer Galleries, New York, March 2004.
211. “Seven Secrets of Andrew Wyeth’s Technique,” American Artist: Drawing, Spring 2004, pp. 336-347, 1 illustration in color and 6 in black-and-white.
210. Encyclopedia of the Midwest, “Major Art Museums,” and “Painting in the Midwest.”
209. “Technology and Art in the 20th Century,” Companion to American Technology, edited by Carroll Pursell, Blackwell Publishing, Malden, Mass and Cambridge, England, 2005, pp. 406-428.
208. “The Structure of Grant Wood’s Illustrations to Main Street,” in Grant Wood’s Illustrations to Main Street, University Museum, Ames, Iowa.
207. “Thomas Hart Benton’s Boomtown,” entry for book on masterworks of the collection, Memorial Art Gallery, Rochester, written July 2003, projected publication date, 2005.
206. “George Dombek: Bicycles and Stones,” The Butler Institute of American Art, Youngstown, Ohio, June 2003.
205. Overflow: George Fitzpatrick Eric Neff, Dan Tranberg, Douglas Max Utter, The McDonough Museum of Art, Youngstown State Univrersity, 525 Wick Avenue, Youngstown, Ohio, March 2003.
204. “Rockwell Kent’s Garden of the Gods,” The Kent Collector, Spring 2003, vol. XXIX, No. 1, pp. 9-15, Plattsburgh State Art Museum, Plattsburgh State University of New York.
203. “The Gilded Age,” Member’s Magazine, Cleveland Museum of Art, February 2003.
202. Brochure on the American Painting collection, Cleveland Museum of Art, February 2003
201. Thomas Hart Benton, “The City,” American Art, Phillips De Pury and Luxembourg, New York, December 3, 2002, pp. 94-95.
200. “Paul Sample’s Barber Shop,” Calendar of the Cleveland Museum of Art, November 2002, pp. 8-9, one illustration in color.
199. Statement on Teacher’s Guide, “Art Education,” CMA Today, Staff Newsletter of the Cleveland Museum of Art, July/August 2002, p. 3.
198. “Viktor Schreckengost,” acceptance speech for the Visual Arts Award, Northern Ohio Live Awards, Cleveland State Theater, Cleveland, Cleveland Artists Foundation, Member’s Newsletter, June 2002, p. 6.
1977. “Rediscovering Norman Rockwell,” American Artist, October 2002, pp. 52-57, 75-76, 8 illustrations in color.
196. “January by Grant Wood,” Calendar of the Cleveland Museum of Art, April 2002, pp, 10-11, one illustration in color.
195. “The Abstract Meaning of American Quilts,” in Palettes, Pieces and Patterns: A Comparison of Indiana and Ohio Ambish Quilts, by Kathleen MacLary, forward by Henry Adams, Indiana State Museum, Indianapolis, Indiana, 2002, unpaginated.
194, Review of Laura Claridge, Norman Rockwell: A Life, Random House, New York, 2001, for The Commercial Appeal, Memphis, Tennessee.
193. Entries on “Washington Allston,” “Moonlit Landscape” (by Washington Allston) and “The Titan’s Goblet” (by Thomas Cole), A Dictionary of Romanticism, Fitzroy Dearborn Publishers, London, 2003.
192. “Paul Travis (1891-1975),” American Art Review, February 2002, Vol. XIV, No. 1, pp. 138-145.
191. “Painter’s still-lifes seen as his anxieties: Book Review,” Review of Alexander Nemerev, The Body of Raphaelle Peale: Stil Life and Selfhood, 1812-1824, University of California Press, Brkeley, 2001, The Commercial Appeal, Memphis Tennessee, Sunday, October 28, 2001, section G, pp. 1, 2.
190. Paul Travis, 1891-1975 [exhibition catalogue], Cleveland Artists Foundation, Cleveland, Ohio, December 2001.
189. “What Happened to Byron Browne?” introduction to Byron Browne [exhibition catalogue], Melvin Art Gallery of Florida Southern College, Lakeland, Florida, September 13-October 12, 2001.
188. “La tradition de l’art moderne aux Etats-Unis,” essay for Made in U.S.A.
[exhibition catalogue], pp. 28-37, Musee des Beaux-Arts, Bordeaux, France (October 5 to December 31, 2001), Rennes (January 17 to March 31, 2002) and Monteplier (April 10 to June 25). In addition to the French edition, and English translation will be published by Abrams in January 2002.
187. “Eric Bransby and Modern Mural Painting,” in Eric and Maryanne Bransby [exhibition catalogue], Colorado Springs Fine Arts Center, June 2001.
186. “Juror’s Statement,” 57th Juried Exhibition, Sioux City Art Center, Sioux City, Iowa, February, 2001.
185. “Viktor Schreckengost, American Design Hero,” Modernism Magazine, Spring 2001, vol. 4, no. 1, pp. 34-39, 12 illustrations in color.
184. “Cocktails and Cigarettes” (note on Schreckengost exhibition and punch bowl by Schreckengost), Member’s Magazine, Cleveland Museum of Art, December 2000.
183. “Viktor Schreckengost and 20th-Century Design,” Member’s Magazine, Cleveland Museum of Art, November 2000.
182. Viktor Schreckengost and 20th-Century Design, book/catalogue (50,000 words) for an exhibition at the Cleveland Museum of Art, November 12, 2000--February 2, 2001, Cleveland Museum of Art, Cleveland, OH, distributed by the University of Washington Press.
181. “John La Farge,” entry for Encyclopedia of American Art before 1914, Macmillan, London, 2000.
180, Teacher’s Guide, American Art Collection, to be published by the Cleveland Museum of Art.
179. Entries on John Singleton Copley, Hussar Officer, Winslow Homer, Boy with Anchor, and Leaping Trout, John La Farge, A Rishi Stirring Up a Storm, Thomas Wilmer Dewing, Gloria, Thomas Moran, Smelting Works, Denver, Charles Burchfield, Church Bells Ringing--Rainy Winter Night, Edward Hopper, Lighthouse Village, Thomas Hart Benton, G.O.P. Convention, Cleveland, 1936, in Master Drawings from the Cleveland Museum of Art, The Cleveland Museum of Art in association with Rizzoli International Publications, 2000, catalogue for an exhibition at the Cleveland Museum of Art (27 August 15 October 2000) an The Pierpont Morgan Library, New York (24 May—19 August 2001).
178, “Emma Bellows,” “Imogene Bruton,” “Henry Clausen,” “Ida Rogers,” “Salamina,” and “Adeline Williams,” entries for A Dictionary of Artist’s Models, edited by Jill Jiminez, Fitzroy Dearborn Publishers, London, forthcoming, December 2000.
177, “The First Abstract Painter,” in Manierre Dawson, Hollis Taggart Galleries, October 1999, pp. 10-57.
176, “Thomas Stevenson’s Landscape Sketchbook,” Kresge Art Museum Bulletin, Vol VIII, 1999, Michigan State University, East Lansing, Michigan, pp. 6-11.
175. “Painters Also Rode the Rails: Thomas Hart Benton and the Railroad Song,” to be published in Waiting for a Train: Jimmie Rodgers’ America, to be published by the Wesleyan University Press in partnership with the Rock and Roll Hall of Fame, Cleveland.
174. Jan Matulka, exhibition catalogue, 117 pp, Thomas McCormick Fine Arts, Chicago, Illinois, pp. 16-48, Thomas McCormick Gallery, 2055 North Winchester, Chicago, May 1999 .
173. "Thomas Hart Benton's mural of The Arts of Life in America," in New Britain Museum of American Art: Highlights of the Collection, Prestel, Munich, London, New York, 1999, pp. 28-33. .
172, “Greg Strachov: Watercolors,” exhibition brochure, The Butler Institute of American Art, March, 1999.
171. “Memoir: Thomas Boylston Adams,” Proceedings of the Massachusetts Historical Society, Volume CIX, 1997, published by the society, distributed by Northeastern University Press, 1998, pp. 123-142..
170. “The Modern Language of Mural Painting,” American Artist, December 1998, vol. 62, issue 677, pp. 44-51, 10 illustrations in color and 3 in black-and-white.
169. “American Drawings in the Realist Mode,” lead essay in Intimate Expressions: Two Centuries of American Drawing, [exhibition catalogue], curated by Donald D. Keyes, Georgia Museum of Art, Athens, Georgia, 1998, pp. 6-25. The exhibition opened at the Georgia Museum of Art (December 5, 1997-February 1, 1998) and traveled to the Columbus Museum, Columbus, Georgia (December 6, 1998-February 28, 1999) and the Samuel P. Harn Museum of Art, Gainesville, Florida (September 5-November 28, 1999).
168. "Space, Weather, Myth, and Abstraction in the Art of John Steuart Curry," in John Steuart Curry: Inventing the Middle West, exhibition catalogue, Paul Anbinder, Publisher in Association with the Elvehjem Museum of Art, Madison, Wisconsin, 1997, pp. 111-128 (the exhibition, curated by Patricia Junker, opened at the Elvehjem Museum of Art, University of Wisconsin-Madison, March 7, 1998, and traveled to the Fine Arts Museum of San Francisco and the Nelson-Atkins Museum of Art, Kanasas City).
167. "Life Lines: The Drawings of Samuel Crone," in Return to Memphis: The Art of Samuel Hester Crone (1858-1913), exhibition catalogue, Art Museum, University of Memphis, September 6-November 8, 1997, pp. 10-63, aproximately 100 illustrations in black-and-white.
166. "Stephen Scott Young," Watercolor: An American Artist Publication, Summer 1997 Issue, pp. 70-78, 127-8, cover illustration and ten illustrations in color.
165. "A heartland artist who broke the old regionalist mold" [article on Charles Burchfield's paintings of Salem, Ohio and Buffalo, New York], Smithsonian, May 1997, vol. 28, no. 2, p. 58-69, 11 illustrations in color.
164. "Charles Burchfield's Creative Imagination," The Paintings of Charles Burchfield: North by Midwest, Harry N. Abrams Publishers in Association with the Columbus Museum of Art, 1998, exhibition curated by Nanette Macejunes and Michael Hall, circulated to the Columbus Museum of Art and the National Museum of American Art, Washington D.C., pp. 110-125.
163. "Thomas King Baker, 1911-1972: His Secret Life," American Art Journal, April 1997, pp. 140-145.
162. "Albert Bloch: The Invisible Blue Rider," in Albert Bloch: The American Blue Rider, [exhibition catalogue], Nelson-Atkins Museum of Art, Stadtische Galerie im Lenbachhaus, and Prestel Verlag, Munich. The exhibition (which I initiated, and co-curated with Annegret Hoberg), toured to the Nelson-Atkins Museum of Art, Kansas City (January 26-March 16, 1997), the Stadtische Galerie im Lenbachhaus in Munich (April 16-June 29, 1997), and the Delaware Art Museum, Newark, Delaware (October 3-December 7, 1997).
161. Dale Chihuly: Thirty Years in Glass, 1966-1996, UMB Financial Corporation, Kansas City, Missouri, 1996, 75 pp., 30 illustrations in color.
160. "Message from the Director" (Letter from Chihuly's Boathouse), The Kemper Contemporary, The Kemper Museum of Contemporary Art, Kansas City, Number 96:4, Fall 1996, unpaginated.
159. Excerpt of 447 words from "Rembrandt or not Rembrandt?", see below no. 155, The Psychological Corporation, Allied Health Aptitude Test, Allied Health Professions Admission Test, Pharmacy College Admission Test, Practical Nursing Entrance Exam, Registered Nursing Entrance Exam, Veterinary College Admissions Test, 1996-97, 2,000 to 5,000 copies per program.
158. Boardman Robinson: American Muralist and Illustrator, 1876-1952, [exhibition catalogue/checklist], Colorado Springs Fine Arts Center, Colorado Springs, September 21, 1996--January 12, 1997, author and curator of the exhibition, 25 pp. 31 black-and-white and 11 color illustrations.
157. "Message from the Director," The Kemper Contemporary, The Kemper Museum of Contemporary Art, Kansas City, Number 96:3, Summer 1996, unpaginated.
156. "Juror's Statement," 8th Annual National Print Exhibition [exhibition catalogue], Florida Printmaker's Society, South Gallery, Florida Community College at Jacksonville South Campus, January 16-February 13, 1996, unpaginated.
155. "In Search of Rembrandt," Smithsonian Magazine, December 1995, pp. 82-91, 7 illustrations in color and 4 in black-and-white.
154. "Director's Letter," coming of Norton exhibition, Calendar of the Cummer Museum of Art, May 1995.
153. American and European Masterpieces from the Norton Museum of Art [exhibition catalogue], Cummer Museum of Art, May 1995, with Marianane Berardi and Sally Metzler. Introduction and entries on works by Robert Blum, Charles Burchfield, James Chapin, William Merritt Chase, Stuart Davis, Manierre Dawson, Charles Demuth, John Flanagan, Sam Francis, Seldon Conner Gile, John Grabach, Childe Hassam, Robert Henri, Winslow Homer, Edward Hopper, George Inness, Leon Kroll, Gaston Lachaise, Ernest Lawson, Hayley Lever, George Luks, Edward Middleton Manigault, Paul Manship, Reginald Marsh, Frederick MacMonnies, Thomas Moran, Georgia O'Keeffe, Jane Peterson, Maurice Prendergast, Ben Shahn, Charles Sheeler, Everitt Shinn, John Sloan, Paul Strand, Mark Tobey, Andy Warhol, Andrew Wyeth, N. C. Wyeth, Georges Braque, Andre Derain, Raymond Duchamp-Villon, Raoul Dufy, Jacob Epstein, Max Ernst, Eugene Fromentin, Fernand Leger, Jacques Lipchitz, Aristide Maillol, Henry Moore, Jules Pascin, Pablo Picasso, Auguste Rodin, Georges Roualt, Paul Signac, and Pavel Tchelitchew.
152. "Director's Letter" (acquisition of Thomas Hart Benton's June Morning, 1945), Calendar of the Cummer Museum of Art and Gardens, April 1995, unpaginated.
151. "Director's Letter" ("The American Festival/Towards Modernism"), Calendar of the Cummer Museum of Art and Gardens, March 1995, unpaginated.
150. "Director's Letter," Calendar of the Cummer Museum of Art and Gardens, January 1995, unpaginated.
149. "The Selected Papers of Charles Willson Peale and His Family," [book review], The Pennsylvania Magazines of History and Biography, vol. CXVIII, no. 4, October 1994, pp. 395-98.
148. "Director's Letter: Acceptance Speech for the IMS Museum Service Award," Calendar of the Cummer Museum of Art and Gardens, October 1994, unpaginated.
147. "Jim Cantrell," Southern Arts Federation/National Endowment for the Arts: 1994 Fellowships, Southern Arts Federaton, Atlanta, Georgia, unpaginated; reprinted in New Art Examiner, November 1994, center section, unpaginated.
146. "Director's Letter, Calendar of the Cummer Museum of Art and Gardens, Summer, 1994, unpaginated.
145. "The American Land Inspired Cole's Prescient Visions," Smithsonian Magazine, May 1994, pp. 98-107, 8 illustrations in color.
144. "Director's Letter," Calendar of the Cummer Gallery of Art and Gardens, May 1994, unpaginated. 140. Toward Modernism: The Collection of Mr. and Mrs. James Beal [exhibition catalogue], Carnegie Museum of Art, Pittsburgh. Introduction and catalogue entries: catalogue data compiled by Linda Batis with the assistance of Ruth Edelstein, 112 pp, cover and 26 illustrations in color, 92 illustrations in black-and-white. The discussion of Arthur Dove's Huntington Harbor II was later slightly reworked by Gillian Belknap to serve as an entry for the Carnegie Museum's Handbook, 1995.
143. "The Beal Collection of American Art," cover story, Carnegie Magazine, vol. LXII, no. 2, March/April, 1994, pp. 12-16, cover illustration, six illustrations in color, and one in black-and-white.
142. "Foreword," Independent Schools Juried Exhibition, Cummer Gallery of Art, April 29-June 19, 1994, unpaginated.
141. "Thomas Hart Benton as a Teacher," introduction to Marianne Berardi, Under the Influence: The Students of Thomas Hart Benton [exhibition catalogue], Albrecht-Kemper Museum of Art, St. Joseph, Missouri, January 1994, pp. 1-29.
139. Made in America: Ten Centuries of American Art, Hudson Hills Press, New York, 1995. An exhibition organized by a five museum consortium: The Minneapolis Institute of Arts (February 5-April 30, 1995), The Saint Louis Art Museum (June 16-September 4, 1995), The Toledo Museum of Art (October 13, 1995-January 7, 1996), The Nelson-Atkins Mseum of Art, Kansas City (March 17-May 19, 1996), The Carnegie Museum of Art, Pittsburgh (July 6-September 22, 1996). Introductory essays on "Democratic Vistas," "American Impressions," pp. 67-69. and "Early 20th-Century," pp. 131-132, and entries on Raphaelle Peale, After the Bath, p. 40, Frederic Church, Jerusalem, p. 61, John Singer Sargent, Portrait of Mrs. Cecil Wade, p. 75. John La Farge, Peonies Blowing in the Wind, p. 118, Thomas Eakins, Monsignor James P. Turner, p. 84, George Bellows, Frankie, the Organ Boy, p. 136, and Marsden Hartley, Himmel, p. 138.
138. Master Paintings from the Butler Institute of American Art, Harry N. Abrams, Inc., Publishers, in association with the Butler Institute of American Art, New York, 1994, entries on John La Farge, "Kwannon Meditating on Human Life," p. 154, Robert Henri, "The Little Dancer," p. 216, George Ault, "Sculpture on a Roof," p. 232, Georgia O'Keeffe, "Cottonwood III," p. 240.
137. "Thomas Hart Benton," to be published in Dictionary of Missouri Biography, University of Missouri Press.
136. "Thomas Hart Benton," and "Roy Emerson Stryker," to be published in American National Biography, Oxford University Press.
135. "Lois Fink's American Art at the Nineteenth-Century Paris Salons" [book review], Winterthur Portfolio, vol. 29, no. 4, winter 1994, pp. 284-287.
134. "Rubens was artist, scholar, diplomat, and a lover of life," Smithsonian Magazine, October 1993, pp. 58-69, cover illustration and 9 illustrations in color. Republished by the SIRS Renaissance electronic database for CD-Rom and internet online, December 1997.
133. "The Columbus of the Woods: Daniel Boone and the Typology of Manifest Desiny by J. Gray Sweeney," to be published in Gateway Heritage, Missouri Historical Society, St. Louis.
132. "Thomas Blackshears," brochure for an exhibition circulated by the Greenwich Workshop, Trumbull, Connecticut.
131. "Wyeth's Nightfall on Loan to Museum," [painting by N. C. Wyeth], Calendar of the Nelson-Atkins Museum of Art, January 1993, p. 4.
130. "Rockwell Kent's Illustrations to Moby Dick," conclusion of article from summer issue, The Rockwell Kent Collector, vol. XIX, no. 2, Fall 1992, pp. 3-8, 8 illustrations in black-and-white.
129. "Benton Sketchbook Donated to Museum," Calendar of the Nelson-Atkins Museum of Art, December 1992, p. 3, four illustrations in black-and-white.
128. "The Paintings of George Bellows," exhibition review, The Burlington Magazine, vol CXXXIV, October 1992, pp. 684-687, two illustrations in black-and-white.
127. "Ascesa e caduta di Thomas Hart Benton," "Gli ultimi anni," "Catalogo delle opere," "Notizia biografica," "Exposizioni principali," and "Bibliografia essenziale," in Thomas Hart Benton [exhibition catalogue], Museo d'Arte Moderna, Citta di Lugano, published by Electa, Milan, September 5-November 15, 1992, pp. 26-83, 125-132, 147-172, 173-183, 185-86, 187-88. Additional essays by Robert Rosenblum and Erika Doss. Acted as consulting curator for the exhibition.
126. "American Works from Area Collections," Calendar of the Nelson-Atkins Museum of Art, September 1992, p. 2.
125. "The Enduring Vitality of Plains Indian Art," Smithsonian Magazine, November 1992, pp. 124-133, 10 illustrations in color. Reprinted by the U. S. Information Agency for its overseas information program.
124. "American Drawings and Watercolors from Area Collections at The Nelson-Atkins," American Art Review, vol. V, No. 1, Summer 1992, pp. 96-98, 100-102, 158, 160, 162, with 10 illustrations in color.
123. "George Ault, January Full Moon," American Art Review, vol. V, no. 1, Summer 1992, pp. 77, 154, with one illustration in color.
122. American Drawings and Watercolors from the Kansas City Region with a foreword by Herman R. Sutherland and contributions by Henry Adams, Margaret Stenz, Jan Marsh, Margaret Conrads and Marianne Berardi, [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, 496 pp., 140 entries, with illustrated check-list of all American drawings and watercolors up to 1945 in The Nelson-Atkins Museum of Art, Kansas City, and the Spencer Museum of Art, Lawrence, Kansas. Cover and 31 illustrations in color, 133 illustrations in black-and-white, 381 illustrations in black-and-white in check-list. Author of acknowledgements, introduction, and a total of 64 entries on the following artists: George Bellows, Thomas Hart Benton (4), Albert Bloch, Charles Burchfield (2), Clarence Holbrook Carter (1), Mary Cassatt (3), Kenyon Cox, John Steuart Curry (2), Arthur B. Davies, Charles Demuth, Lyonel Feininger (3), John Bernard Flannagan, George Overbury Hart, Marsden Hartley, Hans Hofmann, Winslow Homer (3), Edward Hopper (2), Earl Horter, Frederic James, Rockwell Kent, Walt Kuhn, John La Farge (4), Jacob Lawrence, Jacques Lipchitz, Ward Lockwood (2), John Marin (3), Homer Martin, Reginald Marsh (2), Jerome Myers, Georgia O'Keeffe (2), Jules Pascin, George Petty, Jackson Pollock, Maurice Brazil Prendergast (2), Samuel Worcester Rowse, Everitt Shinn, John Sloan (2), Joseph Stella, Pavel Tchelitchew, Elihu Vedder, Andrew Wyeth (2),
121. The Arvin Gottlieb Collection: Painters of Taos and Santa Fe [exhibition catalogue], July 19-September 6, 1992, The Nelson-Atkins Museum of Art, Kansas City, 31 pp., twenty-five illustrations in color and three in black-and-white. Reprinted in shorter form in The American Art Review, fall 1993.
120. "Works from Taos, Santa Fe, on Display," Calendar of the Nelson-Atkins Museum of Art, Summer 1992, pp. 4, 7, one illustration in black-and-white.
119. "American Works from Area Collections," Calendar of the Nelson-Atkins Museum of Art, Summer, 1992, pp. 3, one illustration in black-and-white.
118. "The Fog Warning," reprint of text from "Mortal Themes, Winslow Homer" (article no. 9), in Kay Alexander and Michael Day, Learning to Look and Create: The SPECTRA Program, Unit 2, "Understanding Art," Lesson 5, "Metaphor and Meaning," Addison-Wesley Publishing Company, 1993.
117. "Early Modernist Paintings on Loan to Museum," Calendar of the Nelson-Atkins Museum of Art, June 1992, p. 3, one illustration in black-and-white.
116. "The Paintings of George Bellows," American Artist, July 1992, pp. 52-59, 80, thirteen illustrations in color and one in black-and-white.
115. "Homer D. Martin's On Lake Ontario," entry for catalogue of American paintings, the Henry Art Gallery, The University of Washington, Seattle, Washington, forthcoming.
114. "Rockwell Kent's Illustrations to Moby Dick," The Rockwell Kent Collector, Summer 1992, Vol. XIX, no. 1, pp. 3-8, cover and ten additional illustrations in black-and-white.
113 "George Ault's January Full Moon, Calendar of the Nelson-Atkins Museum of Art, January-February 1992, pp. 1-2, cover illustration in black-and-white.
112. "The Eight" [exhibition review}, The Burlington Magazine, CXXXIV, February 1992, pp. 145-46, with one illustration in black-and-white.
111. "George Bellows: An American Master," exhibition brochure of paintings, drawings and lithographs owned in the Kansas City region, 17 pages, twenty illustrations in black-and-white.
110. "George Bellows: An American Master," Calendar of the Nelson-Atkins Museum of Art, October 1991, pp. 1-2, two illustrations in black-and-white.
109. "Thomas Eakins: the troubled life of an artist who became an outcast," Smithsonian Magazine, November 1991, pp. 52-69, six illustrations in color and three in black-and-white. Reprinted in Sirs Renaissance, Boca Raton, Florida, a database of full-text articles that offer current perspectives on the arts and humanities.
108. "Winslow Homer in the 1870s, Winslow Homer in Gloucester, Winslow Homer in the 1890s, and Reckoning with Winslow Homer" [exhibition review], The Burlington Magazine, June, 1991, pp. 407-408, three illustrations in black-and-white.
l07. "A Study in Contrasts: The Work of Harnett and La Farge," William M. Harnett [exhibition catalogue], edited by John Wilmderding, Doreen Bolger and Marc Simpson, The Metropolitan Museum of Art, New York, l992, pp. 60-71, eight illustrations in black-and-white.
106. "Will the real William Harnett please stand up?" Smithsonian Magazine, March, 1992, pp. 52-63, cover illustration in color, eleven color illustrations and one illustration in black-and-white.
l05. Handbook of American Paintings in the Nelson-Atkins Museum of Art, Nelson-Atkins Museum of Art, 1991, 208 pages, cover in color, one diagram, and 164 illustrations in black-and-white.
l04. "Family Heirloom Enters the Museum" (Charles Willson Peale's Portrait of The Hall Children) Calendar of the Nelson-Atkins Museum of Art, May l99l, pp. 2-3, one illustration in black-and-white.
l03 "Benton's 'Closest Friend' Enters Collection" (an early self-portrait by MacDonald-Wright), Calendar of the Nelson-Atkins Museum of Art, March l99l, p. 3, one illustration in black-and-white.
l02. "Rotunda Transformed," Calendar of the Nelson-Atkins Museum of Art, January-February l99l, p. 4.
l01. "Did Benton Draw Well?" brochure to accompany an exhibition of Thomas Hart Benton's drawings, "Thomas Hart Benton: An Intimate View," circulated by Smith-Kramer Fine Arts Services, Kansas City, Missouri. Reprinted in part as "Thomas Hart Benton: An Intimate View," American Art Review, vol 5, no. 4, summer 1993, pp. 114-115.
l00. "A Masterpiece of American Still Life: John Frederick Peto's Books on a Table," Calendar of Events, The Nelson-Atkins Museum of Art, September l990, cover illustration.
99. "Winslow Homer's 'Impressionism' and Its Relation to His Trip to France," Studies in the History of Art 26, National Gallery of Art, Washington D. C., l990, pp. 60-89.
98. "Thomas Hart Benton's Illustrations for The Grapes of Wrath," San Jose Studies, Winter l990, pp. 6-l8, with twenty-two illustrations in black-and-white scattered through the issue. One of 6 essays selected for publication out of the 65 talks presented at San Jose State's symposium on Steinbeck.
97. "The Identity of Winslow Homer's 'Mystery Woman,'" The Burlington Magazine, vol. CXXXII, no. l045, April l990, pp. 244-252, sixteen illustrations in black-and-white.
96. "Millard F. Rogers, Jr., Sketches and Bozzetti by American Sculptors, l800-l950" [book review], The Burlington Magazine, December 1990, pp. 884-885.
95. "The Sculpture of William Morris Hunt," to be published in the American Art Journal.
94. "Letter to the Editor," The Art Journal, Fall l990, vol. 49, No. 3, p. 339.
93. Art and Artists: International Dictionary of Art and Artists, edited by James Vinson with a foreword by Cecil Gould, St. James Press, Chicago and London, l990, vol. I, Artists, pp., 64-66, 79-80, 394-396, 669-670, 788-790, 895-97; vol. II, Art, pp. 744, 745, 751, 930-31, 942-43. Biographies and entries on George Caleb Bingham's Fur Traders Descending the Missouri, Winslow Homer's The Gulf Stream, John Sloan's The Coffee Line, Maurice Prendergast's On the Beach, No. 3, and Thomas Hart Benton's Persephone. Also, a biography of Benjamin West.
92. "John La Farge," biographical entry, The Dictionary of Art, Macmillan Publishers Limited, London, one illustration in black-and-white.
91. "Thomas Hart Benton," Southwest Art, May l990, pp. ll2-ll8, 220-22l, nine illustrations in color.
90. "Thomas Hart Benton's l0lst Birthday--And a New Benton for the Museum," Calendar of the Nelson-Atkins Museum of Art, April, l990.
89. Thomas Hart Benton: Drawing From Life, l990, Abbeville Press, 208 pp., l95 illustrations, 39 in color, and with color illustration on cover, to accompany an exhibition of l00 drawings by Thomas Hart Benton circulated by the Henry Art Gallery, University of Washington, Seattle, Washington. Exhibition shown at The Henry Art Gallery (March l6-May 6, l990), Lagunia Gloria Art Museum, Austin, Texas (June 8-July 29, l990), and the Minneapolis Institute of Art (October l3, l990-January 6, l99l).88. Thomas Hart Benton: Drawing From Life, gallery guide, The Henry Art Gallery, Seattle, Washington, 3 illustrations in black-and-white, text drawn from the exhibition catalogue.
87. "Thomas Hart Benton: Artist, Writer, Intellectual, edited by R. Douglas Hurt and Mary K. Dains" [book review], Gateway Heritage, published by the Missouri Historical Society, St. Louis, to be published in l990.
86. Review of Paul Manship by Harry Rand, The Burlington Magazine, January l990, pp. 46-47.
85. "The Legacy of Thomas Hart Benton," excerpt from Knopf book on Benton, Art/World, Fall (November, December, January), p. l0.
84. "Stained Glass Masterpiece Donated to Museum" (John La Farge's Peonies Blown in the Wind), Calendar of Events, Nelson-Atkins Museum of Art, December l989. Includes cover illustration with the first color illustration in the museum calendar.
83. "Our Own Thomas Hart Benton," WETA magazine, November l989, pp. l2-l3, two color ilustrations.
82. "Thomas Hart Benton: Bad Boy of the Art World," USA Today Magazine, November l989, pp. 32-44, cover illustration, l2 illustrations in color, including l double-page spread, and l in black-and-white.
81. Thomas Hart Benton: An American Original, April l989, published by Alfred Knopf, Inc., in association with the Nelson-Atkins Museum of Art and the WGBH Educational Foundation in Boston. 357 pp., 360 illustrations; written to accompany the Centennial Exhibition of Benton's work, organized by the Nelson-Atkins Museum of Art, and the PBS documentary Thomas Hart Benton, created by Ken Burns in association with WGBH, Boston. I served as fund-raiser and principal scholarly consultant for the film; and as curator for the exhibition. The exhibition opened at the Nelson Atkins Museum of Art, Kansas City (April l6 to June l8, l989), and travelled to The Detroit Institute of Arts (August 4 to October l5th, l989), The Whitney Museum of American Art, New York (November l6, l989 to February ll, l990), and the Los Angeles County Museum of Art (April 26 to July 22, l990).
80. "George Caleb Bingham's The Jolly Flatboatman," catalogue essay, American Paintings from the Manoogian Collection, National Gallery of Art, l989, pp. 64-65, one color illustration.
79. Kansas City Remembers Thomas Hart Benton: l889-l975, brochure for exhibition at the Federal Reserve Bank, Kansas City, April 6-May 26, l989, organized by Smith-Kramer Fine Arts Services.
78. Thomas Hart Benton, advertising supplement to the Kansas City Star Magazine, Sunday, April l6, l989, includes excerpts from Thomas Hart Benton: An American Original.
77. "Timothy J. Garvey, Public Sculptor: Lorado Taft and the Beautification of Chicago" [book review], The Winterthur Portfolio, vol. XXIV, nos 2/3, summer/autumn l989, pp. 200-20l.
76. Fred Shane [exhibition catalogue], The Nelson-Atkins Museum of Art, September l988, 47 pp., l4 plates in color, and 43 illustrations in black-and-white, exhibition circulated through the Mid-America Arts Alliance to five Southern and Mid-western art centers.
75. "O'Keeffe Masterpiece on Loan to Museum," Calendar of Events, Nelson-Atkins Museum of Art, May 1988, p. 2 and cover illustration.
74. "The Sources of Country Music," brochure, unpaginated, 4 illustrations in black-and-white and 4 in color, written for the Country Music Foundation, Nashville, to accompany an exhibition of Thomas Hart Benton's last mural, circulated by Smith-Kramer Art Connections, Kansas City.
73. "Karal Ann Marling, Tom Benton and His Drawings: A Biographical Essay and a Collection of His Sketches, Studies, and Mural Cartoons," [book review], The Winterthur Portfolio, XXII, no. l, Spring l988, pp. l02-l06.
72. "Barbara Novak's The Thyssen-Bornemisza Collection: Nineteenth-century American Paintings" [book review], The Burlington Magazine, CXXX, no. l0l8, January l988, pp. 42-43.
71. A Bountiful Decade: Selected Acquisitions l977-l987 The Nelson-Atkins Museum of Art, [exhibition catalogue], edited by Roger Ward and Eliot Rowlands, October l987, entries on John F. Kensett, John Singer Sargent, Childe Hassam, Maurice Prendergast, George Bellows and Thomas Hart Benton.
70. "Benton Paintings Donated to Museum," Calendar of Events, The Nelson-Atkins Museum of Art, October l987, 2-3, four illustrations in black-and-white.
69. "Museum Receives American Impressionist Painting [Child Hassam's The Sonata]," Calendar of Events, The Nelson-Atkins Museum of Art, September l987, pp. l-2, one illustration in black-and-white.
68. "The Mind of John La Farge," lead essay in John La Farge [book/exhibition catalogue], Abbeville Press, New York, l987, with contributions by James Yarnall, Kathleen A. Foster, Helene Barbara Weinberg, Henry A. La Farge, and Linnea Wren. Also created bibliography of La Farge's own writings and writings on La Farge and served as curator, organizer, and fundraiser for the accompanying exhibition which opened at the National Museum of American Art in Washington D.C. (July l0 to October l2, l987), and traveled to the Museum of Art, Carnegie Institute, Pittsburgh November 7, l987 to January 3, l988), and the Museum of Fine Arts, Boston (February 24 to April 24, l988).
67. "John La Farge, the Inventive Maverick," Smithsonian Magazine, July l987, 46-59, cover illustration, two color fold-outs, and six color illustrations.
66. "John La Farge," brochure for La Farge exhibition (different text than above).
65. "Tribute--Arthur Kingsley Porter Prize," CAA Calendar, Spring l987, XII, no. l, p. 5.
64. "Prendergast Painting Donated to Museum," Calendar of Events, The Nelson-Atkins Museum of Art, May, l987.
63. "John Singer Sargent's Portrait of Francisco Bernareggi," Calendar of Events, April l987, The Nelson-Atkins Museum of Art, Kansas City, Missouri, 3, one illustration in black-and-white.
62. "Letter About a Review," The Art Bulletin, LXIX, March l987, l58.
61. "Remington Painting Added to Collection," Calendar of Events, February l987, The Nelson-Atkins Museum of Art, Kansas City, Missouri, l-2, 2 illustrations in black-and-white.
60. "American Art," Annual Report, May l, l985-April 30, l986, Nelson Gallery Foundation, Kansas City, l2-l3.
59. "Mrs. Cecil Wade--Sargent Masterpiece Given to Museum," Calendar of Events, November l986, The Nelson-Atkins Museum of Art, Kansas City, Missouri, l-2, 2 illustrations in black-and-white and color poster as insert.
58. "Olaf Wieghorst's 'Indian Trail," Calendar of Events, October l986, The Nelson-Atkins Museum of Art, Kansas City, Missouri.
57. Frederic James, l9l5-l985: A Painter from Kansas City [exhibition catalogue], Nelson-Atkins Museum of Art, Kansas City, October l986, typescript of 33 pp., 40 illustrations in black-and-white.
56. "Woodland Waterfall," The Antique Collector, LVIII, no. l, January l987, 52-53, l illustration in color.
55. "John F. Kensett's A Woodland Waterfall," Calendar of Events, The Nelson-Atkins Museum of Art, September l986, one illustration in black-and-white.
54. "Addenda to La Farge and Japan," The Art Bulletin, LXVIII, June l986, 328-329.
53. "Ann Uhry Abrams' The Valiant Hero: Benjamin West and Grand-Style History Painting" [book review], The Burlington Magazine, CXXVIII, no. 999, June l986, 435-436.
52. "H. Barbara Weinberg's The American Pupils of Jean-Leon Gerome," book review, The Burlington Magazine, CXXVIII, no. l002, September l986, 683.
5l. "Thomas Eakins and the Heroism of Modern Life by Elizabeth Johns," [book review] The Art Bulletin, LXVIII, no. 2, June l986, 345-348.
50. "Allen Weller, Lorado In Paris: The Letters of Lorado Taft, l880-l885" [book review], The Winterthur Portfolio, XXI, nos 2/3, Summer/Autumn, l986, 209-2ll.
49. "John La Farge, the Father of Mural Painting and Art Glass in America," Temple Bulletin, Congregation b'Nai Jehudah, XL, no. 22, January l3, l986, 2, l illustration in black-and-white.
48. "Tom Benton's Drawings," brochure for an exhibition of drawings from the Benton Trust circulated by Smith-Kramer Art Connections, December l985.
47. "Thomas Hart Benton: An American Original," written with Marilyn Mellowes, WGBH Educational Foundation, Boston, corporate grant proposal for a film on Benton, 500 copies printed.
46. Thomas Hart Benton: An Intimate View [exhibition catalogue], Fine Arts Gallery, Federal Reserve Bank, Kansas City, Missouri, October 8, l985-January 25, l986, 36 pp., l2 color and l0 black-and-white illustrations; also acted as curator of the exhibition.
45. "Thomas Hart Benton: An Intimate View," [exhibition brochure--not the same text as the catalogue], 5 pp.
44. Masterworks of the Museum of Art, Carnegie Institute (collection handbook of l50 selected works), Museum of Art, Carnegie Institute, Pittsburgh, November l985. Author of entries on works by Nicolas of Ancona, Perugino, Frans Hals, Rembrandt, Chardin, Simon Vouet, Charles Meryon, Ivan Albright, John White Alexander, George Bellows, David Blythe, Clarence Carter, Mary Cassatt, Thomas Dewing, Augustus Saint-Gaudens, John Graham, William Michael Harnett, Childe Hassam, Martin Johnson Heade, Edward Hicks, Edward Hopper, George Inness, Eastman Johnson, John Kane, John F. Kensett, A. F. King, John La Farge, John Sloan, Stanton MacDonald-Wright, Georgia O'Keeffe, Maurice Prendergast, David Smith, W. Eugene Smith, John H. Twachtman, Benjamin West, and James McNeill Whistler.
43. "Pueblo Tesuque by George Bellows," Calendar of Events, The Nelson-Atkins Museum of Art, October l985, l illustration in black-and-white.
42. "John La Farge's Discovery of Japanese Art: A New Perspective On the Origins of Japonisme," The Art Bulletin, LXVII, no. 3, September l985, 449-485, 2 appendices, 4l illustrations in black-and-white.
4l. "Behind the Scenes--William Keith Painting Restored," Calendar of Events, The Nelson-Atkins Museum of Art, September l985, pp. 4 and 6, 2 illustrations in black-and-white.
40. "Bingham Portraits Donated to the Museum," Calendar of Events, The Nelson-Atkins Museum of Art, Kansas City, June l985, 3 illustrations in black-and-white (contains previously unpublished documentation relating to Bingham's portrait of Roma Johnson Wornall).
39. American Drawings and Watercolors, Museum of Art, Carnegie Institute, exhibition catalogue of l00 selected drawings, with an annotated check-list, including apparatus, of the entire collection, Museum of Art, Carnegie Institute, May l985, 240 pp., 76 black-and-white and 24 color illustrations. This exhibition opened at the Carnegie Institute and travelled to Edinburgh, Scotland (August 3-September 2l, l985), the Amon Carter Museum (April l8-June l, l986) and the Huntington Library Art Gallery (June 2l-August 3, l986). Initiator of the project, author of the 35 page introduction, and contributor of entries on works by Benjamin West, Winslow Homer, John La Farge, Frederick Dielman, Frederic Remington, James McNeill Whistler, Thomas Anshutz, Maurice Prendergast, Joseph Stella, Charles Burchfield, Georgia O'Keeffe, George Ault, Charles Sheeler, Edward Hopper, Morgan Russell, Morton Schamberg, Louis Lozowick, Arshile Gorky, John Graham, Andy Warhol and David Smith. Also supervisor of and one of three contributors to the annotated check-list.
38. "John Graham's Woman in Black and a Related Drawing: The Evolution of an Image," Arts, LIX, no. 4, May l985, pp. 95-97, 4 illustrations in black-and-white.
37. "Pissarro Painting Added to Museum Impressionist Collection," Calendar of Events, The Nelson-Atkins Museum of Art, Kansas City, May l985, 2 illustrations in black-and-white.
36. "The Arrogant Connoisseur: Richard Payne-Knight, l75l-l824, edited by Michael Clark and Nicholas Penny," (book review), Jim Springer Borck, general editor, The Eighteenth Century: A Bibliography, n.s. 8--for l982, A M S Press, New York, l982.
35. "Regaining Paradise: Artist John La Farge and Historian Henry Adams Found Spiritual Renewal in the South Seas," Art and Antiques, March l985, 60-65, 5 color illustrations.
34. "William James, Henry James, John La Farge, and the Foundations of Radical Empiricism," The American Art Journal, XVII, Winter l985, 60-67, 6 illustrations in black-and-white, including back cover.
33. "John Sloan's The Coffee Line," Carnegie Magazine, LVII, no. 6, November-December, l984, l9-24, 6 illustrations in black-andwhite.
32. "Winslow Homer's Mystery Woman," Art and Antiques, November l984, 38-45, 9 illustrations in color, including the cover of the magazine.
31. "Frank Gunter: A Tribute" [exhibition catalogue], Memorial Union Gallery, University of Wisconsin at Madison, November l984.
30. "If Not Rembrandt Then His Cousin?" The Art Bulletin, LXVI, no. 3, September l984, pp. 427-44l, 3l illustrations in black-and-white.
29. "Letter to the Editor," The Art Bulletin, LXVI, no. 3, September l984, p. 5l5, l illustration in black-and-white (a discussion of Bingham's Fur Traders Descending the Missouri).
28. "A Celebration of American Painting," introduction to 25th Anniversary Exhibition, American Painting, l750-l950, The Westmoreland Museum, Greensburg, Pennsylvania, pp. vi-viii.
27. "Paris, Grand Palais: A New World: Masterpieces of American Painting," (exhibition and book review) The Burlington Magazine, CXXVI, no. 974, May l984, pp. 3l2-3l5, 3 illustrations in black-and-white.
26. "Foreword," John Kane (exhibition catalogue), The Galerie St. Etienne, New York, May l984.
25. "The Pittsburgh Background of Pearlstein's Realism," Carnegie Magazine, May-June l984, pp. 20-24, 4 illustrations in black-and-white.
24. "Picture Windows," Art and Antiques, April l984, pp. 94-l03, 9 illustrations in color, l in black-and-white.
23. "Fairfield Porter: Why the Fuss?" Carnegie Magazine, March-April l984, pp. 8-l0, 2 illustrations in color and l in black-and-white.
22. "John La Farge and Japan," Apollo, CXIX, no. 974, February l984, pp. l20-l29, 22 illustrations in black-and-white.
21. "John La Farge's Roses on a Tray," Carnegie Magazine, January-February l984, pp. l0-l4, cover illustration in color and 3 illustrations in black-and-white.
20. "Romantic Revision by Bryan Wolf," (book review) Art in America, LXXII, no. l, January l984, pp. l3-l4.
19. "Section of Fine Arts," Annual Report, Carnegie Institute, l983, pp. 33-37 and 5l-55.
18. "William Morris Hunt's 'Chef d'Oeuvre Inconnu,'" Proceedings of the New York State Capitol Symposium, Temporary State Commission on the Restoration of the Capitol, Albany, New York, l983, pp. 96-l05 and l87-l9l, l9 illustrations in black-and-white.
17. "A New Interpretation of Bingham's Fur Traders Descending the Missouri," The Art Bulletin, December l983, pp. 675-680, 3 illustrations in black-and-white.
16. "The Beal Collection of Watercolors by Charles Demuth," Carnegie Magazine, LVI, no. l2, November-December l983, pp. 2l-28, article with catalogue listing provenance, exhibition history and references, 6 illustrations in color, 7 in black-and-white.
15. "New Books on Japonisme: Klaus Berger, Japonismus in der westlichen Malerei; Jacques Dufwa, Winds from the East; Frank Whitford, Japanese Prints and Western Painters; Siegfried Wichman, Japonisme: Japanese Influence on Western Art in the Nineteenth_and Twentieth Centuries; Chisaburoh Yamada (editor), Japonisme:_An International Symposium" [review article], The Art Bulletin, LXV, no. 3, September l983, pp. 495-502.
14. "Winslow Homer's 'Shall I Tell Your Fortune?" The Birmingham Museum of Art Bulletin, June l983, 6 pp. l illustration in color and 7 in black-and-white.
13. "The Development of William Morris Hunt's The Flight of Night," The American Art Journal, XV, no. 2, Spring l983, pp. 43-52, 8 illustrations in black-and-white.
12. "Introduction," in Henry Koerner: From Vienna to Pittsburgh, The_Art of Henry Koerner, (exhibition catalogue), Carnegie Institute Museum of Art and University of Pittsburgh Press, May l983, pp. 9-26, 8 illustrations.
11. "An Interview with David Hockney," Carnegie Magazine, LVI, no. 8, March-April l983, pp. l0-ll and 20-2l, color illustration as cover of magazine and 2 illustrations in black-and-white.
10. "Rackstraw Downes Discusses The Dam at Swanville," Carnegie Magazine, LVI, no. 8, March-April l983, pp. l2-l5 and 38, l illustration in color and 4 in black-and-white.
9. "Mortal Themes: Winslow Homer," Art in America, LXXI, no. 2, February l983, pp. ll2-l26, l0 illustrations in color, including cover and double-page spread, ll in black-and-white.
8. "Daniel Terra and American Art: From Private Collector to Public Champion," Portfolio, V, no. l, January-February l983, pp. 48-53, 7 illustrations in color, l in black-and-white.
7. "Masterpieces of American Drawing and Watercolor," Carnegie Magazine, LVI, no. 7, January-February l983, pp. l9-30, 3 illustrations in black-and-white.
6. "Byron Sletten: Recent Works," (exhibition catalogue) Virginia Miller Galleries, Coral Gables, Florida, January 8-February 9, l982.
5. "Barbara Weinberg's The Decorative Work of John La Farge," (book review) Journal of the Society of Architectural Historians, XXXIX, no. 4, December l980, pp. 332-333.
4. "A Fish by John La Farge," The Art Bulletin, June l980, pp. 269-280, 27 illustrations in black-and-white.
3. "The Contradictions of William Morris Hunt," in William Morris Hunt: A Memorial Exhibition, Museum of Fine Arts, Boston, June l979, pp. 20-34, l6 illustrations in black-and-white.
2. "The Stained Glass of John La Farge," The American Art Review, II, no. 4, July-August l975, pp. 4l-63, l4 illustrations in color and 5 in black-and-white.
l. "Letter to the Editor," The Art Bulletin, LVI, no. 4, December l974, pp. 625-626.
Vermeer of Delft: The Complete Paintings, by Albert Blankert, Phaidon Press, l978.
The Italianate Dutch Landscape Painters of the Seventeenth Century, by Albert Blankert, Davaco, l978.
33. March 2009, Co-author (with Sue Platt) of National Park Service Grant, Saving America’s Treasures, to preserve the Viktor Schreckengost Mammoth and Mastodon sculptures at the Cleveland Zoo.
32. April 4, 200, gift from Vivian Kiechel to the Cleveland Museum of Art, $350.
31. December 199, gift from Tommy LiPuma to the Cleveland Museum of Art, $,5000.
30. December 1999, gift in my honor to the Cleveland Museum of Art from Patricia Ciaffa Peyser, $1,500.
29. March 1999. W. P. Jones Presidential Development Fund Award, Case Western Reserve University for travel to San Diego, CA, to co-chair a session on “American Art of the 1930s” at the Annual Meeting of the American Popular Culture Association. Amount of the award: $450.
28. December 1997. W. P. Jones Presidential Faculty Development Fund Award, Case Western Reserve University, for research on Thomas Eakins. Amount of the award: $1,500.
27. May 1995. Proposal to the Kress Foundaton to bring two scholars to review the collection of the Cummer Museum of Art: Edgar Peters Bowron, Senior Curator at the National Gallery, and Egbert Haverkamp-Begemann, Professor Emeritus at the Institute of Fine Arts. Amount of the award: $3,000.
26. January 1994. Proposal to the National Endowment for the Arts for an exhibition of American art, shared by the Nelson-Atkins Museum of Art and four other midwestern museums. The amount was the largest awarded in the category of collection sharing. Amount of the award: $70,000.
25. September 1993. Proposal to R. Crosby Kemper and Mrs. H. O. Peet for the exhibition catalogue Under the Influence: The Students of Thomas Hart Benton, Albrecht-Kemper Museum of Art, St. Joseph, Missouri. Amount of the award: $20,000.
24. June 1, 1993. Proposal to the National Endowment for the Humanities, submitted by the Colorado Springs Fine Arts Center, for the planning of an exhibition of the work of Boardman Robinson. Amount of the award: $18,714.
23. September 16, 1992. Proposal to Arvin Gottlieb to provide intial funding for an exhibition of the work of Albert Bloch, the only American to exhibit with the Blue Rider group. Amount of the award: $25,000.
22. June 1992. Proposal to the Kemper Foundations, United Missouri Bank Trustee for a scholarly catalogue of American paintings. Amount of the award: $100,000.
21. April 1992, proposals for a catalogue of American drawings and watercolors. Amount of the awards: Mrs. H. O. Peet, $50,000; Mrs. Winston Tate, $25,000; The Mrs. Milton Mcgreevy family through the Westport Fund, $14,000; the W. T. Kemper Foundation, Commerce Bancshares Trustee, $10,000; The W. T. Kemper Foundation, United Missouri Bank, Trustee, $5,000.
19. April 1991: proposal to Kansas City Southern Industries for publication of a handbook of the American collection. Amount of the award: $8,000.00
18. April 1991: proposal to Morton Sosland for publication of a handbook of American paintings in the Nelson-Atkins Museum. Amount of the award: $12,000.00
17. April 1991: proposal to Morton Sosland for support for research assistants for the American painting catalogue. Amount of the award: $6,000.00
16. March 25, 1991: proposal to the National Endowment for the Arts for publication of a scholarly catalogue of American paintings. Amount of the award: $20,000.00
l5. October 20, l988, proposal to the Jules and Doris Stein Foundation, Los Angeles, for money to complete a film on Thomas Hart Benton. Amount of the Award: $40,000.
l4. December l987, proposal to The Equitable, New York, for a film on Thomas Hart Benton. Amount of the Award: $300,000.
l3. November 6, l987, book proposal to Alfred A. Knopf for a biography/exhibition catalogue/film-supplement on Thomas Hart Benton. Amount of the advance: $l60,000.
l2. December 26, l986, proposal to the Jacob C. Loose Foundation for support of a picturebook of masterpieces in the Nelson-Atkins Museum of Art. Amount of the award: $67,500
ll. November l0, l986, proposal to the National Endowment for the Humanities to restore Thomas Hart Benton's murals of "The Arts of Life in America" so that they can be included in the Benton centennial exhibition. Proposal written for the New Britain Museum of American Art, New Britain, Connecticut. Amount of the award: $40,000.
l0. August 2l, l986, proposal to the National Endowment for the Humanities for a film on Thomas Hart Benton. Amount of the award: $240,000.
9. July l986: proposal to Kansas City Life for an exhibition and catalogue of the work of Frederic James. Amount of the award: $l9,000.
8. June l986: proposal to the Henry Luce Foundation for a scholarly catalogue of the American paintings in the Nelson-Atkins Museum of Art. Amount of the award: $30,000.
7. May l986: proposal to the Allen P. and Josephine B. Green Foundation of Mexico, Missouri for a symposium on Thomas Hart Benton, to be held on April ll, l987. Amount of the award: $l6,000.
6. March l986: proposal to the Kress Foundation for a scholarly catalogue of the American paintings in the Nelson-Atkins Museum of Art. Amount of the award: $9,000.
5. January l986: proposal to the Kemper Foundations and the United Missouri Bank to support a centennial exhibition of the work of Thomas Hart Benton. Amount of the award: $370,000.
4. l985: proposal to the Luce Foundation to support a scholarly catalogue of the American paintings in the Museum of Art, Carnegie Institute (this proposal was submitted after I had left the Carnegie Institute). Amount of the award: $l00,000.
3. August l984: proposal to the National Endowment for the Humanities for a catalogue of American drawings and watercolors in the Museum of Art, Carnegie Institute. Amount of the award: $6l,835.
2. October l984: proposal to the Luce Foundation for an exhibition of the work of John La Farge, jointly sponsored by the Museum of Art, Carnegie Institute and the National Museum of American Art. Amount of the award: $80,000.
l. November l984: proposal to the National Endowment for the Humanities for an exhibition of the work of John La Farge. Amount of the award: $75,000. (This application was later used by the endowment as a sample to be sent to prospective applicants).
February 11, 2010, Thursday, 2:30-5:00, “Lorado Taft and Allen Weller,” talk at the Annual Meeting of the College Art Association, Chicago, in the session on Chicago’s Sculptor: The Legacy of Lorado Taft (1860-1936), chaired by Bri9an Edward Hack and Carterina Yvonne Pierre, Kingsborough Community College, City University of New York.
April 24, 2009, gallery tour for students from Brunswick High School of the American paintings in the Cleveland Museum of Art.
April 16, 2009, lecture on American paintings at the Cleveland Museum of Art for students at Brunswick High School, Brunswick, Ohio.
March 27, 2009, dialogue for class of Renee Sentilles, History, 387.
March 3, 2009, presentation to SAGES seminar, “The American Dream,” taught by Carolyn Leitman, on American paintings of the 1930s.
February 25, 2009, Faculty Spotlight: Energy Innovation, Business Sustainability and Culture, with Barbara Snyder, President, Case Western Reserve University, Iwan Alexander, Davis Matthiesen, and David Cooperrider, Ritz-Carleton Hotel, Naples, Florida.
February 10, 2009, 2:45-4:00, Lecture on children in American art for Renee Sentilles, History 387.
195. October 8, 2008, “Viktor Schreckengost and the Jazz Bowl,” The Kalamazoo Institute of Arts, lecture to celebrate the acquisition of a Schreckengost Jazz Bowl by the Kalamazoo Institute of Arts, Kalamazoo, Michigan.
194. September 24, 2008, Works in Progress Talk, Baker-Nord Center on Chris Pekoc film
193. Bestowed Lifetime Achievement Award on Melvin Rose of Rose Iron Works, The Cleveland Arts Prize, Thursday, June 26.
192. Preview of Tom Ball film on Chris Pekoc, The Peter B. Lewis Building, Thursday, May 28, 2008, 6:30.
191. Friday, May 16, 2:30 to 4:30, moderator of discussion with participants, including artist Fred Wilson, for symposium, “Art On the Dark Side: The Gothic Imagination in American Art,” Columbus Museum of Art, Columbus, Ohio.
190. April 15, 2008 Talk at the Cleveland Zoological Society on Viktor Schreckengost.
189. Friday, February 29, 5:00, keynote speaker, “The Naked Truth About Thomas Eakins,” 2008 Cleveland Symposium: “Au Naturel: Studying the Representation of the Nude in Art.”
188. February 22-23, 2008, “New Perspectives on Eakins,” double session at the Annual meeting of the College Art Association, Adam’s Mark Hotel, Dallas, Texas, Friday, February 22 and Saturdya February 23, co-chaired with Jennifer Doyle, University of California, Riverside. EAKINS SESSION FOR CAA, submitted roster of speakers
February 20-23, 2008, Dallas, Texas
Henry Adams, Co-Chair of Session
Professor of American Art
Department of Art History
Case Western Reserve University
Cleveland, OH 44106
henry.adams@case.edu
Jennifer Doyle, Co-Chair of Session
Associate Professor, Department of English
University of California, Riverside
900 University Avenue
Riverside, CA 92521
jend@ucr.edu
Speakers
“Whither The Wrestlers?”
Ilene Susan Fort
The Gail and John Liebes Curator of American Art
Los Angeles County Museum of Art
Ilene Susan Fort and Aka Ilene Botvinkoff
14947 Burbank Blvd, No. 204
Van Nuys, CA 91411
ilenesusanfort@yahoo.com
“Memories of Louise Picozzi Bregler”
Jay Maroney
1033 Bullock Road
Leicester, VT 05733
802-236-7431
maroney.james@gmail.com
“Looking Like a Lesbian: Deborah Bright’s The Management of Desire and the Location of Lesbian Aesthetics in Thomas Eakins’s The Agnew Clinic.”
Jacqueline Asher
University of California, Riverside
816 57th Street
Oakland, CA 94608
510-655-6645
jacasher@mac.com
“Thomas Eakins and Mood Disorders”
Pedro Del Gaddo, MD
Dielmann Professor and Chairman
Department of Psychiatry
Asssociate Dean for Faculty Development and Professionalism
School of Medicien
University of Texas Health Science Center at San Antonio
7703 Floyd Curl Drive
Mail Code 7782
San Antonio, Texas, 78229-3900
210-567-5391
delgadop@uthscsa.edu
Amy Werbel
Professor of Fine Arts
St. Michael’s College
awerbel@smcvt.edu
“Color and Corners in Thomas Eakins’s Professor Benjamin Howard Rand and Dan Flavin’s Pink out of a Corner—To Jasper Johns”
Tiffany Johnson Bidler
Department of Art History
University of Minnesota, Twin Cities
john1121@umn.edu
“The Seine of Instruction: Pedagogy in the Water Works of Thomas Eakins.”
Allan Doyle
21 Battle Road
Princeton, New Jersey, 08540
adoyle@princeton.edu
“The Pulse of a Portrait: Models of Interiority in Thomas Eakins’ Mrs. Mary Hallock Greenwalt.”
Lynn Saltonstall
Department of the History of Art, Yale University
75 Edgewood Ave.
New Haven, CT 06511
lynn.saltonstall@yale.edu
“Bobby’s Pure Intention and the Question of the Animal in Eakins”
Alan C. Braddock
Assistant Professor
Art History Department
Temple University
1301 Ceil B. Moore Avenue
Ritter Annex 851
Philadelphia, PA 19122-6091
Tel: 215-204-6935
braddock@temple.edu
“Mere Thinking: The Racial Mind in Thomas Eakins’ Negro Boy Dancing,”
Sarah Blackwood
Northwestern University
1506 N. Leavitt Street
Apartment 2F
Chicago, IL 60622
s-blackwood@northwestern.edu
blackwood@si.edu
“Autonomic Horses and Uncanny Doubles: Muybridge, Eakins and Art Criticism.”
Mary Zundo
1502 Rivercrest
Danville, IL 61832
mary.zundo@aol.com
187. February 21, 2008, “The Benton Fake Game,” collector’s talk of Heritage Auction Galleries, Dallas, Texas.
186. November 14, 2007, “Viktor Schreckengost and Industrial Design in Cleveland,” The Union Club, sponsored by the Union Club Foundation.
185. October 13, 2007, “Thomas Eakins,” in “Raising the Stakes: Thomas Eakins, Art History and American Studies,” chaired by Jennifer Doyle, University of California, Riverside, annual Meeting of the American Studies Association, session held at the Pennsylvania Academy of the Fine Arts
October 7, 2007, “Keynote Address: A Tribute to Adams House,” celebration of the 75th anniversary of Adams House, Harvard University, Cambridge Massachusetts.
184. “From Matisse’s Blue Nude to Pollock’s Blue Poles,” lecture for conference on “Modernity and the American Experience in the Arts,” The Center for Comparative Arts Studies, directed by Professor Giancarlo Maiorino, Indiana University at Bloomington, Friday, March 20, 2007.
183. December 6, 2006, “Chris Pekoc,” remarks at opening of Christopher Pekoc retrospective, Convivium 33 Gallery, Cleveland.
182. October 19, 2006, “The Benton Fake Game,” Art for Lunch, Department of Art History, Case Western, Reserve University, Cleveland.
181. October 11, 2006, Viktor Schreckengost, New Discoveries, Case History Associates, Baker-Nord Center, Case Western Reserve
180. October 6, 2006, “Viktor Schreckengost,” Art on Wheels, Cleveland, Ohio.
179. October 5, 2006, “Thomas Eakins, a Portrait of the Artist,” Reynolda House Museum of American Art, Winston-Salem, North Carolina.
178. May 5, 2006, “Viktor Schreckengost,” James Corcoran Fine Arts, Shaker Square, Cleveland.
177. May 1, 2006, interview with Diane Douglas of National Public Radio on Viktor Schreckengst.
176. April 30, 2006, “Viktor Schreckengost,” talk at the Dunham Tavern, Cleveland, Ohio.
175. Monday, March 20, 2006, “Thomas Eakins,” The Butler Institute of Art, Youngtown, Ohio.
174. Thursday, March 16, 2006, “One of a Hundred: The Schreckengost Legacy,” Art on Wheels, 1148 Main Avenue, Flats West, Cleveland, Ohio.
173, “Jan Matulka, International Modernist,” Avampoto Museum, Charleston, West Virginia.
172. Saturday, February 25, 2006, “The Benton Fake Game,” lecture in the session on “The Need for Connoisseurship in American Art,” chaired by Theodore E. Stebbins, Jr., Fogg Museum of Art, Harvard.
171. Tuesday, February 21, 2006, “Fair Commerce: A Mural by Robert Barnum,” Community Central Bank, Mt. Clemens, Michigan.
170. Saturday, February 18, 2006, “Edris Eckhardt,” opening of the exhibition of Edris Eckhardt’s work at the Cleveland Artist’s Foundation, Beck Center, Clevleand.
169. Thursday, February 16, 2006, “Thomas Eakins,” discussion at the Whitney Museum of American Art for the American Art Fellows, with Trevor Fairbrother and Robert Rosenblum.
168. February 3, 2006, “Eakins Revealed,” The Union Club, Cleveland.
167. “Local Author’s Book Fair,” Loganberry Books, Cleveland, Ohio, November 17, 2005.
166. “Thomas Eakins,” The Massachusetts Historical Society, Boston, Mass., November 10, 2005.
165. “Eakins Revealed, lecture at the Rowfant Club, Cleveland, May 18, 2005.
164. “Eakins Revealed,” lecture at the Pennsylvania Academy of the Fine Arts, 118 North Broad Street, Philadelphia, April 27, 2005.
163. Interview with Corey Clark, Penn Cable News, 400 North Broad, April 26, 2005.
162. Reading Signing at Borders Bookstore, 1 South Broad Street, Philadelphia, April 26, 2006.
161. Reading/Book-signing at Borders bookstore, 3466 Mayfield Road, Cleveland Heights, Saturday, March 19, 2005.
160. “Around Noon,” interview with Dee Perry about Thomas Eakins, WCPN Cleveland, March 16, 2005.
159. “Eakins Revealed,” Archives of American Art, Washington D.C., March 14, 2004.
158. “Eakins Revealed,” Smithsonian Associates, S. Dillon Ripley Center, Smithsonian Institution, Washington, D.C., March 14, 2005.
157. “Paul Travis and the Arts of Africa,” The Western Reserve Historical Society, Cleveland, Ohio, Wednesday, October 20, 2004.
157. “American Realism and Impressionism at the Taft and Huntington Museums,” The Taft Museum of Art, Cincinnati, Ohio, Thursday, October 14, 2004.
156. “Art and Mathematics” (with Joel Langer) UCITE, Herrick Room, Allen Library, Case Western Reserve, September 23, 2004.
155. “Thomas Hart Benton Fakes,” American Society of Appraisers, ASA’s International Appraisal Conference, Kansas City Marriott Downtown, Monday, July 26, 2004.
155. Presentation of painting by Fitz Hugh Lane, accessions committee, Cleveland Museum of Art. Presentation to the Trustees on June 7, 2004 and repeat performance to the public on June 8, 2004.
154. “Modern American Masters: Highlights from the Gill and Tommy LiPuma Collection,” Cleveland Museum of Art, Thursday, April 22, 2004.
153. “Remember the Ladies: Abigail Adams and the Rights of Women,” First Ladies Lecture Series, Mount Vernon Estate and Gardens, Mount Vernon, Virginia, Wednesday, April 21, 2004.
152. “Evaluating Exhibitions,” panel discussion moderated by William Robinson, Curator of Modern European Art, The Cleveland Museum of Art, Ohio Museums Association Conference, Hyatt Regency, Cleveland, Monday, April 19, 2004.
150. “Thomas Hart Benton’s Whitney Mural,” panel discussion with Barbara Haskell and Erika Doss, Whitney Museum of American Art, Wednesday, April 7, 2004.
149. “Clarence Carter,” panel discussion, moderated by Sara Johnson, Southern Ohio Museum, Portsmouth, Ohio, Saturday, March 27, 2004.
148. “Manierre Dawson and the Birth of Abstract Painting,” Hollis Taggart Galleries, Chicago, July 1, 2003.
147. Resolution in memoriam for Victoria Kloss Ball, CWRU Undergraduate Faculty Meeting, April 24, 2003.
146. “Introductory Remarks,” Buchanan Lecture, Cleveland Museum of Art, April 4, 2003.
145. “Introductory Remarks,” The Cleveland Symposium, Cleveland Museum of Art, April 4, 2003.
144. “The Gilded Age,” talk to the Junior League, Cleveland Museum of Art, February 26, 2003.
143. “The Gilded Age,” Member’s Opening, Cleveland Museum of Art, February 22, 2003.
142. “The Gilded Age,” Media Preview, Cleveland Museum of Art, February 21, 2003.
141. “The Gilded Age,” Director’s Circle Opening, Cleveland Museum of Art, February 18, 2003.
140. Gallery tour, “The Gilded Age,” Museum Council, Cleveland Museum of art, February 18, 2003.
139. “The Gilded Age,” All-Staff Meeting, Cleveland Museum of Art, Gardner Auditorium, Cleveland Museum of Art, February 18, 2003.
138. “The Gilded Age,” Women’s Council, Cleveland Museum of Art, February 11, 2003.
137. “Art in Boston,” The Butler Institute of American Art, Youngstown, Ohio, Thursday, March 21, 2002.
136. “Benton and Country Music,” presentation and panel discussion, with Norman Worrell, William Ivey and Vivien Green Fryd, Country Music Hall of Fame, Nashville, Tennessee, Sunday, April 28, 2002.
135, “Boston as a Center of Art and Museums,” lecture sponsored by the Painting and Drawing Society, Cleveland Museum of Art, Wednesday, April 10, 2002.
134. “Thomas Hart Benton: His Rise and Fall,” Reynolda House Museum of American Art, Winston-Salem, North Carolina, April 8, 2002, and “Teacher’s Workshop,” April 9, 2002.
133. “The Japanese Influence in America,” Bello Design, Beachwood, Ohio, October 4, 2001.
132. Special Presentation, Cleveland Museum of Art, College of Arts and Sciences Visiting Committee, Fall 2001, Friday, September 28, 2001.
131. Woman’s Council tour, American Art collection, September 25, 2001.
130. Acceptance of Northern Ohio Live Visual Arts Award, comments on Viktor Schreckengost, The State Theater, Cleveland, September 24, 2001.
129. President’s Circle, Curator’s Choice presentatation, September 24, 2001.
128. “What Up, Doc?,” presentation to donors at CWRU, Friday, September 7, 2001.
127. Lecture series on The American Interest in Japanese Art, Cleveland Museum of Art, July 13, 20, 27 and August 3, 2001.
126. Viktor Schreckengost, Sebring-McKinley High School Alumni Association, Eleventh Annual Banquet, Talloaks Banquet Center, Sebring, Ohio, Saturday, June 30, 2001.
125. Session chair and respondent, “Henry Adams and the Need to Know: The Fine Arts,” conference at the Massachusetts Historical Society, Boston, May 18, 2001. Broadcast on C-span.
125. Interview with Katharine Lee Reid, Arts on the Air, April 22, 2001.
124. “Viktor Schreckengost,” Annual Cowan Symposium, Rocky River Public Library, April 28, 2001.
123. “Closing Remarks,” Cleveland Symposium, April 7, 2001.
122. “Thomas Hart Benton,” The Knoxville Museum of Art, Knoxville, Tennessee, September 24, 2000.
121. “Rockwell Kent’s Garden of the Gods,” The Adirondack Museum, Blue Mountain Lake, New York, September 15, 2000.
120. “New Paintings for a New Century,” Institute of Humanities, John Carroll University, Cleveland, OH, April 25, 2000
119. “Introductory Remarks,” Robert Lowell/Elizabeth Bishop Symposium, Case Western Reserve University, April 15, 2000..
118. “Charles Burchfield at Home,” The Burchfield Homestead Society, Salem, Ohio, April 9, 2000.
117. “American Paintings,” talk and tour to the docents of the Butler Institute of American Art, Cleveland Museum of Art, March 31, 2000.
116. “The Truth About Grant Wood,” in a session organized by Michael Plante of Tulane University on “Regionalist Practices on the Margins of Queer Culture,” Annual Meeting of the College Art Association, New York, February 24, 2000.
115. “John Singer Sargent,” Butler Institute of American Art, Youngstown, OH, November 12, 1999.
114. “Thomas Hart Benton and Jackson Pollock, University of Cincinnatti, November 1, 1999.
113. “William Sommer,” The Cleveland Public Library, October 22, 1999.
112. “Hats in Nineteenth-Century Painting,” The Rowfant Club, Cleveland, October 13, 1999.
111. “American Painting,” lecture to the docents, Cleveland Museum of Art, October 20, 1999
110. “Manierre Dawson: The First Abstract Painter,” Hollis Taggart Galleries, New York, September 30, 1999.
109. “American Painting,” lecture to the Woman’s Council, Cleveland Museum of Art, September 30, 1999.
108. “The Hudson River School,” evening lecture, Cleveland Museum of Art, August 13, 1999.
107. “A Newly Discovered Painting by Thomas Hart Benton,” The Speed Museum of Art, Louisville, Kentucky, June 10, 1999.
107. “John Singer Sargent’s Portrait of ‘Mrs. Ralph,’” Salute to Donors, Cleveland Museum of Art, June 7, 1999.
106. “William Sommer and Modernism in Cleveland,” Cleveland Artist’s Society, Cleveland, Ohio, May 2, 1999.
105, “Viktor Schreckengost and Modern Design,” Curator’s Choice Lecture, Cleveland Museum of Art, April 15, 1999.
104. Speaker and session co-chair (with Professor Ellen Landau), “Art and Social Meaning in the 1930s: Paradigms and Paradoxes,” Annual Meeting, American Cultural Association, San Diego, California, San Diego Marriott Hotel and Marina, March 31-April 3, 1999.
104. WVIZ TV, “Applause” segment with Julie Henry, Cleveland Museum of Art, taped March 2, 1999.
104. Respondent, symposium on Diego Rivera, Cleveland Museum of Art, February 20, 1999.1
103. “American Icons: American Painting in the 1930s,” University of Indiana at Terre Haute (also juror of annual invitational exhibition), February 11, 1999.
102. “Museums, Blockbusters, and the Public,” St. Petersburg, Florida, January 20, 1998.
101. “The Origins of American Painting, “ American Furniture Collectors of the Western Reserve Historical Society,” Dunham Tavern Museum, January 16, 1998.
100. “Strange Surfaces: Fractals, Chaos and Art History,” lecture (in partnership with Professor Robert W. Brown, Department of Physics) to President’s Committee, Alumni Weekend, Case Western Reserve University, October 30, 1998.
99. “The Hudson River School,” featured speaker, annual dinner, Women’s Committee, Cleveland Museum of Art, October 28, 1998.
98. “The Man Who Made the Jazz Bowl,” presentation with Viktor Schreckengost, Access to the Arts, The Ritz-Carlton Hotel, sponsored by the Cleveland Foundation, Broadcast on WCLV-FM Radio, October 20, 1998..
97. “American and Ohio Folk Art,” Ohio Historical Decorative Arts Association, Inc., Butler Museum of American Art, Youngstown, Ohio, October 24, 1998.
96. TV Interview, “Mr. Robinson’s Neighborhood,” Channel 50, October 8, 1998.
95. “American Paintings,” Presentation to Women’s Committee, Cleveland Museum of Art, October 15, 1998.
94. “Thomas Hart Benton,” Nevada Museum of Art, Reno, Nevada, June 25, 1998.
93. “Albert Bloch: The American Blue Rider,” Hollis Taggart Galleries, New York, June 11, 1998.
92. "Making Sense of American Drawings," evening program, Cleveland Museum of Art, May 1, 1998.
91. "The Secret Identity of Sherlock Holmes," Baker-Nord Humanities Center, Case Western Reserve University, April 23, 1998.
90. "The Man Who Made the Jazz Bowl," talk on Viktor Schreckengost, Annual Cowan Pottery Symposium, Rocky River Public Library, Rocky River, Ohio, April 18, 1998.
89. February 20, 1998, "Murals for the People: Some Thoughts on the History and Future of Regional Art," dedication of a mural by Robert Barnum, Ferris State University, Big Rapids, Michigan.
88. January 17, 1998, "Thomas Hart Benton and Jackson Pollock," lecture for a colloquiem on "Jackson Pollock: The Early Sketchbooks," Grace Rainey Rogers Auditorium, Metropolitan Museum of Art, New York. Also presented at Case-Western Reserve for the art history department, February 17, 1998.
87. December 4, 1997, "Thomas Hart Benton's Navy Drawings," lecture, Arkansas State University Art Museum, Jonesboro, Arkansas.
86. November 11, 1997, "American Art at the Cleveland Museum of Art," lecture to the Woman’s Council, Gartner Auditorium, Cleveland Museum of Art.
85. November 9, 1997, "Modernism in Cleveland," Cleveland Artists Foundation, Cleveland, Ohio.
84. November 1, 1997, "The Life and Art of Samuel Crone," Art Museum, University of Memphis, Memphis, Tennessee.
83. September 20, 1997, "Artists Also Rode the Rails: Thomas Hart Benton and the Railroad Song," presentation for the conference "Waiting for a Train: Jimmie Rodgers' America," conference at Case Western Reserve University, sponsored by Case Western Reserve University, The Country Music Foundation, and the Rock and Roll Hall of Fame. Session chaired by Professor Ellen Landau, Case Western Reserve University.
82. September 18, 1997, "American Paintings," gallery walk for the Woman's Council, Cleveland Museum of Art.
81. July 17, 1997, "The Drawings of Thomas Hart Benton," Lowe Art Museum, University of Miami, Coral Gables, Florida.
80. February 4, 1997, "Hats in 19th-Century Painting," Case-Western Reserve University, Cleveland.
79. October 17, 1996, "John La Farge," Adams National Historic Site, Quincy, Mass.
78. Friday, September 20, 1996, "Benton, Robinson, and the WPA Mural Program," Keynote address, opening of Boardman Robinson exhibition and 6th Annual Front Range Art History Symposium, Colorado Springs Fine Arts Center, Colorado Springs.
77. Friday, February 16, 1996, "Thomas Hart Benton as Historian," and "Panel Discussion" with Barbara Melosh and Michael Kammen, Richard McKinzie Memorial Symposium, University of Missouri-Kansas City, sponsored by the Organization of American Historians.
76. Sunday, February 5, 1995, "A Walk Through Time: Ten Centuries of American Art," opening lecture for the exhibition Made in America, Minneapolis Institute of Arts.
75. January 9, 1995, "Lecture to the Docents: Made in America," Minneapolis Institute of Arts.
74. July 28, 1994, "Thomas Hart Benton and African-American Subjects," The J. B. Speed Museum, Louisville, Kentucky, sponsored by the Filson society.
73. May 5, 1994, "My Life as a Writer," Friends of the Public Library, Address to the Annual Luncheon, The River Club, Jacksonville, Florida.
72. April 10, 1994, "Benton and the Forgers," Dead Artist's Society, Thomas McCormick Works of Art, Chicago, Illinois.
71. April 1, 1994, "The Future of the Cummer Gallery," Rotary Club, St. Mary's Georgia.
70. March 14, 1994, "The Cummer Gallery: Its History and Prospects," Downtown Rotary Club, Jacksonville, Florida.
69. Five American Art Lectures: Cummer Gallery of Art.
1. January 27, 1994: "The Birth of American Painting."
2. February 17, 1994, "Thomas Cole and the Hudson River School."
3. March 31, 1994, "Mortal Themes: Winslow Homer."
4. April 21, 1994: "Robert Henri and the Ash Can School."
5. May 12, 1994: "From Thomas Hart Benton to Jackson Pollock."
68. February 19, 1993, "Modernism and American Painting of the 1930s," Fine Arts Museum of the South, Mobile, Alabama.
67. September 5, 1992, "Thomas Hart Benton," Museo Civico, Lugano.
66. June 3, 1992, "Two Models for Decorative Painters," First Joan Johnson Memorial Lecture, Society of Decorative Painters, Convention Center, Kansas City, Mo.
65. May 18, 1992, "Harnett and Peto," two talks/discussions for third graders and fourth and fifth graders at Valley Park Elementary School, Overland Park, Kansas.
64. March 20, 1992, "Thomas Hart Benton's World War II Drawings," The McNay Museum, San Antonio, Texas.
63. October 21, 1991, remarks at the dedication of a mural by Eric Bransby, Park College, Parkville, Missouri.
62. September 27, 1991, "John La Farge and Henry Adams in Japan and the South Seas," Massachusetts Historical Society.
61. September 26, 1991, "Winslow Homer's Mystery Woman," Lowell Lecture Series, Boston Public Library.
60. May 28, 1991, "The Challenge of Collecting American Art," Annual Meeting of the Business Council, Nelson-Atkins Museum of Art.
59. April l3, l99l, "La Farge versus Tiffany," The Detroit Institute of Arts.
58. April 7, 1991, Gallery Walk, Society of Fellows, Nelson-Atkins Museum of Art.
57. March 19, 1991, "Thomas Hart Benton, the Commies and the Right," School of Art and Art History, The University of Iowa, Iowa City.
56. March 18, 1991, "American Icons," School of Art and Art History, The University of Iowa, Iowa City.
55. March 12, 1991, "Rhapsody in Blue: The New American Galleries," Gallery tour, Young Friends of Art, Nelson-Atkins Museum of Art.
54. March 5, 1991, "American Icons," Department of Art and Archaeology, Princeton University.
53. February 24-February 29, l99l, Luce Lectures, Bowdoin College, Brunswick, Maine on "American Literature and American Art."
1. "Manet's Illustrations to Poe"
2. "Demuth's Illustrations to The Turn of the Screw"
3. "Rockwell Kent's Illustrations to Moby Dick"
4. "Thomas Hart Benton and Mark Twain"
5. "Art without Words: The Adams Memorial"
52. January 9, l99l, "The American Galleries--the Challenge of Reinstallation," talk to the Nelson Society, Nelson-Atkins Museum of Art.
51. November 8, 1990, "The Hidden Benton," National Archives, Washington D.C.
50. November 7, 1991, "The Age of the Xerox Machine and the Computer," Associates of the Spencer Library, Nelson-Atkins Museum of Art.
49. October l3, l990, "Thomas Hart Benton," Minneapolis Institute of Arts.
48. October 7-October ll, l990, Luce Lectures, Bowdoin College, Brunswick, Maine on "American Literature and American Art."
1. "The Transparent Eyeball"
2. "Money and Masterpieces"
3. "The Tastemakers of American Literature"
4. "Thomas Cole's Literary Landscapes"
5. "John La Farge and the Landscape of Consciousness."
47. September 23, l990, "Thomas Hart Benton," Spiva Art Center, Joplin, Missouri.
1Steve Litt, “Rivera forum sheds light despite blackout,” The Plain Dealer, Cleveland, OH, February 23, 1999.
46. September 2l, l990, "American Icons," Symposium on "American Art of the l930s," The Whitney Museum of American Art, New York.
45. September 9, 1990, "The Rediscovery of John F. Peto," Nelson-Atkins Museum of Art.
44. June 9, 1990, "Thomas Hart Benton: Drawing from Life," Laguna-Gloria Museum of Art, Austin, Texas.
43. May 5, l990, "Thomas Hart Benton," The Parrish Art Museum, Southampton, Long Island.
42. April 30, l990, "John La Farge: The Opalescent Mind," The Los Angeles County Museum of Art.
4l. April 29, l990, "Thomas Hart Benton: Bad Boy of American Art," The Los Angeles County Museum of Art.
40. April ll, l990, "Money and Masterpieces," Annual Dinner, The Albrecht Museum, St. Joseph, Missouri.
39. March 2l, l990, "Thomas Hart Benton," The Henry Art Gallery, Seattle, Washington.
38. March 6, l990, "John La Farge: Genius in Stained Glass," Society of Fellows Lecture, The Nelson-Atkins Museum of Art, Kansas City, in celebration of the acquisition of John La Farge's Peonies Blowing In the Wind with Kakemono Borders.
37. February l7, l990, "Thomas Hart Benton's Transformation of History Painting," session on American History Painting, Annual Meeting of the College Art Association, New York.
36. February 7, l990, Symposium on Benton at the Whitney Museum of American Art, New York, with Emily Braun and Stephen Polcari.
35. January 20, l990, "l9th-Century American Art: Discovering the Masterpieces," the Virginia Museum, Richmond, Virginia.
34. January ll, l990, "Thomas Hart Benton: Focus of Controversy," The Museum of Arts and Sciences, Macon, Georgia.
33. Saturday, July l5, l989, "John La Farge and the William Morris Hunt Studio Circle in Newport," symposium on "The Life and Work of John La Farge," Newport Congregational Church, with Sean McNally, Morgan Phillips, and Senator Claiborne Pell. Sponsored by William Vareika Fine Arts, 212 Bellevue Ave., Newport.
32. August 5, l989, "Thomas Hart Benton," The Detroit Institute of Arts.
3l. May l5, l989, "Thomas Hart Benton: Focus of Controversy," Amsden Awards Lecture, University of Kansas.
30. April 23, l989, reading from Thomas Hart Benton: An American Original, Corinth Library, Shawnee Mission, Kansas.
29. March l6, l989, "Thomas Hart Benton's Illustrations of The Grapes of Wrath," conference on The Grapes of Wrath, sponsored by the Steinbeck Research Center, San Jose State University.
28. June 20, l988, "Henry Adams (l838-l9l8) and the Arts," Adams National Historic Site, Quincy, Mass.
27. May 8, l988, "Thomas Hart Benton," Springfield Art Museum, Springfield, Missouri.
26. April 2, l988, "Thomas Hart Benton," Art Museum of South Texas, Corpus Christi, Texas.
25. November l4, l987, "John La Farge and the Brown Decades," Carnegie Museum of Art, Pittsburgh (syposium on "Cultural change in Victorian America: From Victorianism to Modernism," with R. W. B. Lewis, James F. O'Gorman, Michael Sullivan and Kathleen Hoover Voorsanger).
24. October l7, l987, "A Bountiful Decade," Nelson-Atkins Museum of Art, Kansas City.
23. October l4, l987, "The Ten and the Eight," Gustavus Adolphus College, Saint Peter, Minnesota.
22. June 25, l987, "Thomas Hart Benton," Fine Arts Center at Cheeckwood, Nashville, Tennesee
2l. June l4, l987, "The Hudson River School," lecture sponsored by the Vassar Club, Spencer Art Museum, Lawrence, Kansas
20. March 22, l987, "Thomas Hart Benton," Lakeview Museum of Art and Sciences, Peoria, Illinois
l9. February l9, l987, "John La Farge: The Opalescent Mind," Devons Lecture Series, Museum of Fine Arts, Boston
l8. January l4, l987, "Thomas Hart Benton," Cheney Cowles Museum, Spokane, Washington.
l7. December 5, l986, "The Influence of Winslow Homer's Trip to France," Princeton University.
l6. October l2, l987, "Thomas Hart Benton," Kansas City Art Institute.
l5. September l7, l986, "Thomas Hart Benton," Yellowstone Art Center, Billings, Montana.
l4. September l4, l986, "John F. Kensett and the Hudson River School," The Nelson-Atkins Museum of Art.
l3. April l8, l986, "The Influence of Winslow Homer's Trip to France," CASVA, National Gallery of Art, Washington D.C.
l2. April l0, l986, "Thomas Hart Benton: An American Original," The Boise Art Center, Boise, Idaho.
ll. February l3, l986, "Winslow Homer's 'Mystery Woman': A Re-Interpretation," Annual Meeting of the College Art Association.
l0. June 27, l984, "The 25th Anniversary Exhibition of American Paintings," The Westmoreland Museum, Greensburg, Pennsylvania.
9. May 23, l984, "Winslow Homer's Trip to France," Reynolda House Museum of American Art, Winston-Salem, North Carolina.
8. February 25, l984, "John La Farge and the Landscape of Consciousness," Open Session, Annual Meeting of the College Art Association, Toronto.
7. January 22, l984, "Winslow Homer's Secrets," Winslow Homer Symposium, Everson Museum of Art, Syracuse, New York.
6. June 23, l983, "Winslow Homer's Shall I Tell Your Fortune?" Birmingham Museum of Art, Birmingham, Alabama.
5. December 20, l983, "Mortal Themes: Winslow Homer," Graduate Fine Arts Club, University of Pittsburgh.
4. February 26, l982, "John La Farge and Japan," for H. W. Janson's session on "The Cross-Fertilization of East and West," Annual Meeting of the College Art Association, New York.
3. December l, l98l, "The Stained Glass of John La Farge," Associates of the American Wing of the Detroit Institute of Arts.
2. March l5, l98l, "William Morris Hunt's 'Chef d'Oeuvre Inconnu,'" New York State Capitol Symposium, Albany, New York.
l. April l5, l978, "A Fish by John La Farge," Frick Symposium, New York.
Gallery Labels, "American Drawings from the Permanent Collection," in-house exhibition at the Cleveland Museum of Art, April 19-July 12, 1998. Labels for 120 American works on paper.
Press Conference: arrangements for a press conference announcing a postage stamp in honor of the Ash Can School. The stamp features Stag at Sharkey's, 1909, by George Bellows, from the collection of the Cleveland Museum of Art. The event will feature Jean Bellows Booth, the daughter of the artist, and the subject of one of his most famous paintings, Lady Jean (1924; Yale University Art Gallery).
Accreditation Committee, AAM, March 1995.
Panelist, State Arts Panel, Tallahassee, Florida, June 20, 21, 1995.
Panelist: National Endowment for the Arts (August l9-2l, l986, and February 7-8, 1991)) and National Endowment for the Humanities (January 23, 24, l985). Outside reviewer for NEH, spring 1992.
Judge: Exhibition Design Award, American Association of Museums, May 20, 1991.
Chairman, Porter Prize Committee of the College Art Association, 1986 (With Katheryn Linduff, University of Pittsburgh, and David Van Zanten, Northwestern University).
Member: Search Committee for Distinguished Professor in American Art, University of Kansas, l987.
Reader: American Studies, The University of Kansas, Lawrence; The Art Bulletin; George Braziller, Inc.; Cambridge University Press; The Getty Grant Program; Great Plains Quarterly, The University of Illinois Press; The University of Nebraska, Lincoln; The University of Kansas Press; The University of Missouri Press; The University of Nebraska Press; The Pennsylvania State University Press; The University of Pittsburgh Press; Smithsonian Institution Press; The University of Virginia Press; The Winterthur Portfolio; The Yale University Press.
Tenure evaluation for Southern Methodist University, Dr. Randall Griffin, June 1999.
Awarded "Entertainer of the Year" by Ingram's magazine, a Kansas City business magazine, for putting the Nelson-Atkins Museum of Art "in the national spotlight." (See Ingram's, January l990, p. 24).
Best watercolor, 17th Annual Members Exhibition, 1990, Albrecht Museum of Art, St. Joseph, Missouri; best drawing, 18th Annual Members Exhibition, 1992; honorable mention for watercolor, 19th Annual Members Exhibition, 1993.
Listed: Who's Who, Who's Who in American Art, Who's Who in the South and Southwest, Dictionary of International Biography, Contemporary Authors, Writer's Directory, International Who's Who of Professionals, and International Authors and Writers Who's Who.
Cited in Christie's and Sotheby's sales catalogues, for paintings by John La Farge and Thomas Hart Benton.
Corresponding Member, Massachusetts Historical Society (elected April l2, l990).
Member: College Art Association, Association of Historians of American Art, Florida Art Museum Directors, Southern Art Museum Directors.
Judge, "Art for the Health of It," Allied Arts Council, St. Joseph, Missouri, October 5, 1992.
Judge, Tarpon Springs Arts Festival, October 17, 1996.
1999: Member, Search Committee, Wormser Chair in Journalism, Case Western Reserve University.
1999: Member, Review Committee, American Studies Department.
2000: Member, Search Committee, Joint Professorship, Case Western Reserve University and the Cleveland Institute of Art.
2000: Member: Western Reserve Historical Society/Case Western Reserve University Advisory Committee.
Reader: The Getty Grant Program (December 2001)
Member (since 2002): Charles E. Burchfield National Advisory Committee, Burchfield-Penney Art Center, Buffalo, New York.
Peer Review Meeting for the reinstallation of Postal Delivery Murals by Francis Davis Millet at the H. H. Mezenbaum Courthouse, Cleveland, OH, Fine Arts Program, Center for Design Excellence & the Arts, General Services Administration (September 16, 2002).
University Service, 2002: Chair, Department of Art History; Graduate Committee; American Studies Committee; Encyclopedia of Cleveland History Committee.
Reacreditation: The Indianapolis Museum of Art (second member of committee), The Old Jail Museum, Albany, Texas (chair of committee); The Fine Arts Museums of San Francisco (chair of committee, with Mimi Gates, Director, Seattle Art Museum).
2003, Chair, Reaccreditaton of the High Museum of Art, Atlanta, with Jane Spillman, Corning Glass Museum.
John Campanelli (compiler), “Prize and Prejudice: Local art experts judge the aesthetics of the top awards of our time,” The Plain Dealer, Cleveland, Sunday, March 5, 2006, Section L, page 1, my comments on the Academy Award, Golden Globe Award and Heisman Trophy are quoted.
Mentioned by Steven Litt, “Where Credit Is due. As Viktor Schreckengost nears 100 family promotes his life’s work,” Sunday, Arts, The Cleveland Plain Dealer, Sunday May 28, 2006, page J7.
Mentioned in Art in America article on Grant Wood., Sue Taylor, “Wood’s American Logic,” Art in America, January 2006, pp. 86-93. Concludes on page 93 with a mention of “Adams, the first art historian seriously to consider the significance of Wood’s sexual orientation in a homophobic society.”
Mentioned in catalogue on Burchfield, D C. Moor gallery?
Mark Feeney, “In a class by itself, the Addison turns 75,” Arts and Entertainment, The Boston Globe, Sunday, June 4, 2006, pages N1, N7. Quoted several times in article on the Addison Gallery of American Art, Phillips Academy, Andover.
Listed, Who’s Who in America, 60th edition.
Listed, Marquis Who’s Who in the Midwest.
Mentioned on ebay: “Henry Adams, the famous English potter, said that Triumph was one of Viktor’s finest designs for applying decals.” Ebay, January 1, 2006, item 7377705633.
Reference for artist Eric Bransby for the Pollok-Krasner Foundation
Listed, Ohioana Library Association, 274 East First Avenue, Suite 300, Columbus, Ohio 43201
Harvard University, B.A. l97l with Honors in Fine Arts
Yale University, M.A. l977 in Art History
Yale University, Ph.D. l980 in Art History
1997: Professor of American Art, Case Western Reserve University and Curator of American Art, Cleveland Museum of Art.
1996: Interim Director, The Kemper Museum of Art, Kansas City, Missouri.
1994 to 1995: Director, The Cummer Museum of Art and Gardens, Jacksonville, Florida.
l984 to 1993: Samuel Sosland Curator of American Art, The Nelson-Atkins Museum of Art, Kansas City, Missouri. Also Adjunct Professor of Art History, the University of Kansas, Lawrence, Kansas; and (from 1989) Adjunct Professor, University of Missouri, Kansas City.
l982 to l984: Curator of Fine Arts, Museum of Art, Carnegie Institute, and also Adjunct Professor, Department of Fine Arts, University of Pittsburgh.
l98l to l982: Assistant Professor of Art History, University of Illinois at Urbana-Champaign.
l977 to l978: Visiting Lecturer, Wesleyan University.
l977: Teaching Assistant, Yale University.
2005, nominated Writing Award, Northern Ohio Live.
2005, nominated, John S. Diekhof Graduate Teaching Award, Case Western Reserve University.
2001, Northern Ohio Live Visual Arts Award for the exhibition Viktor Schreckengost and 20th-Century Design, ceremony at the State Theater, Cleveland, September 24, 2001.
1994, First IMS Museum Service Award, to the Cummer Museum of Art, honoring it as the museum in the United States which has done most over the last three years to reach out to its community. The award was bestowed by the First Lady, Hillary Rodham Clinton, at a ceremony in the Diplomatic Reception Room of the White House, October 13, 1994.
1992, Listed, "The Great Experts," Art News, September 1992, page 93. The first name listed.
l989, William F. Yates Distinguished Service Medallion, William Jewell College, Liberty, Missouri, for the betterment of life in Kansas City and the Midwest. (Convocation, August 3l, l989.)
l985, Arthur Kingsley Porter Prize of the College Art Association for the best article published in The Art Bulletin by a scholar at the beginning of his or her scholarly career. Awarded to "John La Farge's Discovery of Japanese Art: A New Perspective on the Origins of Japonisme." This was the first time the award, which has been bestowed annually since l957, was bestowed either to an Americanist or to a museum curator. "The author brings a refreshing breadth of perspective to American studies, placing his material in an international context and vividly illustrating that such a perspective may yield large scale ramifications."
l980, Frances Blanshard Prize, Yale University, for the best doctoral dissertation in Art History. ("John La Farge, l835-l9l0: From Amateur to Artist," 455 pp., l79 illustrations).
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